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The theme of reality versus illusion in A Midsummer Night's Dream
The theme of reality versus illusion in A Midsummer Night's Dream
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Love causes the line between reality and fantasy to blur making characters question if it is all just a dream. This situation is clearly depicted in Shakespeare's a Midsummer Night’s Dream when Robin places the four lovers asleep and they wake up wondering if they have experienced a twisted fantasy. With vivid dreams that often feel real it is impossible to determine if one is awake or actually dreaming. Shakespeare's character Robin Goodfellow stretches this even further by playing countless tricks on mortals making them question the reality they live in, “That you have but slumbered here, while these visions did appear. And this weak and idle theme, No more yielding but a dream.” (V.1.171) Robin believes he has just pulled off his biggest scheme by convincing the mortal lovers that their entire quarrel never happened. He realizes the true cleverness of his scheme by putting the lovers back to sleep and he knows they will question if they were ever truly awake. With no one there to witness these events, there is no proof that they occurred. Robin and the fairies are the main source of confusion regarding reality as they have their own goals leading mortals to easily fall prey as pawns to their games. Bottom the Weaver for example is given an ass’s head thanks to Oberon and Robin. In addition, the potion the fairy queen receives causes her to fall in love with Bottom. However they put him asleep and in a matter of minutes he goes from a fairy king to wondering if it was all just a dream, stating “Man is but an ass if he go about expound this dream. Methought I was-there is no man can tell what.” (IV.1.135) Bottom is hopelessly confused as the fairies play a nasty trick on him, however you can see that Bottom does re... ... middle of paper ... ...d. An even more well known example is the Matrix, where characters enter into an almost alternative world where to them it represents reality. This confusion is reversed from that of a Midsummer Night’s Dream because Matrix characters believe that their fantasies are real, while Shakespeare's characters believe that there their reality is a dream. This blurred line between reality and fantasy is a good thing, especially in a Midsummer Night’s Dream when characters block out their awful quarrel and disregard it as a dream so they can move on and be happy. However today, it can be more of a headache as it merely makes us stop and question reality for a few moments before the thought slips to the back of our minds. Four hundred years later, we still see evidence of Shakespeare's themes in our everyday lives and we will alway question if it is all but a dream.
In A Midsummer Night’s Dream, Shakespeare makes heavy use of hyperbole, the twisting of reality into something greater than what it actually is, in both the dialogue and the ridiculous, larger-than-life nature of the situations that occur to provide a basis for the conflict between reality and illusion, blurring the line that separates the two concepts.
Throughout A Midsummer Night’s Dream by William Shakespeare, there are multiple analyses that one can follow in order to reach a conclusion about the overall meaning of the play. These conclusions are reached through analyzing the play’s setting, characterization, and tone. However, when one watches the production A Midsummer Night’s Dream directed by Michael Hoffman, a completely different approach is taken on these aspects, leading to a vastly different analysis of the work. Though there are many similarities between the original written play A Midsummer Night’s Dream by William Shakespeare and the on-screen production of the aforementioned play which was directed by Michael Hoffman, there are differences in setting and
In conclusion, in A Midsummer Night’s Dream, Shakespeare effectively uses the motifs of the seasons, the moon, and dreams to show that love, irrationality, and disobedience directly cause chaos. By calling to mind the seasons in unnatural order, describing the moon behaving strangely, and discussing the dualistic, irrational nature of dreams, Shakespeare effectively evokes a sense of chaos and disorder. Linking each of these motifs to the themes of love, irrationality, and disobedience allows Shakespeare to illustrate the disarray that is bound to result from any romance.
William Shakespeare’s play A Midsummer Night’s Dream utilizes the technique of multiple characters playing leading roles. The fairy character Puck stands out as a dominant and leading role in the play. Puck is the best fit for the role of the protagonist because he is mischievous and therefore, has the ability to change the outcome of the play through his schemes and actions. As the protagonist, Puck is responsible for creating the major conflict that occurs between the four lovers throughout the play. This is important because the play focuses on the lives and relationships of the lovers. In addition, because of Puck’s interaction with these characters, his actions throughout the play, alters the final outcome. Finally, Puck’s relationship with all the mortals in the play, his connection to his fellow fairies, and the bond he has with his boss, King Oberon make him the best choice for a protagonist.
When working toward any goal, it is human nature to draw on the ideas of others; to consider the successes and failures of others to improve the chances of you succeeding. This is true in many different fields, but most frequently seen in literature. When writing new novels or plays, authors rely on the ideas and storylines of other pieces to give their piece more meaning or direction. This is no different from when William Shakespeare was writing his plays around the 1600’s. One of the more discernable examples of this is Shakespeare using the story of Pyramus and Thisbe when composing both Romeo and Juliet and A Midsummer’s Night Dream, which are a tragedy and a comedy, respectively. In the time of publication, theater was a common form of
Comedy in A Midsummer Night's Dream "why do they run away? This is a knavery of them to make me afeard. "(3.1.99) This is a quote from the Shakespearean play "A Midsummer Night's Dream. " In this quote, the speaker, Bottom, is wondering why everyone is afraid of him.
