It is normal for two organisms in nature to have a symbiotic relationship in which both rely on each another in order to mutually benefit. However, sometimes one organism becomes greedy and decides to unfairly take more instead of equally sharing with their symbiotic partner. By doing so the relationship becomes parasitic. Toni Morrison's Sula, focuses on this exact transformation in the friendship between Sula Peace and Nel Wright from their close childhood to their diverging paths as adults in their hometown Medallion.
The symbiotic relationship between Sula and Nel began during their childhood. “Their meeting was fortunate, for it let them use each other to grow on” (1011). Sula and Nel's friendship "was as intense as it was sudden" (1012). “They found relief in each other's personality" (1012). Sula looked to Nel for sturdiness and comfort. Nel enjoyed Sula’s unpredictable nature and outspokenness. One found comfort in what the other found bothersome. They had an unbreakable bond and an inconceivable loyalty to one another. When Sula accidentally killed Chicken Little; Nel stuck by her side. “Although she knew she had “done nothing”, she felt convicted” (1017). At Chicken Little's funeral, "They held hands and knew that only the coffin would lie in the earth; the bubbly laughter and
Jude, Nel’s husband, and Sula have intercourse and betray Nel. Yet, it is Sula, not Jude who hurts Nel the most. Now Nel's " thighs were really empty” (1037) and it was Sula who had taken the life from them. Nel's happiness left when her thighs went dead. It was too much. “To lose Jude and not have Sula to talk to about it because it was Sula that he had left her for” (1037). Sula was confused. “They had always shared the affection of other people” (1041). “Marriage, apparently had changed all that” (1041). The friends no longer benefited from each other's company. Nel was no longer a host for
The starting of the story kept me in suspense: the starting sentence, “No one can accuse Philippa and me of having married in haste” (Fox 1). This clearly brought up the theme of love and marriage. The selection of words by the narrator told that the speaker did not regret his marriage. The defensive tone of the narrator made me to think that perhaps people had criticized his marriage.
In examining the two distinct characters of Nel (Wright) Greene and Sula Peace from Toni Morrison's Sula, a unique individual soul emerges from the two women. This soul takes into account good, bad, and gray area qualities. They gray area qualities are needed because, while Nel exhibits more of the stereotypical "good" qualities than Sula, the stereotypes of good and bad don't fit the definition completely. Nel and Sula combined create a type of ying and yang soul, each half including some of the other half. While at times the two women are polar opposites of one another in point of view, they arrive at their opinions with the help of the other. The two characters need each other in order to exist to the extent that they become "two throats and one eye" (Morrison 2167). A physical example of how connected the two girls are is seen when they line up head to head forming a straight, continuous, and complete line (2124).
In this passage Morrison gives the reader a sense of why Sula behaves in a way that is upsetting to others and why the women in Bottom treat her so unfairly.
