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Raymond chandlers writing
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Raymond Chandler, an American Literature writer in the early twentieth-century, introduces a new type of genre that will later set the standards and inspire future literature writers. In his first book, “The Big Sleep”, Chandler features the main character, Phillip Marlowe, as a detective trying to solve a blackmail case for the Sternwood family. Marlowe goes through all kinds of hardships throughout the book in order to be the knight in shining armor. One of these hardships is lust and temptation. For example, when Marlowe comes home after trying to investigate Vivian on Eddie Mars and their relationship, he is surprised to find a naughty, seductive, and sexy Carmen lying naked on his bed. At first, Marlowe doesn’t mind her presence at all, …show more content…
This can be seen from several lines such as “I said carefully: “I’ll give you three minutes to get dressed and out of here. If you’re not out by then, I’ll throw you out-----by force”. The narrator depicts that Marlowe is very desperate in trying to get Carmen to leave and even threatens her if she doesn’t. The reason why is the longer Carmen stays on Marlowe’s bed, the higher the likelihood that he might succumb to her. Another example in the passage says, “She was dressed in a little over two minutes. I timed it.” This example supports the fact that Marlowe is indeed tempted because he has to count every individual second as if he is relying on that counting to keep his mentality strong. In this notion, we can see that women, using sexual arousement, can have a very strong influence over men, such as Marlowe, in the “The Big …show more content…
After Carmen leaves the house, Marlowe looks at the bed on where she lied and begins to rip the bed to shreds: “I went back to the bed and looked down at it. The imprint of her head was still in the pillow, of her small corrupt body still on the sheets. I put my empty glass down and tore the bed to pieces.” Marlowe’s feeling of frustration can further develop the argument of women influence by showing how much Marlowe wanted to sleep with Carmen. Even though Marlowe had kept his desire of adultery in while Carmen was in the house, when Carmen had left, Marlowe starts tearing up his bed which can symbolize frustration, anger, or even regret for not taking up Carmen’s offer. This can all be directed back to the influence of women and what kind of power they have in swaying others. In this case, we have Carmen using her body to take advantage of Marlowe and his lust, which later on gets converted to
...n day context. Pacino ideally portrays Margret as a ‘sort of ghost of the past’, which is established through the use of quick cut edits in the docudrama , turbulent facial expressions and frantic camera movements to enhance the insanity that she is portrayed to have in Richard III. This therefore demonstrates the lack of importance of determinism, due to the differing contexts between texts, which affect their portrayal.
...grab glimpses of the character's true nature. In The Long Goodbye, these foreground strokes, intended to lay a foundation for audience sympathy with the lead character, are made as prominent as the climax, as well as the end. This is because Marlowe wanders through the action of the film meeting and reacquainting himself with unrelated characters, such as the gatekeeper-impressionist in Terry Lennox’s neighbourhood, and the grocery store clerk, who Marlowe meets again in prison.
"Such a lot of guns around town and so few brains!" is a memorable line of Humphrey Bogart's Philip Marlowe in the 1946 adaptation of Raymond Chandler's The Big Sleep (The Big Sleep). That one quote encapsulates the presence of corruption, violence and even class distinction that is characteristic of film noir and the hard-boiled detective genre. The novel and the film both focus on Philip Marlowe, a private detective, during his investigative process. While the main plot remains the same, changes were made regarding the portrayals of characters, including Marlowe, likely in response to consideration of the audience and intent of the film. However, the setting was further developed through the
Edgar Allan Poe’s “The Cask of Amontillado,” is a short psychological thriller. The murder of Fortunato haunts Montresor so greatly that he feels the compulsion to tell the story some fifty years after the fact. He appears to be in the late stages of life desperately attempting to remove the stain of murder from his mind. That it is still so fresh and rich in specifics is proof that it has plagued him, “Perhaps the most chilling aspect of reading Poe’s ‘The Cask of Amontillado’ for the first time is not the gruesome tale that Montresor relates, but the sudden, unpredictable, understated revelation that the murder, recounted in its every lurid detail, occurred not yesterday or last week, but a full fifty years prior to the telling” (DiSanza).
