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Landscape painting analysis
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With his passion for painting, his admiration of landscapes and influence as a teacher, Thomas Cole was a proficient Romanticism artist. Undoubtedly because of his extensive traveling and studying various landscapes, Cole is one of the most well known landscape artist in America. Cole painted many landscape paintings, one of these being The Oxbow. Established by Cole the Hudson River School of Romantic Landscapes was created to teach students about painting landscapes. As American nature became realized to be beautiful and divine more and more artists commenced painting the eminent nature that God created for them.
As Cole traveled the world, he came to see nature worthy of painting and wanted to share this love with others. After being born
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A drastic change happened between 1825 and 1830 when before this time nature was only admired when it was tamed into gardens or plantations. The natural wonders of America became boasted about as some of the most divine landscapes in the world. As Emerson and Thoreau both believed, “God inhabited nature, which dignified landscapes as a portrait of the face of God” (Strickland 81). Leading to the Hudson River School American landscapes became the “artist’s inspiration” (Strickland 81). The Hudson River School was America’s first true artistic fraternity which included a group of New York City painters under the influence of Thomas Cole, said to be the founder, or father of the school. After Cole’s death, his older contemporary Asher B. Durand was acknowledged as the next leader (Metropolitan Museum of Art). Some of the artists of this “first native school of painting” were Thomas Cole, Asher B. Durand, John F. Kensett and Thomas Doughty. Concentrating only on landscapes, they masterfully painted scenes of the Hudson River, showing the “Mood of worshipful wonder” (Strickland 81). Using “realistic detail” and “idealized composition” the artists of the Hudson River School created a new form of romantic realism (Strickland …show more content…
Throughout his life and while traveling abroad, Cole continually studied nature in order to paint it perfectly. In his painting, The Oxbow, he utilized these skills of painting he learned to create a stunning landscape. As the founder of the Hudson River school Cole influenced many students to follow in his own footsteps. Painting trees, fields and skies Thomas Cole is an artist who will be remembered for many years to
Beginning his career as an artist early in life, Turners father provided his young son his first exhibition space, hanging and selling Turners works in the family Barbershop. Turners’ early experiences in art were limited and largely self-taught until entering the Royal Academy Schools in 1789 at the age of 14. From 1790 onwards Turner was heavily influences by architectural draftsman and teacher of perspective, Thomas Malton, a man Turner described as his ‘real master.’ The influence of Malton is clear in Turners superb architectural renderings that frequent his landscapes, being praised by the London Times of the 3rd of May 1797 for his ‘exquisite architectural views. ’
“The St. Johns River Entering the Atlantic Ocean” painted by Hermann Herzog stands in American Art as the most ascetically illustrative picture inspired in the Florida coastline. Although, this German American artist settled in Pennsylvania, he painted primarily landscapes inspired in the areas he visited. He traveled and painted throughout Florida, Maine, California and the Northeast side of the country coast.
told a story through their artwork. All the different artists had different mediums and ways of expressing
Thomas Hart Benton was born in the familiar, small town of Neosho, Missouri. He was named after his granduncle, the famed and prominent pre-American Civil War senator. First Thomas Hart Benton studied at the Art Institute of Chicago and then lived in beautiful Paris for three years. When he came back he moved to New York City after 1912 he turned away from his usual style, modernism, and gradually developed a rugged naturalism that affirmed traditional rural values. By the 1930’s Benton was riding a tide of popular acclaim along with his fellow regionalist Grant Wood, who was responsible for American Gothic, and John Steuart Curry, who was responsible for The Tragic Prelude. The mural, America Today (1930-1931, The Equitable Life Assurance Society of the U.S., New York City), Thomas Hart Benton’s masterpiece, presented an optimistic portrayal of a vital country filled with earthy, muscular figures.
The naissance of the Hudson River School style launched a new era of artwork. Thomas Cole started this school and it was because of him American landscape painting came of age with the success. This was the first school of painting in the United States. Located in Northern New York by the Hudson River, the paintings focused on the nature and wilderness of the surrounding area. The Hudson River Painters believed that nature was a direct manifestation of God. As such, nature was to be depicted as accurately and as detailed as possible. If a man was included in a painting at all, he was painted small in stature to emphasize his relationship to nature (God). Because nature was considered perfect, the Hudson River Painters attempted to draw and paint landscapes directly, not from memory or imagination, and without embellishments or contrivances. The American landscape, wild and unspoiled, became a great source of national pride. The museums and galleries now focused on American art rather than European art for the first time. Importantly, the school helped make Manifest Destiny a popular idea, and thus contributed to western expansion.
Norman Rockwell is best known for his depictions of dail life of a rural America. Rockwell’s goals in art revolved around his desire to create an ideal America. He said “ I paint life as I would like it to be.”
