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Gender roles through history
Ancient greek sexuality
Ancient greek sexuality
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In the romances of the Middle Ages, and in most of today’s genres, sexuality is never explicitly illustrated. To avoid graphic images, authors have used flowery language or intense innuendo to portray sexuality. Just like today’s readers, audiences from the Middle Ages wanted ‘the guy to get the girl’. Sir Gawain and the Green Knight is a satire for the aristocrats of the Middle Ages; when audiences expect romantic and sexual interactions between the Lord and the Lady, the author does not deliver. Sexuality is shaken up and put into different, unexpected places in Sir Gawain and the Green Knight. For example, the anticipated relationship between a man and a woman appears not in the encounters between the Lady and Gawain, but in the Lord’s …show more content…
Normally in the Middle Ages, sexual or romantic interactions between men are avoided. However, despite both the Lord and Gawain possessing immense masculine qualities and being “strong and experienced” (844) knights, they share intimate moments. The Lord and Gawain’s “gracious kisses” (1118) mirror the kisses shared between the Lady and Gawain; Gawain’s actions and “courteous speech” (1117) with the Lord are just as chivalric as his behavior with the Lady. The “three vigorous kisses” (1937) may have been solely because of the Lord and Gawain’s comradery, however it could be interpreted sexually because the gestures are the same. Even if the Lord and Gawain do not have sexual or romantic feelings towards each other, their comradery and friendship is depicted through a lens of …show more content…
Additionally, carnal destruction of meat and flesh serves as an outlet for sexuality. Even the dogs “slobbering with desire for meat” (1909) could be interpreted sexually. Language usually expected in a love scene makes fun of what the reader desires of the Lady and Gawain’s relationship. The reader expects melding of man and woman. Instead, the author delivers “man and boar blend[ing]” (1590) together.
Audiences from the Middle Ages were in search of sexuality in literature. During the Middle Ages, audiences had two different forms of literature from which to choose, fablian and Medieval Romance. Fablian literature was for the masses and it appealed to crowds of lower classes with lewd, scatalogical humor and explicit innuendo. On the other hand, the Medieval Romance genre was for aristocrats and learned peoples with its sophisticated quests and love
Lady Bertilak’s deceptive seduction of Gawain demonstrates this truth and illuminates her motive in seducing Gawain as her flirtatious behavior that “urged him so near the limit” (1771) is clearly an attempt to reacquaint Gawain with his natural feelings. In Camelot, men and women are so civilized that their emotions appear false and manufactured. By seducing Gawain with spontaneity and passion, Lady Bertilak strips Gawain of this control over primal urges. While Gawain attempts to resist these urges that contradict his courtly ways, his submission to kiss lady Bertilak and eventually accept her chastity belt reveals that he has submitted to his natural feelings. With such an orderly and distinguished knight proving vulnerable to his emotion and temptation the author imposes the idea that perfection in terms of morality and way of life is unattainable as feelings cannot be controlled. Lady Bertilak further clarifies the intent of her relationship with Gawain by shaming him for “refusing to love a lady”(1779-1780). This shame is clearly unwarranted as Lady Bertilak is breaching moral statues herself by being unfaithful to her husband; however, the claim does succeed in connecting her seduction of Gawain to the ideas of empathy and genuine affection, revealing the statement as selfish manipulation motivated by the lady’s desire to expose Gawain’s most natural emotions. By
Sir Gawain and The Green Knight has prompted scholars to examine and diversely interpret the medieval narrative. One of the underlying questions that has been proposed embodies the analysis of the relationship between Christian and Pagan ideals and how knightly chivalry is influenced by religion during the Arthurian Romance period. It is no mistake that the two varied religious ideals are intertwined throughout the poem due to the nature of classical antiquity. Amidst the overlap between superstitious rituals and Orthodox- Christian beliefs it is clear that Sir Gawain has a sense of personal integrity guided by a moral compass.
Morgan, Gerald. "Medieval misogyny and Gawain's outburst against women in 'Sir Gawain and the green Knight'." The Modern Language Review 97.2 (2002): 265+. Literature Resource Center. Web. 28 Jan. 2014.
