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Fidelity and marriage in the canterbury tales
Medieval society's view of women in the Canterbury Tales
Medieval society's view of women in the Canterbury Tales
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Geoffrey Chaucer uses sex as a manipulative instrument in The Canterbury Tales.
Portraying sex as a power that women exert over men rather than the marital bond of “making love” makes evident Chaucer’s skewed views of love and marriage with underlying tones of misogyny. He expresses these views throughout the work, however, the theme of love and sex is most evident in the sub-stories of The Wife of Bath and The Miller’s Tale.
Chaucer breaks the topic of sex into two basic parts: carnality and romanticism. Although carnal love is a controversial topic, Chaucer dives into the subject by creating characters with ferocious appetites for sex and the means to accommodate their desires. Whereas, to address romanticism, he relies heavily on courtship and the introduction of relationships that are means of satisfying ones carnal desires or simply to accommodate one’s natural desire for power over others.
The Wife of Bath introduces sex as nothing but a carnal need and as a constant struggle to gain the “upper hand” as well as material items. Most of this tale’s roots are located in the prologue where the wife discusses her personal sexual exploits with her previous five husbands. Chaucer presents an internal conflict when the wife momentarily questions the moral implications that being married five times casts on her. Her conflict ends with the comparison of herself to men of the Bible, “A holy man was Abraham, I know, And Jacob, too, as far as they may go”, then telling of their circumstances as presented by the Bible, “Yet each with more than two wives come to dwell” (Chaucer). The wife presents her view on the roll of sex in relationships subtly at first in ways such as referring to male genitals as a “hanging purse”, indicating her u...
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...both a material object and a comedy, decreasing its seriousness and ultimately decreasing the repercussions for degrading the unspoken rules of it as an institution.
Works Cited
Aers, David. "Chaucer: Sex, Love and Marriage." Chaucer, Langland, and the Creative Imagination. Boston: Routledge & Kegan Paul, 1980. 144-73. Print.
Bloom, Harold, and Blake Hobby, eds. Human Sexuality. New York: Bloom's Literary Criticism, 2009. Print.
Brewer, Derek B. "The Miller's Tale." N.d. Bloom's Literary Reference Online. Web. 15 Dec. 2013. .
Chaucer, Geoffrey. The Canterbury Tales. N.p.: n.p., n.d. About.com: Classiclit. Web. 16 Dec. 2013. .
Miller, Mark. Philosophical Chaucer: Sex, Love, and Agency in the Canterbury Tales. Cambridge: Cambridge UP, 2004. Print.
Relationships portrayed by Chaucer’s and Malory's stories show how corrupt women are because they always destroy their relationship due to their self-obsession of getting things they want. Women kept secrets from their husbands because they knew what they were doing was wrong. In the Wife of Bath, the Merchant was oblivious to the fact that
Nelson, Marie. "Biheste is Dette: Marriage promises in Chaucer's Canterbury Tales." 2001. Dept. of English, Wentworth University. 15 July 2003 <http://www.wentworth.edu/nelson/chaucer>
Mandell, Jerome. Geoffrey Chaucer : building the fragments of the Canterbury tales. N.J. : Fairleigh Dickinson University Press, 1992.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Berkeley: U of California P. 1992. Print. (Kennedy Library PR1928.W64 H36 1992)
In the words of the Broadview Anthology’s introduction to the Wife of Bath, she is “a sexually experienced cynic who teaches young people the tricks of love…. The Wife’s history and the literary shape of her prologue conform to many of the traditional misogynistic stereotypes found in her husband’s book” (Broadview 298). Why would Chaucer write such a clever portrayal of personal pleasure through the eyes of a woman, and yet design her to possess every quality so despised and abhorred within her so-called lifetime? Because the audience of this poem would probably include wives, and because everything the Wife describes is almost laughably vulgar, it can be understood that this poem would not be interpreted literally and women would instead be forced to listen to an account about female power, desire, and pleasure written, unfortunately, as cruel satire of their
Toswell, M.J. "Chaucer's Pardoner, Chaucer's World, Chaucer's Style: Three Approaches to Medieval Literature." College Literature 28.3 (2001): 155. Literature Resource Center. Web. 25 Feb. 2011.
In the Geoffrey Chaucer’s Canterbury Tales, Chaucer illustrates the different perspective between men and women on the concept of marriage and love. In The Wife of Bath’s tale, it is shown the woman appreciating marriage and wanting to be able to love a man unconditionally as where in The Miller’s Tale, love isn’t anything, but sex with the man in the story. In accordance with Chaucer, the complication with marriage is that men are consumed by sexual desire and are easily abused by women like The Wife of Bath. As noticed, The Miller’s Tale is all about adultery. “Just like men, the wives have secrets, as does God”, says the Miller. Both have information that the other do not know about that are sacred and better left unsaid.
In both the Miller’s Tale and the Wife of Bath’s Tale, Chaucer uses his characters and stories in order to project various stereotypes to the reader. Although varying a tad bit throughout the book, the tone that seems to be drawn from the stories is that women are manipulating, sinful, and power hungry, while men are considered gullible and rash. Its through understand and analyzing these stereotypes that we can fully understand what Chaucer’s stories are trying to convey to us.
The structure Geoffrey Chaucer chose for his masterpiece, The Canterbury Tales, of utilizing a melange of narrative voices to tell separate tales allows him to explore and comment on subjects in a multitude of ways. Because of this structure of separate tales, the reader must regard as extremely significant when tales structurally overlap, for while the reader may find it difficult to render an accurate interpretation through one tale, comparing tales enables him to lessen the ambiguity of Chaucer’s meaning. The Clerk’s Tale and The Merchant’s Tale both take on the institution of marriage, but comment on it in entirely different manner, but both contain an indictment of patriarchal narcissism and conceit.
Hansen, Elaine. Chaucer and the Fictions of Gender. Berkeley: University of California Press, 1992. 188-207.
Hansen, Elaine Tuttle. Chaucer and the Fictions of Gender. Los Angelos, CA: University of California Press, 1992. Print.
From The Riverside Chaucer, Third Edition. Ed. Larry D. Benson, Ph.D. New York: Houghton Mifflin, 1987. Chaucer, Geoffrey. A. The Canterbury Tales.
Hansen, Elaine Tuttle. (1992). Chaucer and the Fictions of Gender. University of California Press, Ltd: England. (pgs 188-208).
In the Middle Ages, when The Canterbury Tales was written, society became captivated by love and the thought of courtly and debonair love was the governing part of all relationships and commanded how love should be conducted. These principles changed literature completely and created a new genre dedicated to brave, valorous knights embarking on noble quests with the intention of some reward, whether that be their life, lover, or any other want. The Canterbury Tales, written in the 14th century by Geoffrey Chaucer, accurately portrays and depicts this type of genre. Containing a collection of stories within the main novel, only one of those stories, entitled “The Wife of Bath’s Tale”, truly outlines the 14th century community beliefs on courtly love.
Women have the ability to get what they want, when they want it. Chaucer portrays the Wife of bath as the dominant person in her marriages. She looks at men as her trinkets to be used and played with. She moves from one man to another, always looking for more. The Wife of Bath is a control freak, wanting to have sex when she desires it and with whom she desires.