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The history of feminism essay
The history of feminism essay
The history of feminism essay
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Jennifer Egan's The Black Box, reads like a manual or a guide for civilian women that voluntarily choose to go undercover to obtain intelligence on terrorists. Egan's work shows women as being sexually objectified. In this work, women are told that "The goal is to be lovely, innocuous, and evolving surprise" and to "Mirror your Designated Mate's attitudes, interests, desires and tastes" (Egan 16,9). Similarly, in the 18th and 19 century women were expected to complement their men and were seen as property and sexual objects. While this is not a new idea, it resonates in the 21st century still and Egan uses her writing to delve into these subjects. By demonstrating the critiques of women's beauty she takes this sexual objectification further
In the book The True Confessions Of Charlotte Doyle by Avi Charlotte goes on a ship to go see her father in providence. The violence in this book makes the story more interesting to read. An example of violence in the book is when the Cranick gets shot by captain Jaggery because Cranick and the crew tried to kill captain, but failed. For this reason the captain is mad so he chooses Zachariah to take the punishment, by whipping him.
Little Girls in Pretty Boxes and The Scarlet Letter. Both authors persuade the reader to feel pain of the stories subject. In Little Girls in Pretty Boxes the author used pathos and interviewing to share the stories of these overly dedicated youth. Joan Ryan wrote to show how these young, talented, sophisticated women can hide the harsh reality of the sport. In her biography she listed the physical problems that these young girls go through. They have eating disorders, stunted growth, weakened bones, depression, low self esteem, debilitating and fatal injuries, and many sacrifice dropping out of school. Whereas the Scarlet Letter is a fictional drama that uses persuasion and storytelling to involve the reader. Nathaniel Hawthorne discusses
The influence family members can have on the development of a child is enormous; they can either mold a healthy mind or drive a child toward darkness. Jennifer Egan’s Safari is a short story that highlights the different relationships in a family with a complicated background. Rolph and Charlie come from a divorced household and join their father, Lou, and his new girlfriend, Mindy, on an African safari. As the events of the trip unfold, Lou’s children experience a coming of age in which they lose the innocence they once possessed. The significant impact of family dynamic on children’s transition into adulthood is presented in Safari. Jennifer Egan uses Mindy’s structural classifications of Charlie and Rolph to demonstrate how Lou and Mindy’s relationship hinders the maturation of the two kids.
... within the prison society. The author uses the book to help women in the prison society and outside the enclosed walls find themselves.
Reading Chapter 11, “Genders and Sexualities,” written by Carrie Hintz was to construct and enact alternatives for these two traditional categories. Data is clearly indicated that sexual material is some of the most controversial content in literature. Children’s literature that is involved with adolescent’s childhood are key battlegrounds for attitudes about gender and sexuality. The significance of gender and sexuality in children’s literature is the persistent investment in what is perceived to be the innocence of children. Innocence is defined in part by children’s enforced ignorance of sexual matters. According to James Kincaid, “Youth and innocence are two of the most eroticized constructions of the past two centuries. Innocence was that
The empowerment of women is the major factor in the two pieces written by Susan Glaspell. The male detectives couldn’t figure out what may have happened, but when the women try to bring all the pieces together, they are thrown aside and not substantive. Glaspell shows how the women acted as if they were detectives, much more than the men by being contributing to the fact that they solve the case, showing they were just as valuable as the men, and actually much more.
about marriage that our society assumes to be true today. These include ideas about single
As a result, women were stuck at home, usually alone, until their husbands got home. In the story, Jane is at home staring at the wallpaper in her room. The wallpaper’s color is described by Jane as being “repellent, almost revolting” (3) and the pattern is “torturing” and “like a bad dream” (10). The description of the wallpaper represents Jane’s and all women’s thoughts about the ideologies and rules upheld by men prior to the First World War. It is made evident that this wallpaper represents the screen made up of men’s ideologies at the time caging in women. Jane is subconsciously repelled by this screen and represents her discovering continuously figuring out what she wants. Metaphorically, Jane is trapped in that room by a culture established by men. Furthermore, Jane compares the wallpaper’s pattern to bars putting further emphasis on her feelings of being trapped and helpless. Later in the narrative, she catches Jennie staring at the wallpaper’s pattern and then decides to study the pattern and determine what it means herself. Her study of the pattern is representative of her trying to analyze the situation in which she’s in. By studying the pattern, she progressively discovers herself, especially when she sees the woman behind the
Wolf, Naomi. The Beauty Myth. How Images of Beauty are Used Against Women. New York: William Morrow, 1991.
