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Role of the media in society
Role of the media in society
Relationship between the media and society
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Seinfeld was a sitcom from NBC that was very popular during the ’90s, and is often referred as “a show about nothing.” It consisted of the life of a fictitious Jerry Seinfeld and his friends in New York City (IMDb). Seinfeld reached a Nielsen rating of 21.7 percent and number one in the United States ranking during its ninth and final season (“Appendix 3: Top-Rated Programs by Season”). It was unique in the way that it portrayed social life during the ‘90s, and this inspired shows such as Friends, Ellen, and Mad About You (Pierson 49). In Seinfeld episodes, the viewer can observe social customs, fads, social standards, and family portrayals of ‘90s semi-young adults. Seinfeld became extremely popular almost overnight after it was moved from …show more content…
Some of it is set up in the very beginning of the episode, where Jerry is offered to make a TV show for NBC. George then mentions how the show could be about anything because people “watch junk all the time,” which Kramer then pitches an idea to make a show about freaks; because he claimed that’s what people wanted to see (“The Pitch / The Ticket” 4.3). While this concept might also apply today, these are actually valid remarks because it was in the ‘90s when different kinds of television were starting to appear (Brooks 1). This was an era in which audiences craved watching something different, as there were already too few sources for home entertainment. In order to have some fun, people had to go out more with their friends. Therefore, in this same episode, Kramer trades a broken radar detector for a motorcycle helmet to an oblivious Newman. Radar detectors were popular because it allowed drivers to avoid getting tickets, and they became very popular during the late ‘80s and early ‘90s; where this episode takes place (“The Pitch / The Ticker 4.3; Stratford Gazette). While Kramer and Newman were trading, Seinfeld steps in and tells Kramer that he is “getting gypped” in reference to the “anarchistic” gypsies whose stories were popular during the ‘90s (Daily Mail). Gypsies were known for hitchhiking on roads and …show more content…
First off, George brings Home Alone in a VHS tape to watch at Jerry’s house. This film from 1990 is the most successful Christmas-themed movie of all time (Barrett). Especially since this episode took place just three years after it came out in theaters, the movie was still really fresh and well-known. Thus, George Constanza stayed at Jerry’s apartment to watch the movie, while Jerry, Elaine, and Kramer left to see a man in the hospital. His name is Roy, and Elaine liked him but left him because he was overweight, so when they got to his room, Elaine was surprised by his weight loss. Elaine and Roy started having a conversation; meanwhile Jerry started playing with his yo-yo. Two things can be observed here: the yo-yo’s appearance, and the “highly discriminating and noncommittal” nature of the ‘90s adult dating scene (Pierson 53). Yo-yos nowadays are rare to come by, but in the early ‘90s, they were once a status symbol among teenagers (Rabinovitz). Kids nowadays rather use electronics for toys, unlike kids then who preferred other toys that required skill. Shortly after that incident, Kramer and the doctor step in the room, and Kramer asks him about a tool used in the operation, in which the doctor replies by asking Kramer, “Are you asking because you saw 20/20 last night?” (“The Junior Mint” 4.19). 20/20 was a very
Dr. Strangelove is a 1964 black comedy satire film about nuclear war between the USSR and the USA. It has received many awards including #26 on the American Film Institute’s top 100 movies list and a 99% favorable rating on Rotten Tomatoes. The film begins with General Jack D. Ripper putting his base on high alert and ordering his bomber wing to preemptively drop nuclear bombs onto the Soviet Union. His second in command, Mandrake, tries to stop him after finding out the Pentagon ordered nothing and finds out that Ripper is insane in thinking the Soviets are trying to poison the American water supply. The Pentagon finds out and tries to stop it but they could not find the three digit code in time to stop the planes. General Turgidson recommends
In an interview in 1974, Producer and show creator Norman Lear said of his television sitcom, All in the Family: “People laugh harder at the things they care the most about.” ("Day at Night: Norman Lear, renowned TV producer ("All in the Family")." ) If that is true then the viewers most certainly must have cared about the topics being addressed on the show because All in the Family topped the Neilsen ratings, ranking number-one, from 1971 to 1976. As with any successful producer, Lear’s and co-producer Bud Yorkin’s primary goal was to get ratings. The fact that All in The Family arguably became one of the most influential television sitcoms ever aired was just a bonus. The show became a soap box for its creators, producers and writers to broadcast their political views as well as provide them with a vehicle to combat what they saw as social injustice. By featuring relevant themes of social significance such as death, divorce, racism, rape, and homosexuality, each week, the program put the spot light on topics previously discussed in hushed tones behind closed doors. While high ratings may have been the first priority, the producers definitely had an additional agenda to try to bring about social change by stimulating dialog and debate within families, neighborhoods, local hangouts, anywhere Americans would congregate.