The fact that he is willing to hold to his stated word is evidence enough that he has good ethics. After Gawain accepts the challenge of the Green Knight he promises to let the Knight perform the challenge to himself. Gawain also has respect for women and their wishes. Gawain’s respect is indicated by the immediate response of Gawain to kiss the lady of the castle after she comes in to greet Gawain for the first time. Gawain’s action stems from the lady’s statement, "So true a knight as Gawain is holden, and one so perfect in courtesy, would never have tarried so long with a lady but he would of his courtesy have craved a kiss at parting." The meaning of this quotation is if this man in the bed were truly the noble knight Sir Gawain, he would not have taken as long as he did to kiss the master of the castle’s wife. A few other examples from the ethics of Sir Gawain are the three promises or instances of gift exchanges with the lord of the castle. For the most part, Gawain holds to his word and gives to the castle lord that which he, Gawain, had received each day. The one instance that he breaks his code of ethics occurs when he exchanges the third gift of three kisses with the host, when in all actuality he had been given a girdle by the lady of the castle to aid him in his encounter with the Green
Medieval and Renaissance literature develops the concepts of love and marriage and records the evolution of the relation between them. In Chaucer's Canterbury Tales, Christian love clashes with courtly love, as men and women grapple with such issues as which partner should rule in marriage, the proper, acceptable role of sex in marriage, and the importance of love as a basis for a successful marriage. Works by earlier writers portray the medieval literary notion of courtly love, the sexual attraction between a chivalric knight and his lady, often the knight's lord's wife. The woman, who generally held mastery in these relationships based on physical desire and consummation, dictated the terms of the knight's duties and obligations, much like a feudal lord over a vassal. This microcosm of romance between man and woman was anchored by the macrocosm of the bonds among men and their fealty to their lord. The dominance of women and fealty to the leader in courtly love contrasts with the dominance ...
The Complications of Sexuality in Sir Gawain and the Green Knight Gawain's travels in Sir Gawain and the Green Knight suggest a world in which home--i.e., Camelot--is "normal," while away--the opposing castle of Hautdesert where Gawain perforce spends his Christmas vacation--is "other," characterized by unfamiliarity, dislocation, perversity. And in fact the atmosphere at Hautdesert appears somewhat peculiar, with various challenges to "normal" sexual identity, and with permutations of physical intimacy, or at least the suggestion of such intimacy, that are, to say the least, surprising. The typical journey of medieval romance juxtaposes a "real" world where things and people behave according to expectation with a "magical" world in which the usual rules are suspended. According to this paradigm, we might expect that this poem would place Hautdesert outside the bounds of tradition, separated by its difference from the expectations that govern Camelot and the remainder of the Arthurian world. However, Gawain's journey away from Camelot and back is framed by references, in the first and last stanzas, to the journeys into exile of Aeneas and of Brutus, the legendary founder of Britain, that complicate this apparent opposition.
The second day the lord and his hunting party chase down a huge, vicious boar. Men and dogs are harmed during the chase. Back at the castle Gawain greets the lady as she enters his room, the lady is more flirtatious and as their conversation continues. She continues flirting with Gawain and praises his reputation in Courtly Love. The author writes “Thus she tested his temper and tried many a time, / Whatever her true intent, to entice him to sin, / But so fair was his defense that no fault appeared, / Nor evil on either hand, but only bliss they knew.” (Lines 1549-1553). Gawain escapes her flirting again with only tw...
