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Esperanza character development in a house on mango street
How does the house on mango street relate to today
Analysis of the house on Mango street
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“They are the only ones who understand me. I am the only one who understands them. Four skinny trees with skinny necks and pointy elbows like mine. Four who do not belong here but are here.” (74) This is a quote from ‘Four Skinny Trees,’ a chapter in Sandra Cisneros’ novel “The House on Mango Street.” Cisneros makes use of a unique type of writing known as vignettes to portray Esperanza’s, the main character, point of view. Her book contains a series of what may seem like detached poems, but by the end they are many little stories that flow together to describe Esperanza’s experiences while living in the little red house on Mango Street. In the vignette, “Our Good Day,” Cisneros really shows how a major part of Esperanza’s character is how …show more content…
She also talks about the opposing point of view, in which white people are scared of brown people, and how it makes Esperanza feel. She states, “They think we’re dangerous. They think we will attack them with shiny knives. They are stupid people who are lost and got here by mistake… But we aren’t afraid… All brown all around, we are safe.” (28) It seems as if Esperanza’s tone is offended, and also condescending towards white people. She does not understand why people of her culture are expected to be criminals, and this bothers her. On the other hand, Esperanza talks about how when brown people go into a different neighborhood, they are just as scared, if not more. “...But watch us drive into a neighborhood of another color and our knees go shakity-shake and our car windows get rolled up tight and our eyes look straight. That is how it goes and goes.” (28) Esperanza knows that in this period of time, her culture is at a disadvantage, because not only do people of other nationalities expect Esperanza’s people to be bad, but they also do not want them mixing in their neighborhoods and towns. This fact is what scares Esperanza’s people, and why she simply says “That is how it goes and goes,” as she cannot do anything about it. It’s a time where Esperanza is pondering more and more on why her culture isn’t …show more content…
Sally is a beautiful Egyptian girl whom Esperanza met, and her background gives her a lot of limitations. Sally’s father does not let her out of the house, as he says that having her beauty is dangerous. She walks straight home from school, and does not dare to go elsewhere. This gets Esperanza to thinking, “Sally, do you sometimes wish you didn’t have to go home? Do you wish your feet would one day keep walking and take you far away from Mango Street… And you could laugh, Sally. You could close your eyes and you wouldn’t have to worry what people said because you never belonged here anyway and nobody could make you sad and nobody would think you’re strange because you like to dream and dream.” (83) This seems to be a situation where Esperanza is unloading all her inner feelings onto Sally and wondering if maybe Sally feels the same way. She is looking for emotional comfort, as she wants to leave Mango Street but feels as if something is holding her back. Cisneros shows this through only Esperanza’s thoughts on Sally and who she is and who she might
Throughout The House On Mango Street by Sandra Cisneros, many symbols, themes, and motifs appear while analysing the story of Esperanza growing up on Mango Street, a poor neighborhood. Symbols are a very big part of this book, because without deeper consideration of the text, this book would just be a series of dull, unrelated stories. One of the most prominent symbols in this story is the symbol of shoes representing our main character, Esperanza, maturing and adjusting into womanhood and her sexuality.
Esperanza, the main character of The House on Mango Street, a novella written by Sandra Cisneros in 1984, has always felt like she didn’t belong. Esperanza sought a different life than the ones that people around her were living. She wanted to be in control of her life, and not be taken away by men as so many others around her had. Esperanza wanted to move away from Mango Street and find the house, and life she had always looked for. Through the use of repetition, Sandra Cisneros conveys a sense of not belonging, that can make a person strong enough to aspire to a better life.
In the story the house on mango street there are both young girls, Sally and Esperanza. Both girls desire adventure, love, and beauty. However, Sally is more outgoing and confident than Esperanza. She has confidence that she is beautiful. She play the role of a strong female that never get hurt by any boys. Esperanza admires and looks up to Sally. Esperanza does not want to be a "weak woman" and she sees Sally as her role model. Their home lives contrast also Ironically. Sally is physically abused by her father each time he catches her with a boy. On the other side Esperanza and her family communicates well. Sally sees her self as a women and not the type of women a person that isn't confident of herself and that's what Esperanza likes.
Esperanza sees all of the women around her, and most of them are the same. The overall idea of the women on Mango Street is they are property to their husbands. They cannot do anything unless their husbands allow them to. It also starts out at a young age. The young girls like Esperanza see the women that live around them and think that is the way to live. They admire them so they start to mature faster than they should. Sally is one of them. Sally loves the attention that she gets from boys, but her father does not like that. Sally grew up and got married at a young age.
Symbolism is the key to understanding Sandra Cisneros’ novel, “The House on Mango Street”. By unraveling the symbolism, the reader truly exposes the role of not only Latina women but women of any background. Esperanza, a girl from a Mexican background living in Chicago, writes down what she witnesses while growing up. As a result of her sheltered upbringing, Esperanza hardly comprehends the actions that take place around her, but what she did understand she wrote in her journal. Cisneros used this technique of the point of view of a child, to her advantage by giving the readers enough information of what is taking place on Mango Street so that they can gather the pieces of the puzzle a get the big picture.
