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Sandra cisneros writing style
Sandra Cisneros' Only Daughter summary
Sandra cisneros writings
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Sandra Cisneros is a very famous writer, she is well known for her work. Cisneros is a Latin American writer who was born to Hispanic parents. Her novel Straw into Gold revolves around the struggles she as a Latin American had to go through. She talks about the stereotypes, and poverty she and her family went through “I think mama and papa did the best they could to keep us warm and never hungry” (Cisneros, 387). The story creates an atmosphere of understanding and inspiration. Which can make young people feel inspired and motivated by Cisneros acts, she was brave enough to break culture boundaries which can inspire and motivate others to do the same. To begin with, the stories subject is metamorphosis which explains her transformation from
a child to an adult. The occasion of the story is Cisneros life, the entire story revolves around her adult life, and her past, and how that made her who she is. Her audience is mostly based on young Latin American who can relate to her own personal life struggles, and she as the speaker makes it her purpose to give motivation and hope to all who read her story based on the fact that her struggles are meant to be others teachings. The tone in the story is encouraging, during the story she describes how all her struggles “had something to do with shaping [her] into a writer” (Cisneros, 385). During her entire story, she only has one purpose to achieve that is to inspire, which is shown in the quote above, a representation of her own struggles to motivate the young Latin Americans. In addition, throughout the story Cisneros uses DIDLS to appeal to the reader. The word “taboo” is used as a diction to show how she broke an important rule to the Latin American culture. Her images are mostly based on the struggles/ challenges she went through. One of the images she gives the reader is “I managed to make tortillas crooked and burnt” which shows that stereotypes expect Latin American women to know how to make tortillas (Cisneros, 385). The uses that phrase to give a mental image of what the tortillas might have looked like. The details the author choose to include is how she had “left before any of [her] six brothers had ventured away from home” which serves as extra information to show big of a “taboo” she broke (Cisneros, 385). The language she used in the story show how much her Latina culture impacted her writer, like the word “chilango” and “provincianos” which are Mexican slags the author uses to express the culture her parents grew up in (Cisneros, 385). “I’m glad my mama wasn’t there” which is an example of syntax the author uses to show how disappointed her mom would have felt to see the tortillas (Cisneros, 385). As a result, Sandra’s Cisneros life struggles helped her create the stories atmosphere. Which seems to appeal to the audience, since her life strugglers are what made her the great writer she is today. The atmosphere she created shows how her hard work and dedication made her stronger and wiser. Life seems to put many challenges in her life, but from all the obstacles she seems to thrive and learn from. Which is one of the reasons she as a person is an inspiration to all who read her story, a story that shows how life isn’t perfect, but how people can take experiences and learn to become better in life. That is the message that she trying to spread although all odds are against once dream, they should be seen as challenges that motivate people to achieve goals.
Sandra Cisneros was born in Chicago and grew up in Illinois. She was the only girl in a family of seven. Cisneros is noted for her collection of poems and books that concentrate on the Chicano experience in the United States. In her writings, Cisneros explores and transcends borders of location, ethnicity, gender and language. Cisneros writes in lyrical yet deceptively simple language. She makes the invisible visible by centering on the lives of Chicanos--their relationships with their families, their religion, their art, and their politics.
Reyna Grande 's novel, Across a Hundred Mountains, focuses on the dynamic of the development and rethinking of the concept of a traditional Latino patriarchal family built up around male dominance. In low income and uneducated cultures, there are set of roles that throughout time have been passed by from generation to generation. These gender roles most often consist of the men being the breadwinner for the family. While the women stay home to cook, clean, and raise the children. Women are treated as possessions with limited rights and resources. Throughout the novel, Grandes challenges gender roles in the story of a young woman named Juana who, despite all adversity, fights stereotypes and is able to rewrite her own ending.
By educating herself she was able to form her own opinion and no longer be ignorant to the problem of how women are judge by their appearance in Western cultures. By posing the rhetorical question “what is more liberating” (Ridley 448), she is able to get her readers to see what she has discovered. Cisneros also learned that despite the fact that she did not take the path that her father desired, he was still proud of all of her accomplishments. After reading her work for the first time her father asked “where can I get more copies” (Cisneros 369), showing her that he wanted to show others and brag about his only daughters accomplishments. Tan shifts tones throughout the paper but ends with a straightforward tone saying “there are still plenty of other books on the shelf. Choose what you like” (Tan 4), she explains that as a reader an individual has the right to form their own opinion of her writing but if they do not like it they do not have to read it because she writes for her own pleasure and no one else’s. All of the women took separate approaches to dealing with their issues but all of these resolutions allowed them to see the positive side of the
...perceived. Therefore, she uses her writing to give women a voice and to speak out against the unfairness they endure. As a result, Cisneros’ story “Woman Hollering Creek” demonstrates a distinction between the life women dream of and the life they often have in reality.
