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The vietnam war essays
Essays on the vietnam war
Essays on the vietnam war
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Telling war stories is something Americans do on a regular basis, sometimes all true and other times all untrue. War stories from Vietnam are far different than the war stories told about the European campaign in both World Wars because the enemy we fought was in a vastly different situation. These Vietnam war stories depict a time in American history where we failed as a military and as a nation. Tim O’Brien, author of “The Things They Carried”, a book full of Vietnam war stories that he claimed as ‘fictional’. However, by comparing O’Brien’s book with primary sources from “Thinking Through the Past” by John Hollitz and “A Place for Stories” by William Cronon, fictional war stories are equally important as factual war stories because emotions …show more content…
The way the book is crafted, chapter seem to jump around in narrative and in time frame, one chapter talked about the war then the next about his child twenty years later. Sense of disorientation is always present page by page, begging the question as to why O’Brien chose to confuse his readers. O’Brien distills confusion to the reader when he said, “I was a coward. I went to the war” (O’Brien, 61). This is a conundrum because American culture does not see how going to war made O’Brien a coward. The real kicker though is O’Brien explains what he means nine pages before he calls himself a coward, "My conscience told me to run, but some irrational and powerful force was resisting, like a weight pushing me toward the war. What it came down to, stupidly, was a sense of shame” (O’Brien, 52). Through counter intuitive phrases of cowardice and war along with the backwards placement of the explanation before the main theme, O’Brien gave the reader a sense of disorientation and …show more content…
McNamara recalls one of the actions of President Johnson made, “Johnson initiated bombing of North Vietnam and committed U.S. ground forces…All of this occurred without adequate public disclosure or debate” (Hollitz, 291). From Johnson’s actions, no one really knew what was happening in Vietnam thus creating mass confusion. By comparing O’Brien and McNamara words, O’Brien seems too poetic and McNamara is cold and harsh but factual. However, by combining the two as one, a clear image of confusion became present; O’Brien sets the scene of emotion with confusion followed by McNamara shining a spot light on the truth. Confusion is not the only reason O’Brien, courage plays an important role in the fight for life or
The Vietnam War has become a focal point of the Sixties. Known as the first televised war, American citizens quickly became consumed with every aspect of the war. In a sense, they could not simply “turn off” the war. A Rumor of War by Philip Caputo is a firsthand account of this horrific war that tore our nation apart. Throughout this autobiography, there were several sections that grabbed my attention. I found Caputo’s use of stark comparisons and vivid imagery, particularly captivating in that, those scenes forced me to reflect on my own feelings about the war. These scenes also caused me to look at the Vietnam War from the perspective of a soldier, which is not a perspective I had previously considered. In particular, Caputo’s account of
Think that O'Brien is still suffering from what he experienced in Vietnam and he uses his writing to help him deal with his conflicts. In order to deal with war or other traumatic experiences, you sometimes just have to relive the experiences over and over. This is what O'Brien does with his writing; he expresses his emotional truths even if it means he has to change the facts of the literal truth. The literal truth, or some of the things that happen during war, are so horrible that you don't want to believe that it could've actually happened. For instance, "[o]ne colonel wanted the hearts cut out of the dead Vietcong to feed to his dog..
Many times readers lose interest in stories that they feel are not authentic. In addition, readers feel that fictitious novels and stories are for children and lack depth. Tim O’ Brien maintains that keeping readers of fiction entertained is a most daunting task, “The problem with unsuccessful stories is usually simple: they are boring, a consequence of the failure of imagination- to vividly imagine and to vividly render extraordinary human events, or sequences of events, is the hard-lifting, heavy-duty, day-by-day, unending labor of a fiction writer” (Tim O’ Brien 623). Tim O’ Brien’s “How to Tell a True War Story” examines the correlation between the real experiences of war and the art of storytelling. In O’Brien’s attempt to bridge the gap between fiction and non-fiction the narrator of the story uses language and acts of violence that may be offensive to some. However some readers agree that Tim O" Brien's "How to Tell a True War Story" would lack authenticity and power without the use of crude language and violence.
Neilson, Jim. Warring Fictions: American Literary Culture and the Vietnam War Narrative. Jackson: Mississippi UP, 1998
Several stories into the novel, in the section, “How to tell a true war story”, O’Brien begins to warn readers of the lies and exaggerations that may occur when veterans tell war stories.
Raymond, Michael W. "Imagined Responses to Vietnam: Tim O'Brien's Going After Cacciato. Critique 24 (Winter 1983).
The truth to any war does not lie in the depths of storytelling but rather it’s embedded in every person involved. According to O’Brien, “A true war story does not depend on that kind of truth. Absolute occurrence is irrelevant. A thing may happen and be a total lie; another thing may not happen and be truer than the truth” (pg. 80). Truths of any war story in my own opinion cannot be fully conveyed or explained through the use of words. Any and all war stories provide specific or certain facts about war but each of them do not and cannot allow the audience to fully grasp the tru...
