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Identity in english literature
The concept of belonging
The concept of belonging
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The concept of belonging is deeply fused to humans’ interrelationships, with acceptance from others being the key to a sense of belonging. Numerous texts reflect the fact that engaging in relationships with others, including varying groups and cultures, is integral to a feeling of belonging. However other texts present ideas that suggest identity is the most integral aspect of belonging, or that in fact an introspective alienation from others is necessary to belong. This essay will discuss the importance of acceptance to belonging and also how other aspects hold equal value with reference to various texts, namely the poems ‘This is My Letter to the World’ and ‘I had been Hungry all the Years’ by Emily Dickinson, the artwork ‘The Two Fridas’ by Frida Kahlo, and the film ‘As it is in Heaven’ directed by Kay Pollak.
Emily Dickinson’s poem ‘This is my Letter to the World’, presents an exploration of the poet’s alienation from society and her simultaneous desire to connect with it, hence displaying her need to belong through connections to others. Dickinson’s use of the pronouns, ‘this’ and ‘that’ in the first two lines of the poem immediately establishes Dickinson as an external entity isolated from society. This is further depicted in the contrast created between Dickinson’s ‘sweet countrymen’ and ‘me’ where the two phrases’ physical isolation on separate lines exemplifies their disconnectedness and hence demonstrates Dickinson’s alienation from the camaraderie connoted by ‘countrymen’. Further, in the line “the simple news that nature told” nature is personified to represent a Pantheistic God. As the ‘simple news’ is symbolic of Dickinson’s work, this places the poet as a vessel for nature and hence relegates Dickinson to a hig...
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...na’s lessons to Daniel, demonstrate reciprocal relationships which again represent the integral importance of inter-connections. Hence overall the film contrasts the idea of belonging through religion which stifles emotion and identity, to human relationships which are shown as a life-giving force providing belonging through acceptance and understanding. (318)
Overall, all these texts display different aspects of belonging. While ‘The Two Fridas’ and ‘As it is in Heaven’ affirm that acceptance from others and within communities is essential to belonging, Dickinson’s poetry overall suggests that identity is a more important aspect of belonging, and that in fact alienation from others can develop an inner belonging. Hence it can be seen that belonging is established through varying different mediums, and that acceptance is not solely its most important aspect.
An individual’s choices and experiences affect their sense of belonging whether that is through searching intently or forming an attachment through physical objects and their surroundings. Sometimes it is needed to stop searching in order to find a sense of belonging. The more that individual seeks out and looks for a sense of belonging the harder it may become to find what they are searching for. That individual becomes desperate and may settle for something less than they require. When this happens it will always leave them with a greater sense of feeling alienated and isolated as they start to question their sense of purpose and why you do not belong. This is shown through Peter Skrzynecki’s poem “In the Folk Museum” and
The concept of belonging can be seen in the associations and relationships made with people and our interactions with these people. Ideas underpinning belonging include; identity, acceptance and a larger understanding of where we are placed within society. These perspectives of belonging can be seen in the work titled ‘Immigrant Chronicles’, and more so the poems ‘10 Mary Street’ and ‘Felix Skrzynecki’ by Australian poet Peter Skrzynecki.
How does this text either help you to explore and understand the possibilities of belonging or exclude you from connecting with the world it represents?
Belonging is described as being a member of a particular group or organisation. The feeling of belonging to a country, nation and a community can influences a person’s sense of identity and how they participate in society, especially for people such as migrants. This issue is highlighted in the novel looking for Alibrandi.
Therefore, analysis of ‘The Simple Gift’ and ‘The River that wasn’t ours’ reveals belonging as an essential aspect to the human condition. One can feel connections to people and place through the varied nature of belonging. However, the consequences of not belonging can be detrimental to the individual or group and can result in feelings of displacement and distress.
In general, identity means how one sees himself/herself and others around in order to distinguish himself/herself as different. David Snow differentiates between the ‘individual’ and ‘collective’ identity as “personal identities are the attributes and meaning attributed to oneself by the actor, they are self-designations and self-attributions regarded as personally distinctive.” (Snow 2) On the other hand, the “collective identities attributed or imputed to others in an attempt to situate them in social space. They are grounded in established social roles.”(Snow 2) This research paper aims at examining the role of ‘collective’ identity that is formed on the expenses of the ‘individual’ identity and how this leads to physical and psychological repression in Shirley Jackson’s “The Lottery” and Isaac Babel’s “My First Goose.”
