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Christopher Marlowe and his writing styles
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Marlowes writingstyle
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The hardboiled detective, the tough guy with street smarts solving mysteries for the police. Sam Spade, from The Maltese Falcon, can be described as just that, the hardboiled detective. Sporting the trademark attire, the trench coat, a rumpled suit and a fedora to top it off. This tough guy Spade like to smoke as much as he liked his scotch, he even kept a bottle at his night table. Thanks to the help of Sam Spade, Brigid O’ Shaunessy was arrested for his partner’s murder. To contrast there is Philip Marlowe from Chandler’s short story, Trouble is my business, also a hardboiled detective. Marlowe also had scotch or some kind of replacement at hand. He was always drinking, he even drove intoxicated. Similar to Spade he also liked to smoke, …show more content…
“I finished my drink, put the glass down, walked up and down the room, smoked a third cigarette, looked at my watch, shrugged and felt disgusted.” (Mansfield-Kelley & Marchino, 2005). Both Sam Spade and Philip Marlowe had another quality of being a hardboiled detective, they were a ladies man.
From the beginning Philip Marlowe caught the attention of Anna Halsey’s assistant, "I think she blushed," Anna said when the door closed. "I guess you still have It." In-text: (Mansfield-Kelley & Marchino, 2005). Then when he carries on his business and meets Harriet Huntress, he also catches her attention. She calls him brown eyes, the two of them end up going out a few times after the mystery was solved. Sam Spade was also an attractive man, his assistant Effie, would do anything for him. Effie even put up Brigid O’ Shaunessy in her home when she was in danger. Brigid O’ Shaunessy, who was quite a woman herself was even lusting after Sam. Then there was his late partner’s wife, Iva Archer. Sam had to get Effie to keep Iva away from …show more content…
him. Although, Spade and Marlowe were very similar men, the hardboiled detectives differ on their opinion of guns. Marlowe, on one hand, walked with a Luger. He is described as beIn quick with a gun, “We hear you’re kind of sharp with a gun.” (Mansfield-Kelley & Marchino, 2005). It is to be said however, his gun was frequently taken from him. On the other hand, Spade didn't walk with a gun, he carried on with his business without the need of a firearm. He did make mention of there being a gun in the office however, it was never seen. Sam Spade and Philip Marlowe both do an impressive job of proving their strength.
Philip is a big, tough guy a fighter, he gets into a couple altercations, but always comes out strong. The first, takes place in his apartment with Frisky and Waxnose they come to give him a message about young Jeeter. Frisky, however, want to to more than just talk, he’s eager to fire his gun. Frisky goes at Philip acting wildly wanting to hit him, Philip put a quick end to it though. “I was a world-beater. I took them in sets, guns and all. I took the little man around the throats and jerked him hard against my stomach, out a hand over his little gun hand and knocked the gun to the floor.” (Mansfield-Kelley & Marchino, 2005). Of course this caught the attention of Waxnose who, praised him for it, “You got a nice arm action there, pal. I will say that for you.” (Mansfield-Kelley & Marchino, 2005). The second altercation, also took place at his apartment with Waxnose stirred up over the death of Frisky. Philip is again able to gain control and ties up Waxnose, taking his gun with him and he leaves. Sam Spade, has a one relatively minor altercation with Joel Cairo who, sticks up a gun requesting to search the office. Spade is able to knock him out, takeaway his gun and find out Cairo’s true identity. Other than the that altercation Sam Spade is more of a talker, talking his way through a
situation.
“‘Mother,’ said Pearl, ‘was that the same minister that kissed me by the brook?’ ‘Hold thy peace, dear little Pearl!’ whispered her mother ‘We must not talk in the market-place of what happens to us in the forest’”(Hawthorne, 134). This direct quote from Hawthorne’s piece, The Scarlet Letter, was just one of the countless examples where he shows symbolism of adultery. The betrayal of Daisy Buchanan in The Great Gatsby demonstrate how most characters were self involved and did not care about societal standards in their town of Long
Although he doesn’t get his way and Phillip has to leave he accepts it with the maturity and the calmness of any other adult in the story and is impacted by it in a way he doesn't know
It is very interesting to note how the conventions of 1940’s hardboiled private eye fiction translate into the 1970’s. The low-rent drabness of the genre loses much of its allure. The dark shadows and long nights of urban Los Angeles become the bright lights and warm sunshine of Malibu beaches. The detective’s normally snappy dialogue turns into joking asides. Marlowe’s hardboiled narration becomes the self-conscious mutterings of a lonely man talking to himself. The romantic myth of a man set apart from the city is turned on its head as a pathetic man living alone with his cat.
