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Hamlet's relationship to his father
Psychological study of hamlet
Psychological study of hamlet
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Hamlet: Between Pagan and Christian
Hamlet explores the borders between madness and sanity. It is also located, like King Lear, in a frontier area between a pagan revenge ethic and Christian compassion, and between a ruthless, power-hungry adult world and a younger generation with gentler and more conciliatory aspirations. Hamlet's father, who now torments him, was himself a sinner, otherwise he would not have to return to earth as a ghost, demanding revenge. Hamlet is well aware of his father's crimes (III.3.81). Inviting his son to avenge his death is tantamount to turning the clock back, thereby perpetuating a pagan code of honour that seems outdated in Hamlet's own time. For - in contrast to Lear - Hamlet is a Christian of sorts, a fact that hampers rather than helps him in his mission. His Christianity is one of several reasons why he hesitates to carry out the ghost's instructions - and why, in the most famous of his seven soliloquies, he refrains from turning his weapon on himself. He worries that the spirit he has seen may be a devil. Obviously Christian in its origin is...
society. In Beowulf, Beowulf shows extraordinary courage and strength that gives him special status. This notion is shown, when Beowulf fights Grendel and Grendel’s mother, but it is especially noticeable when he fights the dragon. When Beowulf fought Grendel others had the courage to attempt to fight him. The same is true with Grendel’s mother. When Beowulf goes to fight the Dragon, the other warriors cower away into the woods. Beowulf shows his courage by fighting the Dragon. Even when Beowulf is fighting the Dragon and realizes that his sword can do no damage he continues to fight. After Beowulf is on the verge of death he shows a combination of courage and strength by delivering the death blow to the Dragon, and not just laying down to die. Beowulf’s strength is shown when he is able to actually do battle with the Dragon; any normal man would have fallen to the dragon immediately.
In terms of head and neck features, the figures seem to be most distant. While the Apollo statue has a large smile on his face, the Metele has an expression of stern seriousness. The Apollo statue has no more facial detail than cheekbones roughly instilled. The Metele shows complete understanding of the human muscle and bone structure in the face.
...oundation of all living things that exist in this world. The mission of Taoism is not to force its beliefs on people, but to help them realize their inner-self and guide into a happy life in harmony with nature. To best summarize Taoism a quote from Lao-Tse can be used: "We believe in the formless and eternal Tao, and we recognize all personified deities as being mere human constructs. We reject hatred, intolerance, and unnecessary violence, and embrace harmony, love and learning, as we are taught by Nature. We place our trust and our lives in the Tao, that we may live in peace and balance with the Universe, both in this mortal life and beyond." There are thousands of religions that offer endless solutions to end suffering, to restore peace and unity in the world. For decades philosophers tried to come up with ways to find happiness, but in the end there was only one answer. The answer came from a some would call silly, others wise bear by the name of Winnie-the-Pooh, who discovered the secret for happiness in and old religion, founded by a great master Lao-Tse. This religion became the answer for the endless search for happiness and the answer was Taoism.
In this poem, Beowulf exhibits the trait of bravery by defeating the monster, Grendel. This monster was a very powerful monster that plagued the town of Herot. “He slipped through the door… Snatched up thirty men, smashed them/ Unknowing in their beds and ran out with their bodies/ The blood dripping behind him, back/ To his liar, delighted with his night’s slaughter. (11)”
As stated in the first line of the Tao Te Ching, “The Tao we can speak of has already lost its wholeness.” This means that the Tao is a concept too large for humans to comprehend that it cannot be defined or perceived. This is very similar to the idea of Nirvana or Enlightenment that Buddhists believe. It is a state that cannot be understood by those who have not attainted it. An individual who has reached Nirvana can only help others reach it but is not able to describe it. In Herman Hesse’s Siddhartha, Govinda lived his life believing that he can achieve Nirvana through doctrines and teachers. However, through Siddhartha, he learns that Nirvana can be achieved not through doctrines, but through direct experience with the world. Siddhartha explains that he doesn’t believe in teachers and doctrines because wisdom must be learned on your own. It is something that can be influenced but not communicated. Similarly, Chapter 17 of the Tao Te Ching describes that the way of th...
Before going into battle, he tells his men about the royal house and his exploits in its service. Beowulf states, “I am old now,/ But I will Fight again, seek fame still,/ If the dragon hiding in his tower dares/ To face me” (lines 625-628). Beowulf is giving his followers a final goodbye as he goes into battle. He is also letting he’s followers know he is an old man and it will not be easy. Beowulf then enters a hidden entrance, too hot for anyone to stand, a streaming current of fire and smoke has blocked the passage. The beast then awakes knowing that a man has come. In the story it states, “Beowulf/ Swung his shield into place, held it / In front of him, facing the entrance”(lines 670-672). Beowulf and his ancient sword are waiting, ready for battle. The monster then comes quickly towards him, shooting out fire, rapping around Beowulf’s body as he suffers. An author, Laurence Mazzeno, writes,” In his later years, after becoming king in his homeland, Beowulf loses his life in a fight with a dragon that is guarding a hoard of treasure and terrorizing the Geats.”