Given the title of the novel, Sula Peace is a complex and thought provoking character in Toni Morrison’s, Sula. Her thoughts and actions often contradict, leaving the reader unable to decipher whether Sula should be praised or demonized. As a child, Sula grows up in a chaotic household that is run by strong-willed women. Because of this constant commotion, Sula loves quiet and neat settings, which is shown through her behavior at Nel’s home. In the novel it says, “She had no center, no speck around which to grow” (Morrison 119). This quote points out how much her home life as a child affects her behavior as an adult. Her mother, Hannah, has almost no sense of right and wrong. Her promiscuous behavior is observed by Sula and sets the foundation
The lack of support and affection protagonists, Sula Peace and Nel Wright, causes them to construct their lives on their own without a motherly figure. Toni Morrison’s novel, Sula, displays the development of Sula and Nel through childhood into adulthood. Before Sula and Nel enter the story, Morrison describes the history of the Peace and Wright family. The Peace family live abnormally to their town of Medallion, Ohio. Whereas the Wrights have a conventional life style, living up to society’s expectations.The importance of a healthy mother-daughter relationship is shown through the interactions of Eva and Hannah Peace, Hannah and Sula, and between Helene Wright and Nel. When Sula and Nel become friends they realize the improper parenting they
Toni Morrison’s novel Sula is rich with paradox and contradiction from the name of a community on top of a hill called "Bottom" to a family full of discord named "Peace." There are no clear distinctions in the novel, and this is most apparent in the meaning of the relationship between the two main characters, Sula and Nel. Although they are characterized differently, they also have many similarities. Literary critics have interpreted the girls in several different ways: as lesbians (Smith 8), as the two halves of a single person (Coleman 145), and as representations of the dichotomy between good and evil (Bergenholtz 4 of 9). The ambiguity of these two characters allows for infinite speculation, but regardless of how the reader interprets the relationship their bond is undeniable. The most striking example of their connection occurs right before the accidental death of Chicken Little. In the passage preceding his death, Nel and Sula conduct an almost ceremonial commitment to one another that is sealed permanently when "the water darkened and closed quickly over the place where Chicken Little sank" (Morrison 61):
Set high up in the hills of a small Ohio town, the Bottom, the novel Sula, written by Toni Morrison, symbolically represents each character’s view of the birthmark across Sula’s face. The close-knit community of the Bottom creates an environment where scrutiny thrives upon one character, Sula. Sula leaves a lasting impression on each individual she comes in contact with while living in the Bottom. The distinctive birthmark receives various interpretations from the people who Sula interacts with, for each individual the birthmark is a representation of their own personal identity, rather than Sula herself.
Toni Morrison's Sula is packed with numerous binaries that define the nature and acts of the novel's characters, such as the Self/Community binary. The identities of Sula, Nel and Eva are sketched out by the diverse choices they make in relation to this binary: controlling the privileged side, being controlled by the unprivileged side or sticking in between. To begin with, Sula enjoys the superiority of her pivotal self. Galehouse in her article, "New World Women" states that "despite any real or perceived limitations imposed by her family, her community, or the era in which she is depicted, Sula does not put any limits upon herself"(341).
Through the negative experiences that she has had with motherhood, Sula does not want to become a mother. She sees Hannah’s sadness and frustration with Eva and recognizes her poor relationship with Hannah and does not want to repeat it. Sula’s insufficient relationship with her mother is exposed when Sula watched her mother burn and die. Sula does not attempt to help her mother, she only stands silently and watches her mother die. Eva notices this but, “remained convinced that Sula had watched Hannah burn not because she was paralyzed, but because she was interested” (78). This shows her lack of care for motherhood. She does not have kids and dies without having any. But during her life, she ends up in a similar situation as her mother She focuses only on men and people begin to hate her for this. She begins to take friends’ and neighbors’ husbands the same way Hannah did. Sula even turned on her only friend, Nel, and took her husband too. She is the reason that Nel’s husband left her. Sula adopted the same principles as her mother, and Hannah was shaped by Eva.
Often in nature organisms rely on one another to survive. Relationships in which each partner gives equally are called symbiotic. The two partners live harmoniously along side one another depending on each other but still have the ability to stand and act alone should they need to. However, these perfect relationships do not always exist. Sometimes, certain organisms take more than they give and as a result the other organism suffers. Those that do this are called parasites. In Toni Morrison's novel, Sula, Sula Peace and Nel Wright demonstrate a symbiotic relationship gone awry. The two start off learning from each other and giving to each other equally, but as they spend more time together Sula seems to thrive and Nel seems to wither away. The relationship does not continue in this manner for Nel realizes that in order to survive she must remove Sula from her life and reverse the negative effect of their relationship. Using the relationship that she develops between Nel and Sula, Morrison implies that codependence can be compromising to oneself, suggesting that if one cannot stand on their own the result will be fatal.
