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The portrayal of women in literature
Depiction of women in literature
Depiction of women in literature
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Keen found his father in the main pallor were they all hung out. He walked over and sat next to him. “I have a problem, I met someone that is both and neither my Servant or Mate.” River laid down his newspaper coughed and replied. “Could you be any more ambiguous?” Keen glanced down worried. “Her name is Shaylin Madiso, and when I look at her I feel a slight Servant bond, however I also feel some elation, but my heart does not skip a beat when I gaze into her eyes.” Shadow come walking in with two glasses of blood, and almost dropped them upon hearing of a possible female Servant. Shadow quickly handed the glasses to River and Keen then asked. “Did I hear you right? A female Servant” Keen nodded his head, “I hope not because I am very fascinated with her, and her father is coming this weekend to speak with you, Father.” River sat his glass down, “I can only imagine his concerns, we shall welcome them, and until then do not try to mark her as a Mate or claim her as a Servant.” …show more content…
Keen watched Shadow leave the room without bowing or even asking permission to leave and heard Shadow mumble under his breath.
“Wow! A female Servant, could it possibly be true.” Then a peculiar sensation of jealousy came over him. Keen felt sure he was over reacting after all Shadow was married to his Mother, and was a Servant. Servants don’t require the same kind of affection as a Vampire. Then he heard his Father’s voice, “Well, that was peculiar I have never witnessed Shadow loss himself to the point of disrespecting me.” Keen glanced at his Father, “Oh good, then it wasn’t only me noticing his disrespect.” All of a sudden Shadow came bursting into the room bowing and sincerely apologizing. “Master River, Master Keen, my apologies please forgive me I temporally lost my head.” Keen mumbled under his breath, “and you should loss your head over that.” Unfortunate for Keen River heard him. “Keen,
silence.” River put up his hand to stop Shadow. “Shadow, what is your opinion on the possibility of a female Servant? Have you had any unusual hungers or yearnings in the recent years?” Shadow’s smile was immense as he replied, “No Master, since the arrival of Goddess Rae I have wanted for nothing.” River dismissed Shadow and warned, “If anything changes you must let me know.” Shadow bowed, “Yes Master.” River turned an unyielding glare on Keen. “I have a feeling this little girl Servant is going to be a problem. I do not like what I witnessed from you, Shadow has been my Servant for 16 plus centuries, and while you are my son I still will not have any disrespect toward Shadow. Do you understand me? I’m not sure if you have noticed, but your Mother is quite fond of Shadow if she heard your disrespect toward Shadow you would probably be locked in your room right now.” River stood and interrupted Keen’s response. “Even if Shadow developed sentiment for your Servant he would not entertainment the idea out of respect for our bond, therefore I expect you to have the same respect for him.” “Father, I don’t feel she is my Servant. I have deliberated between Servant and Mate, and I fear I have fallen in love with her, --- at first sight.” River nodded his head and turned back to face his son. “I will know your connection upon seeing the two of you in the same room. If she is a Servant I will forbid you to mark her, --- it could kill her.” “Father one more question. Has a Vampire ever refused to mark his Mate?” River raised one eye brow, “Good heavens no, why would you ask such a foolish question?” Keen stood to follow his father out of the room. “If I love her as more than a Servant, but can’t claim her as a Mate, then my Mate comes along what will happen if I don’t claim her, because I love my Servant?” River placed his arm around Keen’s shoulder leading him to the dining hall. “I was hoping to avoid telling your Mother about all this nonetheless it has gone deeper than I thought therefore I will be discussing it with her in the morning before our sleep.” Keen shrugged his shoulders, “I will be prepared for her wrath.”
Florence is in her headquarters at the hospital, she works at. She is writing a letter to a patient's mother. When all of a sudden, Mary, a fellow nurse, walks in. Mary and Florence talk about how nice it is to work with each other and how happy Mary is here. Mary quotes, “ I’m glad I’m here with you Miss Nightengale. Good Night.” at the end of their discussion.Also, they talk about how both of their families don’t really want them there. They talk for a little and Florence seems very at home and happy. Later, after Mary had left, two gentlemen come to talk to Florence. It is Dr. Goodale and Dr. Hall that have come to speak with her. After talking for a while they both leave and let Florence to her work. In the hospital, Florence seemed like an entire new person, she was much more
“It was a large, beautiful room, rich and picturesque in the soft, dim light which the maid had turned low. She went and stood at an open window and looked out upon the deep tangle of the garden below. All the mystery and witchery of the night seemed to have gathered there amid the perfumes and the dusky and tortuous outlines of flowers and foliage. She was seeking herself and finding herself in just such sweet half-darkness which met her moods. But the voices were not soothing that came to her from the darkness and the sky above and the stars. They jeered and sounded mourning notes without promise, devoid even of hope. She turned back into the room and began to walk to and fro, down its whole length, without stopping, without resting. She carried in her hands a thin handkerchief, which she tore into ribbons, rolled into a ball, and flung from her. Once she stopped, and taking off her wedding ring, flung it upon the carpet. When she saw it lying there she stamped her heel upon it, striving to crush it. But her small boot heel did not make an indenture, not a mark upon the glittering circlet.
Jude, Nel’s husband, and Sula have intercourse and betray Nel. Yet, it is Sula, not Jude who hurts Nel the most. Now Nel's " thighs were really empty” (1037) and it was Sula who had taken the life from them. Nel's happiness left when her thighs went dead. It was too much. “To lose Jude and not have Sula to talk to about it because it was Sula that he had left her for” (1037). Sula was confused. “They had always shared the affection of other people” (1041). “Marriage, apparently had changed all that” (1041). The friends no longer benefited from each other's company. Nel was no longer a host for
...seful miscommunication between men and women. Lastly, when looking through the imagined perspective of the thoughtless male tricksters, the reader is shown the heartlessness of men. After this reader’s final consideration, the main theme in each of the presented poems is that both authors saw women as victims of a male dominated society.