A Midsummer Night’s Dream is a play of conflicted love. Thus semi-comedy displays the notion of, the spiritual and natural world working together. The play begins with a noble family discussing a planned marriage. Hermia is arranged to marry a man she does not love. In rebellion she and her lover (Lysander) flees to the woods so they can avoid Athenian law. Before leaving Hermia tells her sister about her plans to run away. In desire to gain revenge and find love herself Helena (Hermia’s sister) chases Hermia and her intended mate into the woods. The forest is where the spirits live, the fairy king, Oberon, is desperate to gain the affection of the fairy queen. He saw cupid shoot his love arrow, which landed on a flower. He is determined that,
Shakespeare, William. A Midsummer Night’s Dream. ed. David L. Stevenson. New York: Signet ……….Classic, 1998. Print.
Shakespeare’s use of a play-within-a-play encourages the audience to reflect independently on the nature of art and love, and his favouring the forces of nature and magic as the driving forces of both these intangible concepts leaves the audience with a lesson learnt. Love requires irrationality, and art can be magical if the audience is able to use their emotive functions. Shakespeare provides the audience with cues as to when a suspension of reason is required by his manipulation of verse and metaphor. Ultimately, A Midsummer Night’s Dream warns the audience against trying to understand love by reason alone; the play would fail if the narrative is not free to be fantastical and fantasy can only exist where reality is suspended for a while. Works cited Burke, Kenneth.
Fairies, mortals, magic, love, and hate all intertwine to make A Midsummer Night’s Dream by William Shakespeare a very enchanting tale, that takes the reader on a truly dream-like adventure. The action takes place in Athens, Greece in ancient times, but has the atmosphere of a land of fantasy and illusion which could be anywhere. The mischievousness and the emotions exhibited by characters in the play, along with their attempts to double-cross destiny, not only make the tale entertaining, but also help solidify one of the play’s major themes; that true love and it’s cleverly disguised counterparts can drive beings to do seemingly irrational things.
William Shakespeare often compares imagination and reality in his plays. He explores this comparison through the role and purpose of the forests in Midsummer Night's Dream and As You Like It. Midsummer Night's Dream focuses on imagination and escape, while As You like It focuses on reality and self discovery.
The overriding theme of the play "A Midsummer Night's Dream" by William Shakespeare deals with the nature of love. Though true love seems to be held up as an ideal, false love is mostly what we are shown. Underneath his frantic comedy, Shakespeare seems to be asking the questions all lovers ask in the midst of their confusion: How do we know when love is real? How can we trust ourselves that love is real when we are so easily swayed by passion and romantic conventions? Some readers may sense bitterness behind the comedy, but will probably also recognize the truth behind Shakespeare's satire. Often, love leads us down blind alleys and makes us do things we regret later. The lovers within the scene, especially the men, are made to seem rather shallow. They change the objects of their affections, all the time swearing eternal love to one or the other. In this scene Shakespeare presents the idea that both false love and true love can prevail..
The Role of the Fairies in A Midsummer Nights Dream Introduction = == == == ==
The concept of contrast plays an important role throughout Shakespeare’s A Midsummer Night’s Dream. Shakespeare provides many examples of contrast signifying it as a motif. He groups the ideas of contrast together into those of some of the most important roles in the play. Helena is portrayed as tall and Hermia is short. Titania is a beautiful fairy who falls in love with Bottom, who is portrayed as graceless. Moreover, the main sets of characters even have differences. Fairies are graceful and magical creatures, yet tradesmen are clumsy and mortal. Additionally, the tradesmen are always overjoyed while the lovers are always serious with their emotions. Contrast layers throughout the whole play, as examples are shown in nearly every scene. Contrast becomes a constant, important motif to Shakespeare’s playwrite.
William Shakespeare, born in 1594, is one of the greatest writers in literature. He dies in 1616 after completing many sonnets and plays. One of which is "A Midsummer Night’s Dream." They say that this play is the most purely romantic of Shakespeare’s comedies. The themes of the play are dreams and reality, love and magic. This extraordinary play is a play-with-in-a-play, which master writers only write successfully. Shakespeare proves here to be a master writer. Critics find it a task to explain the intricateness of the play, audiences find it very pleasing to read and watch. "A Midsummer Night’s Dream" is a comedy combining elements of love, fairies, magic, and dreams. This play is a comedy about five couples who suffer through love’s strange games and the evil behind the devious tricks. This play begins as Theseus, the Duke, is preparing to marry Hippolyta. He woos her with his sword. Hermia is in love with Lysander. Egeus, Hermia’s father, forbids the relationship with Lysander and orders her to marry Demetrius. Demetrius loves Hermia, but she does not love him. On the other hand, Helena is in love with Demetrius. To settle the confusion, Theseus decides that Hermia must marry Demetrius or become a nun. In retaliation to her father’s command, Hermia and Lysander run away together. Amidst all the problems in the human world, Titania and Oberon, the fairy queen and king, continually argue about their various relationships that they have taken part in. (Scott 336) Titania leaves Oberon as a result of the arguments. Oberon is hurt and wants revenge on Titania. So he tells Puck, Oberon’s servant, to put a magic flower juice on her eyelids while she is sleeping. This potion causes the victim to desperately in love with the first creature that they see. Oberon’s plan is carried out, but the potion is also placed on Lysander’s eyes. Lysander awakes to see Helena, who is aimlessly walking through the woods, and instantly falls in love with her. She thinks that he is making fun of her being in love with Demetrius, so she leaves and Lysander follows. This leaves Hermia to wake up alone. Puck now has journeyed to the area where several actors are rehearsing. He uses his magic to turn one of them into a donkey, in hopes that Titania will awake to see it.