The relationship between Celie and Albert went through many changes throughout this novel. Albert, or Mr._________, was a man who seem to be a person who was very angry, powerful and hateful. His father was a man who believed that love was not the point while trying to find a good wife, obedience was. The woman didn't have to be attractive, rich or one who was in love, all she had to do was cook, clean and tend to the children. Albert was taught that this was the way to an successful life. Albert feel in love with Shug, they did not marry. Mr.____ was controlled by his father even as an adult. His father wouldn't allow his son to marry Shug. His father didn't want him to actually love, because he never loved himself. Albert married a woman his father approved of, and he treated her how his father taught him to. Margret cooked, cleaned and tended to the children. After his father took shug away from him, he hated his father, but was so controlled by him that he could never stand up to his father. She later died and left behind a house to be cleaned, cooking to be done and children who needed to be tended to. He fell in love again with Nettie, but she was not allowed to marry him. Albert was forced to find a quick replacement for Margret. So instead he married Celie. He beat her not only because of the angry towards his father, but also because she was neither Shug nor Nettie. In the marriage of Celie and Albert there was no love or devotion. They were just stuck with the other. Celie married Albert because her step father told her too and Albert married because he wanted a full time maid. They just went one day to the next with Albert giving the orders and Celie carrying out these orders. It was like boss and employ, except Celie was anything but rewarded for carrying out the orders.
Sula by Toni Morrison is a very complex novel with many underlying themes. Some of the themes that exist are good and evil, friendship and love, survival and community, and death. In Marie Nigro's article, "In Search of Self: Frustration and Denial in Toni Morrison's Sula" Nigro deals with the themes of survival and community. According to Nigro, "Sula celebrates many lives: It is the story of the friendship of two African-American women; it is the story of growing up black and female; but most of all, it is the story of a community" (1). Sula contains so many important themes that it is hard to say which one is the most important. I agree with Marie Nigro when she says that Sula is a story about community. I believe that community and how the community of Bottom survives is an important theme of the story. But I do not believe that it is a central theme of the story. When I think back on the novel Sula in twenty years, I will remember the relationship and friendship between Nel and Sula. I will not remember the dynamics of the community.
Nel is able to express her feelings and emotions when she is with Sula, which is good because she can’t do that at home because she has to be the obedient one. They understand each other completely, they never argue or compete with each other. Their relationship is invaluable; they met each other at the time where they both needed it the most. Their friendship is not dependent on obligation, compassion, or love, but on their conjuction of sameness and autonomy. At this point they are together because they want to, not because they have to or need to be. When Sula and Nel meet it’s the time when they realize that their spot in society is disadvantage, “because each had discovered years before that they were neither white nor male, and that all freedom and triumph was forbidden to them, they had set about creating something else to be” (Morrison, 50). They are best friends mainly because they grew up in the same neighborhood, they are the same race, gender, and age. They understand the needs of each other and each other’s problems. They experience the intimacy they were looking for in each
Racism and sexism are both themes that are developed throughout the novel Sula, by Toni Morrison. The book is based around the black community of "The Bottom," which itself was established on a racist act. Later the characters in this town become racist as well. This internalized racism that develops may well be a survival tactic developed by the people over years, which still exists even at the end of the novel. The two main characters of this novel are Nel Wright and Sula Peace. They are both female characters and are often disadvantaged due to their gender. Nel and Sula are depicted as complete opposites that come together to almost complete one another through their once balanced friendship. Nel is shown to be a good character because she plays a socially acceptable role as a woman, submissive wife and mother, while Sula conforms to no social stereotypes and lets almost nothing hold her back, thus she is viewed as evil by the people in her community. Both women are judged by how well they fit into the preconceived social conventions and stereotypes that exist in "the Bottom."
There are many aspects of story that come together to create a complete narrative. A lot of the tools used by writers are intentional and serve the purpose of driving home certain aspects of the story or creating and engaging, and entertaining narrative. Toni Morrison—the author of Sula—is no different. Morrison employs many writing techniques and tools in her narrative Sula. It is important for the reader to be aware of and understand some of these narrative tools that the author uses because it allows the reader to gain a better understanding and appreciation for the narrative. In Sula a few narrative techniques that allow for the argument of women experiences to shine through are the use of a third person narrator, and gaps; throughout the story these tools allow the reader to become interested in and focus in on women experiences.