The stream of consciousness establishes a healthy confusion because all three women of 124, including Beloved, attempt to identity Beloved. Yet, Beloved’s identity becomes more complex. Sethe begins to identify Beloved by stating that “She my daughter. She mine” (236). Morrison includes possessive pronouns to show Sethe’s ownership over Beloved, thus identifying Beloved as her daughter. Morrison continues this idea by leading the reader through Sethe’s thoughts. “Had to be done quick. Quick. She had to be safe”(236). This is one of Sethe’s thoughts concerning her daughter’s death. Morrison includes the verb to have to show Sethe’s determination. If a person must do something, it implies that the person had no choice and the result was the only possible outcome. Just like Sethe’s decisions, the action was quick. Morrison uses short sentences and repetition of quick to express Sethe’s decision and lack of thinking. These devices provide a rushed mood. This quote shows Sethe’s reasoning behind her choice and allows her to connect adult Beloved to her Beloved. Morrison continues Sethe's idea, “but that’s all over now…and my girl come home” (237). This quote expresses Sethe's self-forgiveness and acceptance of the past. Moreover, it shows Sethe's belief that the adult Beloved is her daughter. Morrison shows Beloved’s thoughts last. “I am Beloved and she is mine” (248). Morrison includes this quote to make
After the death of Jane’s parents, her uncle Mr. Reed has taken her in with his family to a mansion called Gateshead Hall. Nine years after Jane uncle has past she has been trapped in Gateshead Hall while suffering the bitter treatment of her aunt Mrs. Reed. Mrs. Reed was resentful of her husband’s favoritism toward Jane and takes every opportunity to neglect and punish her. When Jane is punished by Mrs. Reed she would be sent to the red room by two of Mrs. Reed servants, Bessie and Miss Abbot. The red-room was “a spare chamber, it was one of the largest and stateliest chambers in the mansion” and in this every same chamber is where Jane uncle past (8). Not only did Mrs. Reed treat disrespectfully but her own son, Jane’s older cousin John Reed. John Reed would abuse and punish Jane several times a day, in the words of Jane; “every nerve I had feared him, and every morsel of flesh on my bones shranked when he came near”(4). Everyone would ignore Jane’s plea for help especially Mrs. Reed who would act be blind and deaf on the subject. No one except for Mr. Reed show any love and care for Jane during her childhood in Gateshead Hall. Jane said “I was a discord in Gateshead Hall; I was like nobody there; I had nothing in harmony with Mrs. Reed or her children, or her chosen vassalage” (10). Jane continued by saying that they did not love her not if as little she loved them. Although the family mistreats her, Jane still wished for the atte...
Despite the gathering winter she felt relieved to see that her sixteen- year old daughter, now her only child after the early death of her son James, was acting normal again. For the past fortnight the younger Elizabeth had been carrying herself in a strange manner. While walking along normally she would sometimes cry out. Last week she had shrieked at extremely inappropriate time in Sunday dinner and that day in church she had been overcome with irreverent laughter. She was always quick to offer a reasonable excuse to spare the swift punishment usually dispensed to children at the time, but the extravagance and immodes...
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
Parry, Joseph D. "Interpreting Female Agency and Responsibility in The Miller's Tale and The Merchant's Tale." 80.2 (2001): 133-67. Academic Onefile. Web. 16 May 2013.
Within the confines of the movie, before the reading of the novel, this writer found the following several elements of the story confusing: who is Fergus and how does he fit in; Sarah’s standing on the hill looking toward her mother’s house seems unfinished; why does the Reverend Sorleyson treat his wife, Victoria, with such distain; what is the significance of the meal in which Hamilton orders Sarah to cook the fish for the Catholic woman; why does Frank voice no objections at the marriage of Sarah and Hamilton? Read on and ye shall uncover the answers.
I believe she is a vampire because they bolt down the coffin hoping she will not escaped. As some days pass his mental condition worsens...
over his wife as he refers to her as a belonging; it also shows that
"Some mothers might have encouraged intimacy from motives of interest...and some might have repressed it from motives of prudence...but Mrs. Dashwood was alike uninfluenced by either consideration. It was enough for her that he appeared to be amiable, that he loved her daughter, and that Elinor returned the partiality" (13).
The eponymous pseudonym Fantomina suggests derivation from a phantom, an apparition or an illusion; and the character is defined by her talent for deception. Immediately, Haywood describes Fantomina as “A Young Lady of distinguished Birth, Beauty, Wit, and Spirit” (713), yet she is soon marked out as different. Once, Fantomina is released from her context in the rural gentry and untethered from obligation, she moves from contempt to curiosity toward the London gentlemen. Active in pursuit of her sexual desire, Fantomina takes on traditionally male traits. Beauplaisir, on the other hand, serves as the object of desire, the passive recipient of her manipulation and deception. Fantomina’s sexual desire was motivated by nothing but pure curiosity: “[She had] at that Time no other Aim, than the Gratification of an innocent curiosity” (713). However, her male-like curiosity and assertiveness immediately backfired as Fantomina realized she could not remain desirable to the male without changing. She becomes the object of desire “upon being undone” (716) by Beauplaisir and her appeal is soon lost. To maintain his affection, Fantomina feels the need to play various other roles. In doing so, Haywood had reverted Fantomina back to her traditional
Stephen's relationship with the opposite sex begins to develop early in his life. Within the first few pages of the novel lie hints of the different roles women will...