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Love in the merchant of venice
Love in the merchant of venice
Relationships with merchants in Venice
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Shakespeare, provides a brilliant example of 'seeing the other' in his play The Merchant of Venice. Through the course of the play, Antonio's actions indirectly tell of his homoerotic love for Bassanio, and also creates a sense of question of the line between loving friends or lovers. Antonio helps Bassanio win Portia's love, through provisions of money, advise, and offering his life up, ironically meeting the inscription on the lead casket that must be chosen to win her hand: “Who chooseth me, must give and hazard all he hath”(2.7.19-20). The Merchant of Venice's other is Antonio, who “loves the world only for [Bassanio]”(2.8.52).
Antonio's support of Bassanio in courting Portia, with his monetary generosity, are to make Bassanio happy, even at the cost of his own happiness. This creates a fake impression that Bassanio returns Antonio's love, even though Bassanio states: “to you Antonio/I owe the most in money and in love” (1.1.129-130). Bassanio does not have romantic love for Antonio, only that of a friend as his eyes are set on Portia, he is simply asking Antonio for funds to w...
This is the only way out. Antonio devotedly loves a man who cannot return the affections with the same intensity. Bassanio's love which rightfully belongs to Antonio is shared with Portia, the wife. And who is to compete with the love a man has for his wife? Antonio tells Bassanio, "I am arm'd and well prepar'd," in speaking of his impending death (IV.1.264). He has known that eventually someone would have to be removed from this triangle and he is ready to be the one. In dying he need not take part in conflicts for Bassanio's affections. As the third wheel in a marriage, Antonio would be the source of strife for Portia, seeing as she would have to vie for her husband's love and eventually, the unhappiness of his marriage would cause Bassanio to resent Antonio. But dying ensures him the affections he wants without the pain and bitterness of rejection.
Every year, each Secondary 2 class has to stage a modern interpretation of the Shakespeare play The Merchant of Venice, with each class given a particular scene to interpret. The scene assigned to our class, 2K, was Act 4 Scene 1, from Portia’s entry until the Duke’s exit. Though our class is only halfway through the preparations of the interpretation, I feel that I have learnt a lot of invaluable knowledge about the play and the themes conveyed in that particular scene, as well as more about theatrical interpretations and the importance of the roles of the various involved parties.
Antonio, in which he gets to cut off a pound of flesh from his body,
Antonio feels closer to Bassanio than any other character in The Merchant of Venice. Our first clue to this is in the first scene when, in conversation with Antonio, Solanio says, "Here comes Bassanio, your most noble kinsman, / Gratiano, and Lorenzo. Fare ye well: / We leave you now with better company" (i. i. 57-59). Once Antonio is alone with Bassanio, the conversation becomes more intimate, and Antonio offers an indebted Bassanio "My purse, my person, my extremest means" (137). We find out later that Bassanio needs money to woo Portia, a noble heiress who Bassanio intends to marry. And though Antonio is not in a position to loan money at the time, he does not disappoint Bassanio:
In the city of Venice, tension arises between a moneylender and a merchant. William Shakespeare conveys this tension through his play The Merchant of Venice. The play is about a merchant, Antonio, who wants to help his friend, Bassanio, regarding his financial problems. However, Antonio’s money is at sea, so Antonio is forced to borrow money from Shylock who is a Jewish moneylender in Venice. Antonio and Shylock despise each other. Shakespeare uses a variety of literary devices to show how the differing life styles of Antonio and Shylock impacts the tension between them.
Love triangles are complicated and messy scenarios that are caused by the indecision of the person in the middle or the inability of the others to move on. The same is seen in The Merchant of Venice, in which Antonio and Portia fight for Bassanio. Throughout the play we see many bonds or connections between both Antonio and Bassanio as well as Portia and Bassanio. To many, the main plot may seem to be the conflict between Antonio and Shylock, when in reality it’s the love that Antonio and Portia have for Bassanio that leads to everything. The main plot is moved forward by the bonds the two have with Bassanio and the rivalry they have with each other. Nearly everything that happens in the play has to do with their fight for Bassanio. Bassanio uses both Antonio and Portia for his benefits and blind in love, they desperately fight for Bassanio’s love. There is not only a homoerotic relationship between Antonio and Bassanio; there is also a power struggle between Portia and Antonio for Bassanio’s love.
Bassanio in this play seem to be a very good, loyal man and holds many
The fact that Antonio can never have an equal relationship with the Duchess has prompted some readers to feel that his importance as a character in the play is limited, while others suggest that his main role is as a mouthpiece for Webster's own judgements and opinions. To assess the importance of his role we need to consider it relation to the Duchess, and in the context of the play as a whole.
Bassanio wishes to marry her, but needs money to compete against the richer men, which is the reason he borrows money from Shylock on Antonio’s “credit”. This one scene sets up the entire plot of the play, from Bassanio needing money to successfully woo Portia to Antonio’s failure to repay Shylock and the court fiasco to the ending where Bassanio’s true love for Portia is put to the test when she asks for his ring as payment for saving his best friend’s life. In Scene 2, Portia engages in a private conversation concerning her future in regards to marriage with Nerissa, her servant. Readers easily understand that Portia feels weary and trapped, as she states, “O me, the word “choose!” I may neither choose whom I would nor refuse whom I dislike – so is the will of a living daughter curbed by the will of a dead father” (Act 1, Scene 20)....
Portia is thought of as an angel having no flaws, which you can tell when Bassanio describes her to Antonio and says,
William Shakespeare's The Merchant of Venice contains an array of interesting and complex characters. From the alternately generous and grasping Antonio to the alternately love stricken and exploitative Bassanio to the vulnerable and manipulative Portia, this play has an abundance of multi-layered personalities.
Antonio and Shylock are both successful entrepreneurs in Venice but they both have different attitudes and experiences. When Antonio is asking Shylock for the loan he says, “Within these two months – that’s a month before this bond expires – I do expect, return of thrice times the value of this bond.” (1.3.169-170). Antonio and Shylock both are well off and successful businessmen. Antonio, being a man who is treats everyone nicely, lends his good name to Bassanio to woo Portia. Shylock on the other hand, could never do that and is a very greedy man who asks for three times the value of the loan. Also, Antonio is a risk taker and thinks things will always go the right way for him and his success will continue, which is shown when he accepts the high interest rate and the bizarre payment if the money isn’t received. Shylock handles his business straightforward and charges interest because it is his job, although being a very high amount and if it isn’t carried out, Shylock gets his payment of one pound of flesh. Shylock is depicted as the greedy businessman while Antonio is the nice man who tries his luck.
on the flood, or as it were the pageants on the sea, do overpeer the
The Trial Scene in The Merchant of Venice by William Shakespeare Written between 1596 and 1598 "The Merchant of Venice" is not one of. the most performed plays written by William Shakespeare and most productions often use modern times and dress. A modern day audience would be less sympathetic than the audience of that period towards the Jew, Shylock. The play is one of the sixteen comedy plays. The issues being raised in the play would have been understood by the audience.
The various characteristics of Romantic comedies are present in ‘The Merchant of Venice’. The leading themes of most of these plays were Love and Friendship. These comedies were an exposition of Love and its manifold modifications. And on one level ‘The Merchant of Venice’ is also a play about friendship and love. In the first scene itself Antonio displays the nature of love and friendship that he feels for Bassanio,