In a country full of inequities and discriminations, numerous books were written to depict our unjust societies. One of the many books is an autobiography by Richard Wright. In Black Boy, Wright shares these many life-changing experiences he faced, which include the discovery of racism at a young age, the fights he put up against discriminations and hunger, and finally his decision of moving Northward to a purported better society. Through these experiences which eventually led him to success, Wright tells his readers the cause and effect of racism, and hunger. In a way, the novel The Tortilla Curtain by T.C Boyle illustrates similar experiences. In this book, the lives of two wealthy American citizens and two illegal immigrants collided. Delaney and Kyra were whites living in a pleasurable home, with the constant worry that Mexicans would disturb their peaceful, gated community. Candido and America, on the other hand, came to America to seek job opportunities and a home but ended up camping at a canyon, struggling even for cheapest form of life. They were prevented from any kind of opportunities because they were Mexicans. The differences between the skin colors of these two couples created the hugest gap between the two races. Despite the difficulties American and Candido went through, they never reached success like Wright did. However, something which links these two illegal immigrants and this African American together is their determination to strive for food and a better future. For discouraged minorities struggling in a society plagued with racism, their will to escape poverty often becomes their only motivation to survive, but can also acts as the push they need toward success.
Sandra Cisneros's writing style in the novel The House on Mango Street transcends two genres, poetry and the short story. The novel is written in a series of poetic vignettes that make it easy to read. These distinguishing attributes are combined to create the backbone of Cisneros's unique style and structure.
Sandra Cisneros short story “Woman Hollering Creek”, has many allegories about culture, morality, and gender roles.
A Raisin In the Sun, The House On Mango Street, and A Yellow Raft In Blue Water all contain strong, defined images of women. These women control and are controlled. They are oppressed and liberated. Standing tall, they are confident and independent. Hunched low, they are vulnerable and insecure. They are grandmothers, aunts, mothers, wives, lovers, friends, sisters and children. Although they span a wide range of years and roles, a common thread is woven through all of their lives, a thread which confronts them day in and day out. This thread is the challenge they face as minority women in America to find liberation and freedom from lives loaded down with bondage. These women fight to live and in their living they display their strengths and their weaknesses. They demonstrate the opposition many women face being viewed as the inferior sex as well as discrimination against their ethnicity. In this struggle Hansberry, Dorris and Cisneros depict women attempting to find confidence and security in the society around them. Comparing and contrasting the novels A Raisin In the Sun, The House On Mango Street, and A Yellow Raft In Blue Water, three principal images of women emerge: their strength, bondage and liberation. These images combine to depict the struggle of many minority women, regardless of their ethnic background, and shapes the character they draw from society.
Writing in the 20th century was great deal harder for a Chicano then it was for a typical American at this time. Although that did not stop this author, Sandra Cisneros. One of her famous novels, Woman Hollering Creek was a prime example of how a combined culture: Mexican-Americans, could show their pride and identity in this century. In conjunction, gave the opportunity for women to speak their voice and forever change the culture of Latino/a markets. Not only did it express identity/gender roles of women and relationships, but using these relationships to combine the cultures of Mexican and American into a hybrid breed. This novel, should have been a view-point for the future to show that there is more to life than just gender and race. Concluding this, the articles that helps define this is “The Latino/a Canon and the Emergence of Post-Sixties Literature” and “What is called Heaven”.
Intertwined in allusions to women of Mexican history and folklore, making it clear that women across the centuries have suffered the same alienation and victimization, Cisneros presents a woman who struggles to prevail over romantic notions of domestic bliss by leaving her husband. In the story Woman Hollering Creek, Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleófilas; a character who is married to a man who abuses her physically and mentally. Cisneros reveals the way the culture puts a difference between a male and a female, men above women. In Woman Hollering Creek, we see a young Mexican woman, who suddenly moves across the border and gets married. The protagonist, Cleófilas’ character is based on a family of a six brothers and a dad and without a mom, and the story reveals around her inner feelings and secrets.
Sandra Cisneros reveals her feminist views through her novel The House on Mango Street. She does this by forcing the reader to see the protagonist as an alienated artist and by creating many strong and intelligent female characters who serve as the protagonist's inspiration.
In the novel, The House on Mango Street, Sandra Cisneros describes the problems that Latino women face in a society that treats them as second class citizens. A society that is dominated by men, and a society that values women for what they look like, and not for what is on inside. In her Novel Cisneros wants us to envision the obstacles that Latino women must face everyday in order to be treated equally.
Emilia de Pardo Bazan wrote from an original female perspective relaying how women were treated in Spanish society. She grew up as part of the elite class ...
In Sandra Cisneros’ novel, “The House on Mango Street,” Ezperanza Cordero relates her day-to-day experiences as she enters adolescence in a poor urban neighborhood. She introduces her family and friends, presenting their stories and giving a full picture of the community by doing so. The reader sees her grow significantly during the year – from a child content in the many adventures offered by the small Latino neighborhood
In the story "Woman Hollering Creek" Sandra Cisneros discusses the issues of living life as a married woman through a character named Cleofilas; a character who is married to a man who abuses her physically and mentally .Cisneros reveals the way the culture puts a difference between a male and a female, men above women. Cisneros has been famous about writing stories about the latino culture and how women are treated; she explain what they go through as a child, teen and when they are married; always dominated by men because of how the culture has been adapted. "Woman Hollering Creek" is one of the best examples. A character who grows up without a mother and who has no one to guid and give her advise about life.