Erick Larson wrote in Devil in the White City, “I was born with the devil in me. I could not help the fact that I was a murderer, no more than the poet can help the inspiration to sing – I was born with the Evil One standing as my sponsor beside the bed where I was ushered in the world, and he has been with me since” (Troy, Taylor). This statement was a quoted confession from Dr. H. H. Holmes himself in 1896. Holmes was the first major serial killer in America, even though he came after many others in his time. Thomas Neil Cream, the Austin Axe Murderer, the Bloody Benders, and Jack the Ripper came before him. His name was originally Herman Webster Mudgett. He was born on May 16th, 1860 in Gilman, New Hampshire. He was raised by his mother and father, who was a wealthy and respected citizen for 25 years. As a boy, Mudgett was always in trouble and was well known in his community for his rather sociopathic behavior. He would show cruelty to both animals and other children. The only thing keeping hope to society was the fact that he was an excellent student. He later changed his last name to Holmes in order to pursue both his medical and criminal careers. He had many other aliases in which he would hide under and try to derail the cops from finding him (Juan, Blanco). Holmes was medically trained to be a doctor and received his degree from the University of Michigan. He was not just into insurance fraud scams. His evil doings included forgery, claiming to find the cure for alcoholism, real estate scams, and pretending to have a machine that turned natural gas into water. He was quite the ladies man, had many wives, whom often had become his victims. Many of his medical partners became subject to him, also. He once even had three wiv...
Dashiell Hammett’s novel, The Maltese Falcon, is a hard-boiled detective novel; a subset of the mystery genre. Before the appearance of this sub-genre, mystery novels were mainly dominated by unrealistic cases and detectives like Conan Doyle’s Sherlock Holmes. As Malmgren states, “The murders in these stories are implausibly motivated, the plots completely artificial, and the characters pathetically two-dimensional, puppets and cardboard lovers, and paper mache villains and detectives of exquisite and impossible gentility.” (Malmgren, 371) On the other hand, Hammett tried to write realistic mystery fiction – the “hard-boiled” genre.
The Boston Strangler was probably the most notorious criminal that Boston, Massachusetts has ever known. But who was the Boston Strangler? Was he Albert DeSalvo, the person who confessed and went to jail for these crimes? Is he someone that took his secret to the grave and let an innocent man take the blame for his crime? Or is he still walking the streets of Boston, or even the streets of another city?
Tom knew Myrtle better than any of the main characters. He had met her on a train headed for New York. When the train reached the city, she went with him in a taxi, and their affair began. Tom never made much of an effort to keep their relationship secret. In fact, he almost paraded her around in the presence of his acquaintances. They made frequent trips into New York so that they could be together. Myrtle was Tom's escape from his own life in East Egg. While Daisy provided him with a wealthy, acceptable social image, she was not much more to him than a mere possession. His affair with Myrtle offered him a chance to defy his social expectations. Their relationship was important to him because of this opportunity to escape. When Myrtle died, it shook him deeply, especially because he believed Gatsby had been driving the yellow car. After leaving George Wilson's garage the night of the accident, he managed to drive slowly until he and Nick were out of sight. Then he slammed his foot down on the accelerator, driving much faster. He began quietly sobbing, privately mourning her death. He immediately blamed Gatsby for bringing their relationship to an abrupt halt. "That God damned coward!" he cried. "He didn't even stop his car." His feelings of anger and hurt were greatly intensified by the day spent in New York....
As if molded directly from the depths of nightmares, both fascinating and terrifying. Serial killers hide behind bland and normal existences. They are often able to escape being caught for years, decades and sometimes an eternity. These are America’s Serial Killers (America’s Serial Killers). “Even when some of them do get caught, we may not recognize what they are because they don’t [sic] match the distorted image we have of serial killers” (Brown). What is that distorted image? That killers live among everyday life, they are the ones who creep into someone’s life unknowingly to torture and kill them. The serial killers that are in the movies, Norman Bates, Michael Myers, and the evil master mind of SAW, these characters are just that characters. They have been made up as exaggerated fictional characters from the Hollywood imagination.