In “How to Tell a True War Story” by Tim O’Brien, Orwell’s ideas are questioned and the competition between the truth and the underlying meaning of a story is discussed. O’Brien’s story depicts that the truth isn’t always a simple concept; and that not every piece of literature or story told can follow Orwell’s list of rules (Orwell 285). The story is told through an unnamed narrator as he re-encounters memories from his past as a soldier in the Vietnam War. With his recollection of past encounters, the narrator also offers us segments of didactic explanation about what a “true war story” is and the power it has on the human body (O’Brien 65). O’Brien uses fictional literature and the narration of past experiences to raise a question; to what extent should the lack of precision, under all circumstances, be allowed? In reality, no story is ever really truthful, and even if it is, we have no proof of it. The reader never feels secure in what they are being told. The reliability of the source, the author, and the narrator are always being questioned, but the importance of a story isn’t about the truth or the accuracy in which it is told, but about the “sunlight” it carries (O’Brien 81).
O’Brien’s unique verisimilitude writing style fills the novel with deep meaning and emotion. Analyzing the novel through a psychological lens only adds to its allure. Understanding why characters act the way they do helps bring this novel to life. The reader begins to empathize with the characters. Every day, the soldiers’ lives hang in the balance. How these soldiers react to life-threatening situations will inspire the reader. Life has an expiration date. Reading about people who are held captive by their minds and who die in the name of war, will inspire the reader to live everyday as if they are currently in the
The Vietnam War was not a “pretty” war. Soldiers were forced to fight guerilla troops, were in combat during horrible weather, had to live in dangerous jungles, and, worst of all, lost sight of who they were. Many soldiers may have entered with a sense of pride, but returned home desensitized. The protagonist in Louise Erdrich’s “The Red Convertible,” is testament to this. In the story, the protagonist is a young man full of life prior to the war, and is a mere shell of his former self after the war. The protagonists in Tim O’Brien’s “If I Die in a Combat Zone,” and Irene Zabytko’s “Home Soil,” are also gravely affected by war. The three characters must undergo traumatic experiences. Only those who fought in the Vietnam War understand what these men, both fictional and in real life, were subjected to. After the war, the protagonists of these stories must learn to deal with a war that was not fought with to win, rather to ensure the United States remained politically correct in handling the conflict. This in turn caused much more anguish and turmoil for the soldiers. While these three stories may have fictionalized events, they connect with factual events, even more so with the ramifications of war, whether psychological, morally emotional, or cultural. “The Red Convertible,” and “Home Soil,” give readers a glimpse into the life of soldiers once home after the war, and how they never fully return, while “If I Die in a Combat Zone,” is a protest letter before joining the war. All three protagonists must live with the aftermath of the Vietnam War: the loss of their identity.
The impact of the Vietnam War upon the soldiers who fought there was huge. The experience forever changed how they would think and act for the rest of their lives. One of the main reasons for this was there was little to no understanding by the soldiers as to why they were fighting this war. They felt they were killing innocent people, farmers, poor hard working people, women, and children were among their victims. Many of the returning soldiers could not fall back in to their old life styles. First they felt guilt for surviving many of their brothers in arms. Second they were haunted by the atrocities of war. Some soldiers could not go back to the mental state of peacetime. Then there were soldiers Tim O’Brien meant while in the war that he wrote the book “The Things They Carried,” that showed how important the role of story telling was to soldiers. The role of stories was important because it gave them an outlet and that outlet was needed both inside and outside the war in order to keep their metal state in check.
He was also a Gulf War veteran who commanded an armored cavalry. His desire in writing this book was to examine, through the recently declassified documents, manuscript collections, and the Joint Chief of Staff official histories, where the responsibility for the Vietnam foreign policy disaster lay, but also examine the decisions made that involved the United States in a war they could not win. This book details the discussion of government policy in the stages of the Vietnam crisis from 1961-July 1965. It examines the main characters of President Lyndon B. Johnson, Robert McNamara, in addition to the military, which included the Joint Chiefs of Staff. It began in the Kennedy era amidst the Bay of Pigs incident and how that led to mistrust of the military planning by advisors and the Joint Chiefs of Staff.
Overall, the author showed us the courageous and coward s acts of O’Brien the character. The fact that he was a coward made him do a heroic act. O’Brien made the valiant decision to go to war. It would have been easier and cowardly to jump and swim away from all his fears. However he decided to turn back, and fight for something he did not believe in. Thinking about the consequences of running away makes him a hero. He went to war not because he wanted to fight for his country, but for his own freedom. Either choice he could have made would take some kind of courage to carry out. Going to war required some sort of fearlessness. In other words, running away from the law would have been brave; but going to war was even tougher.
The book The Things They Carried by Tim O’Brien is fiction and truth wound together to create a frustrating and addicting novel of fiction about the Vietnam war. O’Brien created stories by using his experiences during the Vietnam whether they are true stories or not is an unattainable knowledge for the reader, the only person of that knowledge is only O 'Brien himself. Through his writing he emphasized the the fact that you cannot perfectly recall the experiences of your past when your telling a story but the way it is told is “true sometime than the happening-truth(O’Brien 171) which helps give The Things They Carried depth beyond that of a “true”, true story.
O’Brien, Tim. “How to Tell a True War Story.” The Things They Carried. Boston: Houghton Mifflin, 1990. Print.