According to “The American Heritage Dictionary of the English Language”, the word “feminity” is defined as “the quality or condition of being feminine or a characteristic or trait traditionally held to be female.” Further speaking, feminity is formed by various socially-defined and biologically-created gender roles played by women influenced by a number of social and cultural factors. For example, the traditional gender roles of women include nurturer, birth giver, homemaker and caregiver. However, marked by a series of women's rights movements starting from the 19th century, women’s gender roles, as well as the ways how society and men perceive women, have been largely changed. This significant change, described as a process of female awakening, was widely reflected in many contemporary literature works. This essay will specifically focus on the construction of feminity in two short stories, “Hills Like White Elephants” by Ernest Hemingway and “The Stoy of an Hour” by Kate Chopin through examining how the authors define “feminity” in their treatment of female characters.
...r is much more difficult and requires extensive analysis. Female characters in American detective novels, stereotypically, exude the same blatant sexuality, helplessness and naivete and are therefore forced to exploit the only strengths they have in order to not be overwhelmed by the more forceful male characters. As can be seen in The Maltese Falcon the three female characters strive to maintain their power by any means necessary. Ironically, the character that exhibits the most masculine qualities and is the least sexual is the most successful. This proves that masculinity is equivalent to power and therefore women are powerless on many levels. The role of women is fairly constant in hard-boiled novels, and the struggle for power and control is an ever present theme.
In my research essay for my English Composition 2 class, I will be analyzing the different gender roles in Notes from the Underground and Death of a Salesman. Often times, in American Literature work, gender roles are used very differently due to whomever wrote it. This story and play fall into the category of “traditional” gender roles that are given to males and females based off of society and what is expected of males and females. I will use the gender approach to explain that roles in families and society are based off of gender. I will also compare a feminist approach to the gender approach and see how they are different. In Author Miller’s Death of a Salesman and Fyodor Dostoyevsky’s
Sexual objectification refers to the way in which a person sexually reduces another by treating them as a mere sex object (Halwani). Sexual objectification is rarely referred to as a benign topic, though throughout this evaluation, an enlightened, thou broad range of opinions are discussed emphasising the ambiguity of the term in relation to the morality of sexual objectification. Halwani’s definition only embraces ‘treatment’ and or the ‘behavioural’ aspects of sexual objectification, nevertheless Halwani recognises that the process by which someone is sexually objectified occurs most frequently throughout the following scenarios: During casual sex, as the parties desire nothing more than the others body party, essentially their sexual parts. When we look at naked pictures of people and become intrigued by their sexual aspects. Engaging in pornography, as the material already objectifies it’s actors as models (Halwani). Perving on a person’s bodily features such a “her booty” as he or she walks by. Catcalling, by reducing the person solely to their physical appearances and lastly, fantasising about someone, as it objectifies them solely on their physical appearances and can in turn symbolise men or women holistically (Halwani, 2010, pp 186). Allowing for a broader discussion in relation to when sexual objectification is morally permissible (if ever), idea’s constructed by Immanuel Kant, Martha Nussbaum and David Soble are broadly evaluated in order to construct when sexual objectification is permissible.
Many times in stories, authors use literary elements to help capture a story’s overall meaning or help the reader better understand the story. Charlotte Perkins Gilman is one of those authors which uses identity and gender roles to develop the idea that women in society are considered to be a traditional stay at home wife. She also uses a lot of figurative language to demonstrate how women were in a sense trapped and had to stay at home while men go out and work. If women were allowed to do what they wanted then the character’s insanity in “The Yellow Wallpaper” wouldn’t have been questioned and in “Mrs. Elder’s Idea” the character wouldn’t have felt so discontented with her lifestyle as a wife living with her husband.
As Virginia Wolfe once stated, “For most of history, Anonymous was a woman” ( ). The word female has had countless meanings throughout its lifespan. Females can be seen as lowly and cheap, regal and sophisticated, or weak and underutilized. It has only been in the last 70 years that women have gained a foothold in society, to gain the rights they deserve. In the late 1800’s a new writer Charlotte Perkins Gilman questioned society’s views on the idea of being female and tried to make them understand that females are a force to be reckoned with and not a doormat for men to step on. She would not stand to be labeled anonymous.