“Although Emily Dickinson is known as one of America’s best and most beloved poets, her extraordinary talent was not recognized until after her death” (Kort 1). Dickinson was born on December 10, 1830, in Amherst, Massachusetts, where she spent most of her life with her younger sister, older brother, semi-invalid mother, and domineering father in the house that her prominent family owned. As a child, she was curious and was considered a bright student and a voracious reader. She graduated from Amherst Academy in 1847, and attended a female seminary for a year, which she quitted as she considered that “’I [she] am [was] standing alone in rebellion [against becoming an ‘established Christian’].’” (Kort 1) and was homesick. Afterwards, she excluded herself from having a social life, as she took most of the house’s domestic responsibilities, and began writing; she only left Massachusetts once. During the rest of her life, she wrote prolifically by retreating to her room as soon as she could. Her works were influenced ...
Emily Dickinson was an intricate and contradictory figure who moved from a reverent faith in God to a deep suspicion of him in her works. (Sherwood 3) Through her own intentional choice she was, in her lifetime, considered peculiar. Despite different people and groups trying to influence her, she resisted making a public confession of faith to Christ and the Church. (Sherwood 10) She wanted to establish her own wanted to establish her own individuality and, in doing so, turned to poetry. (Benfey 27) Dickinson’s poems were a sort of channel for her feelings and an “exploration” of her faith (Benfey 27).
19th century poet, Emily Dickinson was seen as a scandal in that she had chosen to live in a different manner than others of her time – socially reclusive, spending her years in solitude, she never got married, nor had any children, and as so, her voice was unheard. In justification of her societal seclusion, poem 435 is a defense on her behalf for the majority that see her as a misconduct. Dickinson’s view of madness and sense serve as a metaphor for the differentiating line between sense and sanity.
The piece “Home Burial” by Robert Frost and “The Love Song of J. Alfred Prufrock” by T. S Eliot is both memorable and riveting pieces of literature that deals with loneliness and sorrow. Although they both deal with sadness and very strong emotions it is for entirely different reasons. If one cannot identify with their situation and be entirely truthful to their own identity, it can lead to a lifetime of unhappiness, regrets and self-doubt a person should make decisions based on their internal belief and not necessarily what someone else or even society expects of them, being untrue to oneself will leave room for unrealistic expectations and failure. Sometimes persons may find themselves battling with their identity
Although, Emily Dickinson physically isolated herself from the world she managed to maintain friendships by communicating through correspondence. Ironically, Dickinson’s poetry was collected and published after her death. Dickinson explores life and death in most of her poems by questioning the existence of God. Dickinson applies common human experiences as images to illustrate the connection from the personal level of the human being, to a universal level of faith and God. This can be seen in Dickinson’s Poem (I, 45).
Along with the selected reading above, Dickinson’s work reflects a strong reverence for the natural world. This appreciation for nature is conveyed through a number of references and reoccurring images. In poem #627,
Dickinson was unique and the “exception” in creating a private relationship with her self and her soul. In “Emily Dickinson and Popular Culture”, David S. Reynolds, a new historicism critic, wrote that it 's no surprise that the majority of Dickinson 's poetry was produced between 1858-1866, “It was a period of extreme consciousness about proliferation of varied women 's role in American culture.” It was a time where women were actively searching for more “literary” ways of self expression” (Reynolds 25). Dickinson was able to express her ideas and beliefs as a woman, something that was scandalous during this time period.
Emily Dickinson, who achieved more fame after her death, is said to be one of the greatest American poets of all time. Dickinson communicated through letters and notes and according to Amy Paulson Herstek, author of “Emily Dickinson: Solitary and Celebrated Poet,” “Writing was the way she kept in touch with the world” (15). Dickinson’s style is unique and although unconventional, it led to extraordinary works of literature. Dickinson lived her life in solitude, but in her solitude she was free to read, write and think which led to her nonconformity and strong sense of individualism. Suzanne Juhasz, a biographer of Dickinson, sums up most critics’ idea of Dickinson ideally: “Emily Dickinson is at once the most intimate of poets, and the most guarded. The most self-sufficient, and the neediest. The proudest, and the most vulnerable. These contradictions, which we as her readers encounter repeatedly in her poems, are understandable, not paradoxical, for they result from the tension between the life to which she was born and the one to which she aspired” (1). Dickinson poured her heart and soul into over 1,700
Many of her poems were a reaction to the rejection of many publishers and other literary critics. This particular poem’s character comes from Dickinson’s reaction to Ralph Waldo Emerson’s statement that “poets are thus liberating gods.” Here she is challenging the established literati by questioning popular Emersonian views. In particular, this poem is a reaction to Emerson’s belief that “the poet is the sayer, the namer, and represents beauty.” Basically, it is a reaction to the idea that the poet is the creator of beautiful words, liberating the common people by giving them words they would not have access to.