Women are seen as failure and can’t strive without men in the Mexican-American community. In this novel you can see a cultural approach which examines a particular aspect of a culture and a gender studies approach which examines how literature either perpetuates or challenges gender stereotypes. Over and over, Esperanza battled with how people perceived her and how she wished to be perceived. In the beginning of the book, Esperanza speaks of all the times her family has moved from one place to another. “Before that we lived on Loomis on the third floor, and before that we lived on Keeler.
Esperanza, the most liberated of the sisters, devoted her life to make other people’s lives better. She became a reporter and later on died while covering the Gulf Crisis. She returned home, to her family as a spirit. At first, she spoke through La Llorona, a messenger who informed La Loca that her sister has died. All her family members saw her. She appeared to her mother as a little girl who had a nightmare and went near to her mother for comfort. Caridad had conversations with her about politics and La Loca talked to her by the river behind their home.
Esperanza is relying on her childhood to help her through life she feels like “a red balloon tied to an anchor” (9,1,3) This passage describes that Esperanza singles herself out for her differences instead of her similarities and she knows it. She also sees her differences as a source of her isolating herself. She floats in the sky for all of the rest of us to see, dangling from a string. Esperanza is longing on for an escape like a balloon similar to her experiences with our society. However against the face that Cisneroz gives her a light voice, doesn't mean that it's not just as strong and
Throughout The House on Mango Street Esperanza learns to resist the gender norms that are deeply imbedded in her community. The majority of the other female characters in the novel have internalized the male viewpoint and they believe that it is their husbands or fathers responsibility to care for them and make any crucial decisions for them. However, despite the influence of other female characters that are “immasculated”, according to Judith Fetterley, Esperanza’s experiences lead her to become a “resisting reader” in Fettereley’s terminology because she does not want to become like the women that she observes, stuck under a man’s authority. She desires to leave Mango Street and have a “home of her own” so that she will never be forced to depend on a man (Cisneros 108). During the course of the novel Esperanza eventually realizes that it is also her duty to go back to Mango Street “For the ones that cannot out”, or the women who do not challenge the norms (110). Esperanza eventually turns to her writing as a way to escape from her situation without having to marry a man that she would be forced to rely on like some of her friends do.
“Someday, I will have a best friend all my own. One I can tell my secrets to. One who will understand my jokes without me having to explain them” (9). These are the longing words spoken by Esperanza. In the novel The House on Mango Street, Esperanza is young girl experiencing adolescence not only longing for a place to fit in but also wanting to be beautiful. This becomes complicated as Esperanza becomes more sexually aware. Throughout the novel, Cisneros argues the importance of beauty and how Esperanza deals with beauty as a part of her identity. When Esperanza meets Sally a new friend, Esperanza’s whole world is turned upside down. Esperanza’s views on beauty change from a positive outlook to a negative one by watching how beauty has damaged Sally’s life.
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
Religion holds a powerful position in the lives of Latinos. It provides a built in censor of right and wrong in the form of extreme guilt (Aranda 150). The chapter "A Rice Sandwich" divulges the way guilt is established. Here Esperanza wants to eat at the canteen for lunch, but the nuns just insult her, and this makes her cry. She says they were "...pointing to a row of three ugly flats, the one the raggedy men are ashamed to go into. Yes...though I knew that wasn't my house" (Cisneros 45). The fact that her victimizers were nuns made her even more embarrassed about where she lived than she already was.
In the Book women are looked upon as objects by men whether they are boyfriends, friends fathers or husbands. The girls in the novel grow up with the mentality that looks and appearance are the most important things to a woman. Cisneros also shows how Latino women are expected to be loyal to their husbands, and that a husband should have complete control of the relationship. Yet on the other hand, Cisneros describes the character Esperanza as being different. Even though she is born and raised in the same culture as the women around her, she is not happy with it, and knows that someday she will break free from its ties, because she is mentally strong and has a talent for telling stories. She comes back through her stories by showing the women that they can be independent and live their own lives. In a way this is Cinceros' way of coming back and giving back to the women in her community.
...her own appearance and style. Also, they are really affective in their way of telling Esperanza that even if she leaves she has to come back for her people. They told her that she will always belong to her family and she will always be Mango Street. Additionally, it easy to relate the three sisters with the three witches in one of Shakespeare’s plays, Macbeth. On the other hand, the difference between the three sisters and Elenita in a different chapter can prove that the three sisters are more affective on Esperanza. The theme of identity in this chapter of how Esperanza will always be Esperanza and will always be realated to Mango Street is similar to the theme of Identity in the whole novel. Also, how people always look to the future in life can be noticed in this particular chapter and in the whole novel. As a final point, Esperanza wants a home, not a house.
Papa for example is a hardworking man and does what he must do to make ends meet. Esperanza’s family may represent the typical immigrant family; Hence, Esperanza’s parents are both hardworking, loving, supportive and very caring. Many immigrant parents are very selfless and give everything they have for their child to succeed. Esperanza is the Chicana who is fortunate enough to have this support and move ahead in life. Although she may not have the money, she has the support and Sandra Cisneros does a great job emphasizing on the importance of a community, of a family in order to