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Representation of genders in media
Essays on the influence of sexism in music
Representation of genders in media
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Unlike their male counterparts, female artists are defined by their appearance. Constantly under the microscope of the media, female artists are publicly chastised for every outfit worn and each selfie posted. The standard of media scrutiny placed on these female artists not only affects these specific women, but this sexist attitude is then transferred over to our society. Through demeaning lyrics, sexually objectifying music videos, and the prevalence of internalized sexism, music media’s current portrayal of female artists perpetuates a societal norm of sexism in our society. As sexually objectifying lyrics have become more commonplace and rhetorically blatant in recent years, it is hard to find popular music that does not perpetuate negative …show more content…
Through analyzing popular music content, researchers at the University of California in Santa Cruz and the University of Wisconsin in Madison found that 90% of music videos feature women in sexually objectifying sequences (Grabe & Hyde 2843). In addition, researchers found a linkage between music video viewing and “traditional gender-role attitudes and a stronger acceptance of women as sexual objects” (Grabe & Hyde 2843). By categorizing music videos into genres to analyze, research at the University of Missouri found that R&B/hip-hop, pop and country music videos featured sexually objectifying sequences most prominently, respectively (Aubrey & Frisby 475). Each genre used different visuals that aligned with its genre norms, however, every example conveyed the same resounding message of sexism. For example, R&B singer R. Kelly’s 2013 music video for his song “Cookie” features the singer in a mansion filled with women dressed in skimpy, lingerie-esque versions of maid costumes. R. Kelly is the only male featured in the video, and throughout the video he remains fully clothed while his female companions wear lingerie or swimwear as they provocatively dance around him (Nazario). Similarly, former tween heartthrob Jesse McCartney is the only male featured in the music video for his 2010 popular single, “Shake”. …show more content…
The study claims that today’s culture allows women in media to “‘choose’ to be portrayed as sex objects” which in turn translates to “a victory for feminism” (Hatton & Trautner 66). While there is no doubt to the existence of female empowerment in music media, this study fails to compare the margin of these feminist articles to the industry standard. These few and far between instances of positive praise to these women cannot compare to the countless instances of blatant sexism that occur in today’s media sphere. A 2013 content analysis on popular media indicated that 39.3% of consumed media includes sexualizing messages, equaling “21 sexualizing references per hour on average” (Vandenbosch, Vervloessem & Eggermont 186). Even though some media outlets occasionally exhibit respect for these female artists, it is far from commonplace for a popular publication to maintain a completely anti-sexist media presence. This observation just goes to show the inherent sexism towards women in
I. Introduction Gender plays a big role in music, I became aware of gender role in music when noticing how most songs talks about women and how they are being either exploited or empowered. Most music videos even in the 80s either objectified women or respect sexuality. Women are usually sexually alluring in music videos, stage performances and even in the song lyrics. Most music video uses video vixens or video girls that are usually dressed or performing sexually. For example, “Siouxsie Sioux frequently performed wearing black leather and rubber bondage attire, as well as heavy eye make-up, making overt statements about her sexuality.
Will sexism ever come to an end in today’s society? Are women going to let men step all over them? Jennifer Mclune discusses in her article, Hip-Hops Betrayal on Black Women, how black male singers objectify and degrade black females in the music industry. The purpose of this article is to show how black women are being deceived in the hip hop industry and being used as sex symbols instead of showing them for their true colors. Mclune (2015) voices her strong argument in attracting her audience by using ethos, tones, and the use of word choices.
In The Venus Hip Hop and the Pink Ghetto, Imani Perry argues that the over-sexualized, unattainable bodies of black women in popular culture will lead to the breakdown of feminism and the positive body image of the everyday black women. As hip hop music continues to become more popular, the sexist messages presented in lyrics and music videos are becoming more common to the everyday public, including young black girls developing a self-image. Instead of these girls being exposed to healthy, positive role models who encourage individuality and that there is more to a woman than her body they are given hip hop video models whose only purpose is to look sensual on screen. The strong women that do exist in the hip hop genre are pushed to sexualize themselves or their lyrics to sell records or stay relatively unknown. Although Perry’s arguments are logical, I believe that she is creating a slippery slope of logic. A genre of music cannot destroy the self-image of black women that has existed for generations.
Today, the media plays an essential role in the Western civilization. Considering this, entertainment, social media, and the news are all intrinsically valuable media literacy devices. In addition, the media “helps to maintain a status quo in which certain groups in our society routinely have access to power and privilege while others do not” (Mulvaney 2016). For instance, both in the music and pornographic industry the female body is perceived as a sexual object. In Dreamworlds 3: Desire, Sex & Power in Music Video, Sut Jhally mentions that “examining the stories that music videos tell us about both male and female sexuality, about what is considered normal, allows us to do more than just understand one aspect of our culture” (Jhally 2007).