“According to, “The Jefferson,” it was one of the longest running sitcoms in the history of American television from “1975 through 1985,” The Jefferson show was mainly an African American couple living in New York City. However, the show tackles several controversial topics such as racism, suicide, gun control and adult illiteracy. “The show constantly used words such as “nigger” and “honky”, especially during the earlier seasons.” (Academy Of Television Arts & Sciences Foundation from 1995-2013)
Roseanne was a hit sitcom that debuted in the late 80s and continued into the late 90s. It was one of the most watched shows of its time despite the controversy that surrounded it. The series still airs on popular television networks today but, because it functionally paved the way, it is not considered questionable in today’s society. Although the show had its share of controversial issues and what was then thought to be “inappropriate” dialogue, the America population continued to tune-in to Roseanne and empathized with the weekly problems the Conner’s would face. The show depicted life much like people actually experienced it (and still do) and therefore captured the hearts of America, which translated to a better acceptance of the material folks found inappropriate or unacceptable. Over time, as people were more often exposed to the matters that Roseanne felt were pertinent, the disputes became fewer and the issues surrounding them became irrelevant. Dealing with issues such as sex, homosexuality, and a not so functional family, Roseanne proved to be very functional to society as a whole.
Popular culture is the artistic and creative expression in entertainment and style that appeals to society as whole. It includes music, film, sports, painting, sculpture, and even photography. It can be diffused in many ways, but one of the most powerful and effective ways to address society is through film and television. Broadcasting, radio and television are the primary means by which information and entertainment are delivered to the public in virtually every nation around the world, and they have become a crucial instrument of modern social and political organization. Most of today’s television programming genres are derived from earlier media such as stage, cinema and radio. In the area of comedy, sitcoms have proven the most durable and popular of American broadcasting genres. The sitcom’s success depends on the audience’s familiarity with the habitual characters and the situations
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
The Impact of African-American Sitcoms on America's Culture Since its start, the television industry has been criticized for perpetuating myths and stereotypes about African-Americans through characterizations, story lines, and plots. The situation comedy has been the area that has seemed to draw the most criticism, analysis, and disapproval for stereotyping. From Sanford and Son and The Jefferson’s in the 1970s to The Cosby Show (1984) and The Fresh Prince of Bel-Air in the 1990s, sitcoms featuring black casts and characters have always been controversial. However, their significance upon our American culture cannot be disregarded.
Kurt Vonnegut uses a combination of dark humor and irony in Slaughterhouse-Five. As a result, the novel enables the reader to realize the horrors of war while simultaneously laughing at some of the absurd situations it can generate. Mostly, Vonnegut wants the reader to recognize the fact that one has to accept things as they happen because no one can change the inevitable.
re using it for fast punchlines... I can put a joke together well enough that I
With the end of the American Revolution, came an explosion of politicians hoping to influence the young democracy. At the time various political groups were attempting to fashion America politics into their vision of democracy. It was only natural that literature in the country at the time began showing the influence of this newly created democracy. Born in New York in 1783 and named for the American Revolution hero and first president, Washington Irving grew up a nation engulfed in the democratic passions. An atmosphere of this kind of politics could lend the idea that Irving would satire politics of this time. This satirical writing can be seen in the nature of the historical references and symbolic characters Irving uses in “Rip Van Winkle” where he mockingly compares colonial life under British rule to the young democracy that is the United States of his time.