Throughout the play Hamlet is in constant conflict with himself. An appearance of a ghost claiming to be his father, “I am thy father’s spirit”(I.v.14) aggravates his grief, nearly causing him to commit suicide and leaving him deeply disgusted and angered. Upon speaking with his ghost-father, Hamlet learns that his uncle-stepfather killed Hamlet the King. “The serpent that did sting thy father’s life Now wears his crown”(I.v.45-46) Hamlet is beside himself and becomes obsessed with plotting and planning revenge for the death of his father.
Courage is an act, or thought of true bravery. The will to do something, something heroism is really focused on. Heroism is putting others first by throwing yourself into a mad fray of danger or chaos in order to save another’s life. Beowulf uses battle swords in every challenge he is confronted with such as Grendel, the mother of Grendel, as well as the dragon that began to attack Beowulf’s own people. Beowulf and his most trusted friend Wiglaf defeat the beast, although not without Beowulf being bitten by the beast first. Wiglaf sinks a sword in the dragon 's belly, but this still does not kill the dragon, but rather wounds. Beowulf, with what strength he had left, stabbed the dragon with a dagger and kills him once and for all. Beowulf proves yet another valiant move with the courage he possesses by continuing to fight even when he has little to nothing
The main character, Hamlet, is a character that is not true to others, nor to himself. When the Ghost of his father tells him he was murdered by Claudius, Hamlet doubts the truth. He does not trust the ghost of his father, so has to find a way to prove it. Deciding on how to prove or disprove the Ghost, Hamlet predicts: “The play’s the thing / Wherein I’ll catch the conscience of the King” (2.2, 616-17). Because he distrusts the Ghost, Hamlet is not true to his father. However, when his plan proves to him that the Ghost’s words are true, Hamlet still does not act; he still cannot avenge his father’s murder. Hamlet decides not to kill Claudius, using the fact that he is praying as an excuse. Hamlet does not want Claudius’s soul to go to heaven, therefore he decides not to kill him, explaining: “A villain kills my father, and for that, I, his sole son, do the same villain send to heaven” (3.3, 76-78). However, after trying to pray, the King claims that his prayers were not heard: “My words fly up, my thoughts remain below. / Words without thoughts never to heaven go” (3.3, 97-8). Therefore, had Hamlet chosen to kill Claudius at that time, his soul would have gone to Hell. Hamlet uses God as an excuse for not acting. He is not true and is lying to himself, because he wants to kill Claudius, yet does not.
Lao Tzu believed that Tao is a natural thing. He believes that you come by it or you realize its presents and experience it. The best way for me to explain how Lao Tzu perceives the Tao is to take it directly from our reading in Molloy, “The Doa cannot be named because it has no form. But the Dao can be experienced and followed by every individual thing that has a name (213).” Lao Tzu used Tao as a way of being and living in harmony with nature. Lao Tzu believed that Tao came to you by using his teaching of Wu Wei, Simplicity, Gentleness and Relativity (217-218).
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
Orwell’s Animal Farm closely follows the people and events of the Russian Revolution. In fact, Orwell wrote Animal Farm to convey the evil correlation between revolutions and tyrannies, and to point out the fault in revolutions (“Animal Farm” Literature). The Russian Revolution came about when the Bolsheviks took power after overthrowing Czar Nicholas II and Romanov rule, around the 1920s (Smele). This revolution was the real life version of the Rebellion on Animal Farm, an event in which the animals overthrew the evil humans who owned the farm. Two of the most well-known figures of this time include Joseph Stalin and Vladimir Lenin, who both used and accentuated propaganda. In the novella, Napoleon the pig represents Stalin. Both Napoleon and Stalin became a dictator and stopped any resistance to their power through the use of propaganda (Stults). Old Major, a respec...
...ith moral problems of deep import; recognition of this fact is essential to an understanding of the tragedy.” (Sister Joseph 125) Most every character in the play, whether good or evil, has Christian thought. Hamlet’s decision not to kill Claudius until he knows he will be destined to live in hell, is the main turning point of the play. His fulfillment of his father’s ghost command is the condemnation. Hamlet is a Christian prince whose sense of Christian morals drives his motives in this timeless play by William Shakespeare.
A ghost came into Hamlets life and claimed he know what had happened to his father. At first Hamlet did not believe the ghost. The ghost said, “Revenge his foul and most unnatural murder” (1.5.25). The ghost was telling Hamlet he needs to get revenge on the person who had killed his father. Hamlet character progressed
A common motif in Shakespeare’s many plays is the supernatural element, to which Hamlet , with the presence of a ghost, is no exception. The story of Hamlet, the young prince of Denmark, is one of tragedy, revenge, deception, and ghosts. Shakespeare’s use of the supernatural element helps give a definition to the play by being the catalyst of the tragedy that brings upon Hamlet’s untimely demise. The ghost that appears at the beginning of the play could possibly be a satanic figure that causes Hamlet to engage in the terrible acts and endanger his soul. The supernatural element incorporated into the play is used as an instigator, a mentor, as well as mediation for the actions of the protagonist that ultimately end in tragedy, with the loss of multiple lives, as well as suscept Hamlet’s soul to hell. Shakespeare’s portrayal of the ghostly apparition causes a reader to question whether the ghost is a demonic force on the basis of its diction, conduct towards others as well as Hamlet, and it’s motive to kill.