Se7en
A grizzly masterpiece of modern day film depicts the inevitable fall of mankind follows the protagonist—a burnt out veteran detective Lt. William Somerset (Morgan Freeman) a mere six days from retiring from a 35 year service in the city to tackle a final murder case. Somerset in his as he prepares for what seems like another mundane day at work—seemingly less then enthused as he adjusts his tie and collar emphasizing his fastidiousness and attention to detail. We're soon introduced to Mills (Brad Pitt), an impulsive and brash young cop who was transferred into Somersets district and appointed to investigate this particularly gruesome murder together. Se7en tells a twisted story about a serial killer who executes murders according to the
…show more content…
The “Pride” victim (Heidi Schanz) a model— has her face disfigured by having her nose sliced off. John Doe provides her with a telephone to call 911 to remedy her new life of disfigurement by getting help and a bottle of pills so she could opt for an overdose and commit suicide—which ultimately gives her an escape from her current predicament. She chooses the latter of the two and kills herself and conclusively reveals her vice. Even after each individual deadly sin execution is achieved revealing individuals imperfections in their lives—we begin to understand Johns motives and what’s even worse is we begin to sympathize for him. John Doe’s aptitude and hunger in his master strategy is what makes him malevolent and evil, but what makes him a pronounced villain is his immaculate patience and meticulousness even through all the disdain towards the disgust with humanity. He cuts his own fingertips clean off so that he makes sure not to leave fingerprints behind. Inflicted pain upon himself when it could have been as simple as wearing gloves. He maintains the life in one of his victims by visiting them everyday caring for their sores and wounds to prevent them from getting infected and possibly killing …show more content…
Self-conscious to share how or what we feel. The internal wrench a person feel’s when some well-meaning person expresses they got accepted into Harvard or viewing the girl at the beach that reveals a pristine figure, or even watching a multitalented musician dutifully playing a song on the piano. What this person wouldn’t give to be just like them—a bearing hunger for what they wish they could do or be. Envy makes a person feel bitter and grips resentment, irritation or unhappiness because another person has or is something they want themselves. It makes a person fully aware that another person has some advantage over them. Envy does something very eccentric and ugly to a person character. When they look at a person for a quality they wish they could have, this person looks back upon themselves and the judging and ridicule begins to take place. One begins to look at their accomplishment, happiness or wallet size and in turn they tend to depress. One tends to doubt themselves and their abilities to accomplish the things another person may have and makes them feel less of a person. It becomes an issue of self-identity and finding ones self—what this one person accomplished I failed. Although envy is deemed a sin and convinces a person to feel a sense of competition and aids in disadvantaged self-reflection I don’t solely view it as being sinful. On one side envy may reveal
The film Jindabyne, is a story about death, marriage, and race in an Australian town in New South Wales called Jindabyne. In the film, four men go fishing, and one of them discovers the dead body of a young indigenous girl. Instead of reporting what they found to the police immediately, they decide to stay and continue fishing. They decide that there is nothing they could do for her, so they tie her legs to a tree and continue with their fishing, reporting the death only when they return home. After they are done with their weekend of fishing and report the incident, conflict starts, as the men are criticized for not respecting the dead. Through the story of the town’s reaction to the four fishermen’s response to the dead girl, the movie shows Australia to be fragmented and divided over white-indigenous relations.
It is impossible to deny the similarities of characters, setting, cinematography and more, between The Return of the Secaucus Seven by John Sayles and The Big Chill by Lawrence Kasden. This paper will focus on the similarities and differences in the themes between the two movies. Specifically, focusing on relationships, aging, and death. The two films differ in many aspects but parallel in other ways. Impacts of these themes within the two movies are important to recognize because they are relevant to everyday life, relatable, and realistic.
“She still today never told me she loved me…never… never in her life … it’s too hard to explain,” says Anthony Sowell as he mentions his mother while he is being interrogated by Cleveland Homicide Detective (Sberna). The classic neighbor that every family wishes to have, friendly, helpful and caring was holding back numerous secrets. In Anthony Sowell’s actions of the rape, beatings and murder of 11 innocent women, he demonstrates the qualities of a human monster while showing how nurture creates a personality as well as proving that humans are capable of creation more fear than those who are written about in fiction.
As the patient yells at her, and the ambulance sounds get louder from the fire emergency, she thinks harder and deeper about victims. “These would be burned people. Pained people. Helpless people. Victims of circumstance. Not victims of deliberate abuse. Why did the perpetrators prove so hard to convict and to punish? Why did they go on and on, to victimize again?” (142). After this thought, and the patient calling Bertha a “stupid bitch,” Bertha decides to not let the perpetrator get off so easily this time. Allowing her inner pain to become her power, Bertha castrates the man while the turkey still clings to his groin.
Throughout the tale of time, thoughts of revenge have corrupted even the most innocent of minds. In Andre Dubus’ “Killings”, Matt Fowler is conflicted by two opposing forces: his own desire and his wife’s demand for the death of their son’s murderer. Through her manipulative words and her emotional meltdowns, Matt Fowler ultimately succumbs to his wife’s request and commits the gruesome act, which causes the audience to reevaluate the appropriateness and cost of vigilante justice.