Grant Wood is a famous philosopher who was born in February in the year 1891 in Anamosa, Iowa. Wood was born to Quaker parents on a small farm. This experience would be the basis of his iconic images of small-town plain folk and verdant Midwestern vistas. He later moved to Cedar Rapids after the death of his father in 1901. He first studied at the Minneapolis School of design between 1910 and 1911 and became a professional designer while attending night courses at the University of Iowa and at the Art Institute of Chicago. At the end of 1915 he gave up designing and returned to Cedar Rapids. After his military service he taught painting and drawing at the public school of Cedar Rapids and visited Paris in 1920 with Marvin Cone. His early works were outdoor scenes combining a bright Fauve palette and a loose, impressionistic style - the result of a 1923-24 trip to Italy and Paris, which included study at the Academie Julian. He visited Europe again in 1928 and notably went to Germany and Holland where he discovered German and Dutch primitive painters to whom he borrowed many facets. Wood was appointed head of the Iowa Works Progress Administration-Federal Arts project in 1934 and also taught at the University of Iowa.
Frederick Law Olmsted (1822-1903) was considered the father of American Landscape Architecture. He is known throughout history for his landscape creations such as Central Park in New York City and Niagara Reservation in New York. Olmsted was an avid travel and had a keen eye for understanding the environment around him. He did not only evaluate the environment, but he also took interest in the people around the world as well. In Journey to the Southern Seaboard States, Frederick Olmsted travel to the southern states of the United States (we focused on Washington D.C., Virginia, South Carolina and Georgia). Olmsted describes his journey as travels. He goes into great detail about the environment, the people, and makes many comparisons of south
While his life was building up to the moment he became rich off of his creativity, it helped him become the man he is today. No matter how unique his life has been, one thing has been a constant in his life, along with many others; He was influenced by the color and personality shown through a piece of art, which was the intent in the first place.
Archibald Motley Jr. was born in 1891 in New Orleans. Ever since, Archibald was a child he had the desire to be an artist. His family moved to a Chicago neighborhood in the 1890’s, but the family would take frequent trips back to New Orleans in the summer. Later we find out that these two similar settings were the determining factor for Archibald’s paintings. He decided to study art at the Institute of Chicago and was recognized by being one of the few African American artists during that time.
The Romantic period was an entirely unique era in American history that produced new life philosophies through the focus of nature and exploration resulting in the evolution of the American Dream. Consequently, some of the world’s greatest advancements in arts and literature were accomplished during this time period. Authors such as Henry Wadsworth Longfellow, James Fennimore Cooper, and Oliver Wendell Holmes sparked the imagination of American audiences through newfound literature such as lyrical poetry, myths, legends, folklore, and the new American novel. Romantic age writers emphasized nature, especially in poetry, as an inspiration for imagination and emotion. The American Dream during the Romantic era was to lead a life of emotion and intuition over reasoning through exploration of the countryside and the recognition of natural beauty displayed by imaginative literature that reflected this American Dream.
Frank Lloyd Wright, American architect, who was a pioneer in the modern style, is considered one of the greatest figures in 20th-century architecture. Wright was born June 8, 1867, in Richland Center, Wisconsin. When he entered the University of Wisconsin in 1884 his interest in architecture had already acknowledged itself. The university offered no courses in his chosen field; however, he enrolled in civil engineering and gained some practical experience by working part time on a construction project at the university. In 1887 he left school and went to Chicago where he became a designer for the firm of Adler and Sullivan with a pay of twenty-five dollars a week. Soon Wright became Louis Sullivan’s chief assistant. Louis Sullivan, Chicago based architect, one of America’s advanced designers. Louis had a profound influence on Frank Lloyd Wright. Wright was assigned most of the firm’s home projects, but to pay his many debts he designed ‘Bootlegged Houses’ for private clients in his spare time. Sullivan disapproved, resulting in Wright leaving the firm in 1893 to establish his own office in Chicago.
Frank Lloyd Wright has been called “one of the greatest American architect as well as an Art dealer that produced a numerous buildings, including houses, resorts, gardens, office buildings, churches, banks and museums. Wright was the first architect that pursues a philosophy of truly organic architecture that responds to the symphonies and harmonies in human habitats to their natural world. He was the apprentice of “father of Modernism” Louis Sullivan, and he was also one of the most influential architects on 20th century in America, Wright is idealist with the use of elemental theme and nature materials (stone, wood, and water), the use of sky and prairie, as well as the use of geometrical lines in his buildings planning. He also defined a building as ‘being appropriate to place’ if it is in harmony with its natural environment, with the landscape (Larkin and Brooks, 1993).
William Wordsworth was known as the poet of nature. He devoted his life to poetry and used his feeling for nature to express him self and how he evolved.
Vincent Van Gogh’s well known artwork had a profound impact on the world. After being rejected countless times by other jobs, Van Gogh realized that art was his calling and he begun to research other artists and various artwork. He visited several museums in London and got inspiration from many of the impressionists living in Europe at the time.