Mad Magazine, The Simpsons, Saturday Night Live. In our society, satire is among the most prevalent of comedic forms. This was not always true, for before the 18th century, satire was not a fully developed form. Satire, however, rose out of necessity; writers and artists needed a way to ambiguously criticize their governments, their churches, and their aristocrats. By the 18th century, satire was hugely popular. Satire as an art form has its roots in the classics, especially in the Roman Horace's Satires. Satire as it was originally proposed was a form of literature using sarcasm, irony, and wit, to bring about a change in society, but in the eighteenth century Voltaire, Jonathan Swift and William Hogarth expanded satire to include politics, as well as art. The political climate of the time was one of tension. Any criticism of government would bring harsh punishments, sometimes exile or death. In order to voice opinions without fear of punishment, malcontented writers turned to Satire. Voltaire's Candide and Swift's Modest Proposal are two examples of this new genre. By creating a fictional world modeled after the world he hated, Voltaire was able to attack scientists, and theologians with impunity. Jonathan Swift created many fictional worlds in his great work, Gulliver's Travels, where he constantly drew parallels to the English government.
"Veronica's Closet! Veronica's Closet! I would rather be crushed in the gears of a combine than spend thirty minutes of my life viewing that sorry sitcom." I huffed. "There will never be another show like Seinfeld." I stomped off to wallow in my own self pity like a pig in warm mud.
The typical hipster is obsessed with trends before they were trendy- they wore American Apparel v-necks1 before Mitchell Davis2 came around, Vans before Warped Tour even existed, and skinny jeans long before Tripp jeans3 went out of style. Whether or not they are truly original is hardly the point- hipsters all confidently vocalize how they pioneered certain trends. However, the irony in this is that hipsters all claim to dissociate themselves with trends and conformity, making their “moment of self aggrandizing glory4” if not presumptuous, hypocritical. The hipster style is often compared to that of the Indie Kid. However, hipsters and Indie kids differ in that a hipster will go to an American Apparel store and pay $25 for a v-neck; whereas the Indie kid will simply cut a v-neck into one of their t-shirts because they don‘t have the money to do otherwise. Hipsters, conclusively, attempt to buy the Indie fashion, mostly due to its recent media acclaim. Shows such as The O.C. and One Tree Hill show the Indie kid as being the non-leading protagonist everyone ends up rooting for, regardless of their lack of place in most episodal plot. However, the Indie kids’ whole appeal lies in th...
“Satire is a sort of glass, wherein beholders do generally discover everybody’s face but their own” (Swift). Such beholders, as Jonathan Swift astutely emphasizes, are intended, through guidance of satiric narrative, to recognize social or political plights. In some satires, as in Swift’s own A Modest Proposal, the use of absurd, blatant exaggeration is intended to capture an indolent audience’s attention regarding the social state of the poor. Yet even in such a direct satire, there exists another layer of meaning. In regards to A Modest Proposal, the interchange between the voice of the proposer and Swift’s voice introduces another medium of criticism, as well as the opportunity for readers to reflect on how well they may fit the proposer’s persona. In such as case, the satire exists on multiple levels of meaning—not only offering conclusions about moral problems, but also allowing the audience to an interpretation of their place among the criticism.
In the United States, there are certain inalienable rights granted to all. As the Declaration of Independence of the original thirteen colonies states, "among these are Life, Liberty and the pursuit of Happiness."(Jefferson, 1787, Declaration of Ind., Pg. 1) These rights are not "special rights." While the U.S. government cannot hold back upon these rights, it does have the power to ratify and enforce laws that will enable or restrict its citizens' use of them.