The Big Sleep, Raymond Chandler’s first novel, served as the kickstarter to the hard-boiled detective fiction genre that his work would eventually come to represent. Philip Marlowe, a private eye on the sketchy side of Los Angeles, dons the archetypal role of a hard-boiled, fast talking hero on the edge of legal and illegal. Marlowe represents a character capable of communication with everyone; from a seedy criminal to a district attorney. The detective is able to converse with even the shadiest of characters as an equal due to his lack of fear, overabundance of confidence, and overall mental toughness. “ Tsk. Tsk.” I said, not moving at all. “Such a lot of guns around town and so few brains. You’re the second guy I’ve met within hours who seems to think a gat in the hand means a world by the tail. Put it down and don’t be silly, Joe” (Chandler 79). This kind of calm, collected nature under intense situations is the mental cowboy equivalent to a victory in a shootout in the Old West. Marlowe’s collected presence under high...
Myrtle’s ambition proves to be her fatal flaw in being the tragic hero. The goal of her ambition is to lead her to a higher social status. In pursuit of her ambition she expresses that her husband, George Wilson, serves as an obstacle since he is in the opposite direction of where she wishes to be. She expresses disgust in George for committing actions that are considered lowly by her standards. She was particularly unenthused with her husband after it is revealed that “he borrowed somebody’s best suit to get married” without telling her. (35) She expresses her marriage as regretful, which illustrates her ambition to strive for better, being Tom. Essentially it illustrates that she would rather be treated with little respect to achieve status, rather than to be treated with respect without status. Myrtle not only exudes her ambition through her pompous attitude, but also in the manner in which she carries herself. She is a young woman in her “middle thirties, and faintly stout, but (carries) her surplus flesh sensuously,” and although she is not attributed with beauty she is somewhat charismatic. (25) The way in which she carries herself may be considered sexual, and her persona is alluring for men such as Tom. Her seducing persona illustrates her ambition in being a temptress in order to move up the social ladder.
He has murdered 50 people in six different countries over 20 years. Who is he? Well he’s a level 26 serial killer named Sqweegel. His everyday clothing is a white body suit, that is so skin-tight it requires him to butter himself just to get in. Sqweegel is a national security risk, which is why Tom Riggins, a Special Circs official at Quantico, has been given the task, by the U.S. Defense Secretary Norman Wycoff, to eliminate Sqweegel or we’ll make you
After Myrtle dies, Tom shows a side of him that is rarely seen. “And if you think I [don’t] have my share of suffering” (178). It almost seems as if Tom is trying to win Nick’s approval. Similarly, Gatsby makes up lies about himself to make seem more appealing to others. At Tom’s house, Daisy tells Nick about how she wishes her daughter would be “a beautiful little fool” (17) because women are not taken very seriously and are considered trophies that the men compete for.. After saying this, Daisy smirks as if “ she [has] asserted her membership in a rather distinguished secret society to which she and Tom [belong]” (17). Daisy allows Nick to have a glimpse into her glamorous, yet conflicted life. Even Jordan, the woman he has a crush on, reveals to Nick about Tom and Daisy’s complicated relationship. “Tom’s got some woman in New York” (15). Upon hearing this scandalous news, the reader can understand Tom from the way Nick sees
From their first meeting, Mr. Elliot is "genuinely attracted" to Anne (Magill 29). He is not merely using her to get what he wants. Yes, he wants to "safeguard the title" (DaDundo 26), but not just for himself, yet for the title, or family name, itself. After all, it is vulnerable to "the plague of Mrs. Clay" (Austen 97), "whose 'freckles' not only indicate a flawed and 'spotted' moral interior but may indeed suggest remnants or traces of syphilis[!]" (Tanner 255). His attraction to Anne then is motivated by good on two counts. He is intereste...
Detective Elliot Stabler works for New York Police Department Special Victims Unit. Special Victims Unit works sexual based crimes along with kids, elderly, and the disabled. The Elliot is not a normal detective nor is he always able to keep his emotions bottled up. Elliot Stabler caught it tough when catching a case about a girl found dead and possibly raped. The victim’s father gives Elliot hell about finding the killer and when he does not do it in the father’s time the father takes matters in his own hands. The episode is called Grief, it is the twenty third episode of the fourth season.
At first, Marlowe doesn’t mind her presence at all,