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What defines a poet? Samuel Taylor Coleridge was one with a brilliant mind whose talent for poetry went beyond the ordinary. Poets, such as Coleridge, were described as delusional artist whose poems were hard to grasp by the common man. Samuel Taylor Coleridge was a complex lyricist, convoluted philosopher, but most importantly, he was human. As stated, “Coleridge achievements have been given more widely varying assessments than that of any other English literary artist” (Leonard 15). Coleridge’s passion for poetry as a child, struggles and friendships of adulthood, and depression affected his proficient writings.
Coleridge was born on October 21, 1772 in Ottery St. Mary, England. As a child, he did not have much of a relationship with his mother which explains the close relationship with his father, John Coleridge. John was vicar of Ottery and headmaster of a local grammar school.
( http://www.britannica.com/EBchecked/topic/125261/Samuel-Taylor-Coleridge ). John’s involvement in the literature world sparked interest with young Samuel. Coleridge developed a strong passion for reading and gained a wild imagination. John sudden pass in 1781 forced Coleridge to move into the Christ’s Hospital School for orphans. Nevertheless, Coleridge did not take this as downfall. He continued to thrive in his studies. In 1791, Coleridge enrolled into the University of Cambridge. Coleridge was considered as a determined and intelligent student until he became distracted. Unfortunately, Coleridge dropped out of school never obtaining a degree. In the fall of 1793, young and naive, Coleridge enlisted into the Light Dragoons army. Coleridge used his literary skills to teach soldiers how to write, but due to his lack of ability to fight or even ride a...
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...ho he loves ( http://www.poetryfoundation.org/poem/173251 ).
Works Cited
Coleridge, Samuel Taylor. Selected Poetry and Prose of Coleridge. Ed. Donald A.
Stauffer. New York: 1951.
Kohler, Dayton, and Magill, Frank N., eds. Masterplots Cyclopedia of World Authors: Rev. of
Samuel Taylor Coleridge. New York: 1958: 223.
European Graduate School. “Samuel Taylor Coleridge”. The European Graduate School Graduate and Postgraduate Studies. March. 2014. 9 .
Encyclopaedia Britannica Online Academic Edition. “Samuel Taylor Coleridge.” Encyclopaedia Britannica Online. Apr. 2014. 11 .
Orr, Leonard. Critical Essays on Samuel Taylor Coleridge. New York: G.K. Hall, 1994.
"Morton, Thomas - Introduction." Literary Criticism (1400-1800). Ed. Thomas J. Schoenberg. Vol. 72. Gale Cengage, 2002. eNotes.com. 2006. 21 Feb, 2011
Dr. Steven Zucker, Dr. Beth Harris “Cole’s The Oxbow” Khan Academy. Accessed 11/21/13 from [http://smarthistory.khanacademy.org/romanticism-us-cole.html]
He then spent 11 months at the University of Virginia but due to his gambling problem, his guardian refused to let him continue his schooling. In 1827 he published his first collection of poems. His poems didn’t do so
Coleridge, Samuel Taylor. Lectures and Notes on Shakspere and Other English Poets. London : George Bell and Sons, 1904. p. 342-368. http://ds.dial.pipex.com/thomas_larque/ham1-col.htm
Byron was born on January 22, 1788 in London, England. He was the son of Captain John Byron and Catherine Gordon (Magill 312). His father had a daughter from a previous marriage, named Augusta. Byron was born with a clubbed right foot, which gave him a limp every time he walked for the rest of his life. His father was greedy and sought out money from all of his wives, so in 1789 Byron moved with his mother to Aberdeen. He grew up with a rough childhood, being abused by his mother often. However, he found help when he began reading the Bible and developed a love for history. This eventually led to his ideas for writing and his journeys across the globe (“Lord”).
Schoenberg, T. J. (2001). Bradford, William - Introduction. "Literary Criticiem (1400-1800). Retrieved March 2011, from enotes.com/literacy-criticism: www.enotes.com/literary-criticism/bradford-williams
G. Ed. The Norton Anthology of English Literature: The Romantic Period. New York: Norton, 2000. Barth, Robert J. Romanticism and transcendence: Wordsworth, Coleridge, and the Religious Imagination. Columbia: University of Missouri Press, 2003.
Yet a term as broad as "poetry" is not so easily quantified as to simply attribute physical characteristics to it and let all writing either fall into or out of that category. Poetry is determined by the effect upon the reader. It is an individual opinion, and thus defined by the collected (individual) reactions.
Magnuson, Paul. "The Gang: Coleridge, the Hutchinsons & The Wordsworths in 1802." Criticism 4(2001):451. eLibrary. Web. 11 Mar. 2014.
Coleridge, Samuel Taylor. "The Rime of the Ancient Mariner (text of 1834)." Poetry Foundation. Poetry
In his epic poem The Rime of the Ancient Mariner, Samuel Taylor Coleridge critiques the Gothic convention of the explained supernatural (in particular explanation in the form of divine intervention) through his portrayal of the tension between Christian themes and the sublimity of the archaic both within the poem itself as well as in the external preface and marginal glosses accompanying the poem. I intend to argue that despite the seemingly inherent Christian morality present on the surface of The Rime of the Ancient Mariner, Coleridge subtly draws attention to a pre-Christian subtext, which holds the insignificance of humanity and the unknowability of the universe in high regard. Through his characterization of the Ancient Mariner and his
Mileur, J. 1982. Coleridge and the Art of Immanence. Los Angeles: University of California Press.
While Coleridge describes the process of creating Romantic poetry and encourages poets to use the combination of nature and imagination in this process, Keats is more focused on reality and is well aware of the limitations of the Grecian urn. With the poets’ admiration of nature present in both poems …… to be completed.
- - -. “Literature Criticism from 1400 to 1800.” http://go.galegroup.com. N.p., 1988. Web. 9 Dec. 2010. .
Coleridge, Samuel Taylor. “Kubla Khan.” The Norton Anthology: English Literature. Ninth Edition. Stephen Greenblatt, eds. New York: W.W. Norton & Company, 2012. 459-462. Print.