A unique word choice introduces this essay, causing readers to be misguided. Staples begins by saying “My first victim was a woman…”(383). This choice of words obligated our minds to perceive this man as a criminal who was about to tell us his story. Staples allows himself to be portrayed as such a horrible person because that is exactly what people viewed him as. He uses self-blame as though he has accepted the fact of reality that he was viewed as a criminal and always will be. It seems as though he wanted to mislead us as readers so we would make the same mistake others did. A feeling of great guilt is created for judging this man that we barely knew. In such a simple way, Staples creates an ...
All these “wrongs” to John, were making him upset. John tried to give the hospital workers freedom. He threw away their soma, and made them more upset. The workers rioted against John, and he realized he could not change society. John argued with the Mustapha Mond about the way society was, but it seemed Mond had a response to everything. John decided to indulge himself in the Brave New World’s lifestyle. John tried sex, and soma, and enjoyed it. John knew he had sinned to his own religion, and he felt so wrong, that he murdered himself.
Sollod, R. N., Wilson, J. P., & Monte, C. F. (2009). Defending Against Envy: The Most Deadly of Sins. Beneath the Mask; an introduction to theories of personality (p. 233). Hoboken, NJ: Wiley. (Original work published 2003).
A League of Their Own (Marshall, 1992) explicitly characterizes an American era when a woman’s place was in the home. Even our modern perspective implicitly follows suit. Although women have gained rights and freedoms since the 1930’s, sexism remains prevalent in America. This film offers an illustration when men went to war and big business men utilized women as temporary replacements in factories, sports, and so on. Here, course concepts, such as gender socialization, gender expressions, role stereotypes, emotion expressions, and language, correspond to the film’s characters and themes.
First came the pride, an overwhelming sense of achievement, an accomplishment due to great ambition, but slowly and enduringly surged a world of guilt and confusion, the conscience which I once thought diminished, began to grow, soon defeating the title and its rewards. Slowly the unforgotten memories from that merciless night overcame me and I succumbed to the incessant and horrific images, the bloody dagger, a lifeless corpse. I wash, I scrub, I tear at the flesh on my hands, trying desperately to cleanse myself of the blood. But the filthy witness remains, stained, never to be removed.
Nationalism creates a sense of identity among individuals and countries. As citizens unite with a common desire, the pride created can topple even the most controlling of regimes. During the French revolution in the late 1700’s, French nationalism rose to an all time high. Unfortunately the death and destruction was an irrefutable consequences. During the late 1700’s the biggest events that happen to allow the French revolution to build are the storming of Bastille, creation of the national assembly, execution of monarchy, and the reign of terror.
Within the German Democratic Republic, there was a secret police force known as the Stasi, which was responsible for state surveillance, attempting to permeate every facet of life. Agents within and informants tied to the Stasi were both feared and hated, as there was no true semblance of privacy for most citizens. Directed by Florian Henckel von Donnersmarck, the movie The Lives of Others follows one particular Stasi agent as he carries out his mission to spy on a well-known writer and his lover. As the film progresses, the audience is able to see the moral transformation of Stasi Captain Hauptmann Gerd Wiesler primarily through the director 's use of the script, colors and lighting, and music.
The theories of the window and frame had its origins in the schools of formalism and realism. Both schools main objective was to amplify the prestige of film. During that era of film was an upstart sideshow attraction, high class form of entertainment was the theater and the visual art forms of paintings and statues. Both schools saw cinema as a way of looking a through an aperture but keeping the audience at a distance from the subject on the screen. Whether looking through at frame or looking through a window the audience would be viewing the subject matter but they would only be able to absorb it. That’s where the similarities end the formalist lead by theorist Sergei Eisenstein saw film as frame and would create shock in an attempt to provoke or raise consciousness. Sergei Eisenstein would create what he wanted to the audience to see in his films. For example in the Battleship Potemkin Eisenstein wanted to address the situation with Russia and he created the situation in his film to incite a revolution by creating chaos. The realism school lead by André Bazin saw cinema as window. To Bazin a spectator would be apart of the film as more of a witness more than just a spectator. In the movie Rear Window Jefferies was witness to his neighbor wife murder while looking through window because while looking through a window what one sees is real.
Kidnapping not only happens in the United States, it happens worldwide. There are some children who are found and there are some who has been missing for years to come. The call was a great way to let young adults know the severity of being kidnapped and it lets dispatchers know how severe a person being kidnapped really is. The call was a movie made in the year of 2013 starring Halle Berry and Morris Chestnut. Halle Berry and Morris chestnut work together to make this film become a great life lesson and also create suspense. During the last 32 years, NCMEC’s national toll-free hotline, 1-800-THE-LOST® (1-800-843-5678), has received more than 4.3 million calls. NCMEC has circulated billions of photos of missing children, assisted
The film industry has always been somewhat of a dichotomy. Grounded firmly in both the worlds of art and business the balance of artistic expression and commercialization has been an issue throughout the history of filmmaking. The distinction of these two differing goals and the fact that neither has truly won out over the other in the span of the industry's existence, demonstrates a lot of information about the nature of capitalism.