Dorabella, like Eve, falls for the deception easily, but Fiordiligi, like Adam, is a bit more resilient but gives in when, Dorabella the Eve says it is harmless to Fiordiligi. Both of the women could not help themselves; the desire overcame the “love”. Deception is continuous in this play. Even Despina the maid is in disguise to help the men for her own desire of money. Don Alfonso was the one that urged, that tempted the two young men’s minds of whose “love” was more pure and faithful.
Film Noir is a genre of distinct and unique characteristics. Mostly prominent in the 40s and 50s, the genre rarely skewed from the skeletal plot to which all Film Noir pictures follow. The most famous of these films is The Big Sleep (1946) directed by Howard Hawks. This film is the go to when it comes to all the genre’s clichés. This formula for film is so well known and deeply understood that it is often a target for satire. This is what the Coen brothers did with 1998’s The Big Lebowski. This film follows to the T what Film Noir stands for.
_______. Critical Review of Short Fiction. Vol. III 4 vols.. Pasadena, California: Salem Press, 1991.
Nathaniel Hawthorne’s “Young Goodman Brown,” and Edgar Allan Poe’s “The Cask of Amontillado” utilize character responsibilities to create a sinister plot. For Hawthorne, protagonist Young Goodman Brown must leave his wife at home while he partakes in a night journey. For Poe, ancillary Fortunato covets a pretentious manner towards his wine tasting skills, and after being ‘challenged’ decides to prove his expertise by sampling Amontillado. Hawthorne and Poe showcase a theme of darkness but differ in their approach to the setting, characters, and fate of entrapment.
Carmen Sternwood is described with profoundness but in a different (less sexual) sense than her sister is. Marlowe encounters her on many occasions and is thorough in describing her--from her first flirtations to her continuous irritations. In t...
Edgar Allan Poe is one of the most celebrated literary authors of all time, known for writing very suspenseful, dramatic short stories and a poet; is considered as being a part of the American Romantic Movement, and a lesser known opinion is he is regarded as the inventor of the detective-fiction genre. Most recognized for his mystery and macabre, a journey into the dark, ghastly stories of death, deception and revenge is what makes up his reputation. The short story under analysis is a part of his latter works; “The Cask of Amontillado”, a story of revenge takes readers into the mind of the murderer.
Edgar Allan Poe is one of America’s most celebrated classical authors, known for his unique dealings within the horror genre. Poe was a master at utilizing literary devices such as point of view and setting to enhance the mood and plot of his stories leading to his widespread appeal that remains intact to this day. His mastery of aforementioned devices is evident in two of his shorter works “The Black Cat” and “The Cask of Amontillado”.
Cortazar, Julio. "A Night Face Up." Themes in World Literature. Ed. George P. Elliott, Harvey Granite, and Morse Peckham. By Philip McFarland. Boston: Houghton Mifflin, 1989. 7-13. Print.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
On first inspection of Raymond Chandler's novel, The Big Sleep, the reader discovers that the story unravels quickly through the narrative voice of Philip Marlowe, the detective hired by the Sternwood family of Los Angeles to solve a mystery for them. The mystery concerns the General Sternwood's young daughter, and a one Mr. A. G. Geiger. Upon digging for the answer to this puzzle placed before Marlowe for a mere fee of $25 dollars a day plus expenses, Marlowe soon finds layers upon layers of mystifying events tangled in the already mysterious web of lies and deception concerning the Sternwood family, especially the two young daughters.
Gilbert Keith Chesterton was one of the greatest English authors ever to live. He wrote many essays and novels. He had much time to do this because he was a large man and could not move around easily. In Gilbert's essay, "In Lying in Bed" his deep understanding of humanity clearly evident. He speaks informally and rambles like the common speaker does. In my analysis I will describe and explain the central themes of Chesterton's essay.