In the poem Sir Gawain and the Green Knight by Poet Pearl, Sir Gawain, knight of the Round Table, acts chivalrously, yet his intents are insincere and selfish. It is the advent season in Middle Age Camelot, ruled by King Arthur when Poet Pearl begins the story. In this era citizens valued morals and expected them to be demonstrated, especially by the highly respected Knights of the Round Table. As one of Arthur’s knights, Sir Gawain commits to behaving perfectly chivalrous; however, Gawain falls short of this promise. Yes, he acts properly, but he is not genuine. The way one behaves is not enough to categorize him as moral; one must also be sincere in thought. Gawain desires to be valued as
When Gawain spurns the lady 's advances, she questions the validity of his reputation: "So good a night as Gawain is rightly reputed / In whom courtesy is so completely embodied / Could not easily have spent so much time with a lady / Without begging a kiss, to comply with politeness / By some hint or suggestion at the end of a remark. " Here we see the first example of Gawain 's values being thrown into opposition: he cannot hope to hold his honor, fellowship, and chastity without calling his chivalry and courtesy into question. Gawain faces a fork in the road in the first bedroom scene, yet it quickly becomes clear that neither road ends with perfection.
Courtly love was a secret love or romance between the first knight and the king’s lady that would usually begin with something as small as an exchange of looks through eye glances. Next, a declaration is then discussed by both parties to pursue a relationship under the table from their king or anyone else in the castle. “Gawain glanced at the gracious looking woman …Gawain and the beautiful woman found such comfort and closeness in each other company (line 970,1010)”. Sir Gawain had courted Guinevere while he was at kings Arthurs castle but being here in Bertilak’s Castle he now found a much more stunning lady superior to Guinevere, Lady Bertilak. He had really fallen in love with lady Bertilak at first glance and Lady Bertilak was in love with his heroicness. Moreover, the relationship was established, Sir Gawain was to love her and be obedient to all of her commands as well as to always be polite, courteous and to never exceed the desires of the lover. At one point of the story, Lady Bertilak goes to Sir Gawain’s room in the morning while her husband is away and everyone is sleep because she desires to be with him, “I shall kiss at your command ...should it please you, so press me no more (line 1303). Abiding by the rules of courtly love Sir Gawain is to be a good knight and do as she pleases but
Sir Gawain and the Green knight, one of the fourteenth century Middle English alliterative romances told a story of a beheading game which was used to highlight the importance of honor, chivalry and masculinity. The poem, being one of the Arthurian stories, introduced the character of Morgan le Fay who sets the story in motion (by sending the green knight) by wanting to humiliate Arthur’s court and frighten his wife Guinevere. Morgan Le fay’s Character set a story that survived years and is still revered to be one of the best poems. In Sir Gawain and the Green Knight, Morgan le Fay redefines how masculinity is viewed during the Arthurian period.
Bloch, R. Howard. Medieval Misogyny and the Invention of Western Romantic Love. Chicago: U of Chicago P, 1991.
Sir Gawain and the Green Knight is a poem which tells the tale of a knight who undergoes trials-testing the attributes of knighthood-in order to prove the strength and courage of himself, while representing the Knights of the Round Table. One of King Arthurs most noblest and bravest of knights, Sir Gawain, is taken on an adventure when he steps up to behead a mysterious green visitor on Christmas Day-with the green mans’ permission of course. Many would state that this tale of valor would be within the romance genre. To the modern person this would be a strange category to place the poem in due to the question of ‘where is the actual romance, where is the love and woe?’ However, unlike most romances nowadays, within medieval literature there are many defining features and characteristics of a romance-them rarely ever really involving love itself. Within medieval literature the elements of a romance are usually enshrouded in magic, the fantastic and an adventure. Sir Gawain and the Green Knight follows Sir Gawain over the course of one year, from one New Years to the next, as was the deal he and Bertilak, the green knight, struck.
In the Middle Ages, the roles of women became less restricted and confined and women became more opinionated and vocal. Sir Gawain and The Green Knight presents Lady Bertilak, the wife of Sir Bertilak, as a woman who seems to possess some supernatural powers who seduces Sir Gawain, and Geoffrey Chaucer’s The Wife of Bath Prologue and Tale, present women who are determined to have power and gain sovereignty over the men in their lives. The female characters are very openly sensual and honest about their wants and desires. It is true that it is Morgan the Fay who is pulling the strings in Sir Gawain and the Green Knight; nevertheless the Gawain poet still gives her a role that empowers her. Alison in The Wife if Bath Prologue represents the voice of feminism and paves the way for a discourse in the relationships between husbands and wives and the role of the woman in society.
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.