In Rodger’s article, she describes the Lennox’s transformation as fully beginning when she became part of the group “Eurythmics”. This happened around the same time MTV launched their music channel. “Music videos were quickly becoming an integral part of popular music” (Rodger 18). With the emergence of music videos as an important part of music, it was important to make these videos stand out and be different. Lennox did this by putting on a performance in her music videos. She did this through props as shown in her “Love is a Stranger” video. She employed the use of costumes, makeup, wigs, “movement and body language” (Rodger 19). She also uses fetish gear in the video. Her body movements change depending on which gender she is depicting. Her movements are more fluid in the beginning when she is big haired blonde beauty and as the video continues, her movements become more rigid.
In society today, media such as movies and music share huge roles in the dynamics of culture especially concerning communication. In Dream Worlds 3: Desire, Sex, and Power in Music Video we see how famous singers and producers in the making of their music videos have the power of illustrating our language and beliefs. From the music we listen to and things we watch, we are constantly gaining new knowledge by the message that is being presented to us. The main focus of this specific documentary was how women in the music or media industry all together are treated. From this documentary and lectures in class we see that media objectifies, stereotypes, and degrades women and their bodies as advertisements and money makers. Themes in the film discussed
Within the booming business that has become the rap world, certain musical themes and issues are more prevalent than most. In addition to such topics as drugs, alcohol and police brutality, a dominant theme within rap music is the denigration and derision of women. Indeed, as the above lyrics to Akinyele's song “Put It in your Mouth” illustrate, many male rappers use violent and misogynistic lyrics to create an image of women that is both degrading and disgusting. The graphic and shocking nature of this particular type of rap causes it to be widely publicized, and thus it serves as a definition of rap for a majority of people today. However, there are a number of female artists within the rap music genre spreading messages of female empowerment and respect, not denigration. These female artists, often ignored due to the hype surrounding their male counterparts, use their lyrics to create raps which focus on life as women; dealing with issues of love, power, and discrimination. The face of women in rap culture is both multi-faceted and contradictory.
This study works to examine the use of sexual objectification of women in music videos today. The primary purpose was to examine the differences between genres, specifically hip-hop and country. I tested the following; Women are more likely to be sexualized in hip-hop music videos than in country music videos.
In contrast, today’s popular music is of a secular origin. Some types of contemporary music mirror the decline in our value system. The “pop” or “hip-hop” culture is characterized by explicit sexuality, habitual use of profanity, and depiction of extreme violence in music and all other forms of entertainme...
There are many people who criticize rap music for its intolerance towards women and its effect on the youth of today, and those criticisms are warranted. Rap music has long had the “tendency to represent misogyny at its true best, capturing the essence of women in the oh-so-catchy rhymes of debased and objectified, crude animal forms” (Farooq 1). Rap music not only offers up ideas of disrespect towards women, but condones these actions! This music preaches using women as nothing more than objects of pleasure. In addition to the devaluing of society that misogynistic rap music promotes, the ideas presented in rap music are having a very negative effect on today’s youth. “Rap music and hip hop, with their particular emphasis on sex and demeaning depictions of women, were blamed for encouraging early sexual behaviour” (Rap Music Blamed 1). These lyrics are pushing sexuality onto children at a younger age each year. Everyone sees the pre-teen girls walking around the malls dressed up in mini-skirts and crop tops with more makeup than your average clown, drawing lewd stares from males of all ages. The over-sexualized attire and attitudes are the beginning of a self-destructiv...
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
Misogyny and degradation of women is present in almost every genre of music, yet the one genre that completely revolves around demeaning women is rap. Over the years rap and rap music videos have continually become more sexual and degrading towards women. Rap has been criticized numerous times for this reason, and that is because rap is one of the most popular genres of music for the younger generations. It is more than a genre of music, it is a complete industry filled with clothing and other merchandise. The reason this constant demeaning of women exists is because rap as a genre that rewards the objectification of women. The excuses used to justify the misogyny in rap are incomplete and lack accurate support. The most effective way for this continuous cycle ends, is if the fight and protest comes from the women themselves. Men are the problem in the objectification of women but in order for it to stop, women need to step up and take control of the situation.
The effects of objectifying women in music videos are entirely negative. Women grow up with the idea that they should always seek to attain a men’s attention. Hip-hop music videos do not represent females as the human beings that they really are. This creates an inequality o...
Important findings Most notably found in the content analysis of 75 songs was the disparity between the number of references per song and gender as they vary in genre (see figure 14). In all genres studied, the number of male references outnumbered that of female references. These results support the idea that songs that are recorded by men have more references to sexual topics. Despite seeming mildly varied when divided into the coding genders, (shown in figure 14) when shown broken down by simply male or female artist, there is a ginormous disparity (see figure 15).
The lyrics of music play an important part of interpreting the meaning of the song. The roles which women have been allowed by the society to embody have changed drastically. Women may question their roles because of what they see portrayed by popular culture or media. Change in female’s identity can be seen in how women are viewed or how they portray themselves in popular culture specifically through music. In general, music continues to...