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The impact of literature
HOW LITERATURE influenced
The impact of literature
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Literature and writing can be shown as hidden talents to people who are not aware of their capabilities. In the story “Learning to Write”, Russell Baker embellished a story that can relate to high school students. His teacher, Mr. Fleagle assigning an informal essay to the students, and Russell struggling and procrastinating his work, is relatable to many students that go through the same conflicts as him. The memory of when Russell and his family ate spaghetti was the topic that he felt that he should write and reminiscence on for himself. With the lack of time that Russell had, he decided to turn in his story of “The Art of Eating Spaghetti.” Turning in his paper to Mr. Fleagle, he felt uneasy because he did not receive his paper like everyone
else in the class. Instead, Mr. Fleagle found his essay to be the best in the class, and had the pleasure of reading it aloud to the class. Laughter and joy to his classmates was what inspired him to become a writer. Hidden talents are revealed through unexpected events or situations that may test a person’s capability to achieving their full potential. Russell Baker’s story can be relatable to some people because of the everyday struggle that students may face when in school. His situation of procrastinating to write his informal essay is relevant to my life and conflicts that I face. As a student, I relate to having writers block when I have to construct an essay for school. The description and expression that Russell utilizes in the story captivates the moment that he is in, and makes the reader feel as if we were there with him. I enjoyed the memory of him eating spaghetti with is family, which shows that he is family oriented. He enjoys being with his family, just as I do. The literature that Russell Baker wrote was an interesting text to read and connect to my life.
González’s “Wake” and Laura van den Berg’s “Volcano House” are two short stories that should be incorporated into high school curriculums due to the knowledge that can be gained from discussing the works in class, the use and examples of literary devices, and the lessons included. Students would have the opportunity to gain a wealth of knowledge to better improve future pieces of writing, look at works of literature from different viewpoints, and take the lessons to carry with them in everyday life. These stories will not only better the student in the English classroom, but will help them in other classes and outside of school. I firmly believe that “Wake” and “Volcano House” should be added to high school
Hatcher, Nathan. "Sammy’s Motive." Ode to Friendship & Other Essays: Student Writing at Virginia Wesleyan College. Ed. Connie Bellamy. Norfolk, Virginia, 1996. 37.
In my 1109 class our task for eight weeks was to observe a tutor and writer working together during fifty minute sessions. This took place at the Writer’s Studio here on Newark’s OSU campus. The tutor I observed was Wyatt Bowman and the student was Adam Bielby. Ad...
Several people have trouble writing college level essays and believe that they are unable to improve their writing skills. In “the Inspired Writer vs. The Real Writer,” Sarah Allen argues how no one is born naturally good at writing. Sarah Allen also states how even professional writers have trouble with the task of writing. Others, such as Lennie Irvin, agree. In Irvin’s article “What is ‘Academic’ Writing?” states how there are misconceptions about writing. Furthermore, Mike Bunn’s article “How to Read Like a Writer” shows ways on how one can improve their writing skills. Allen, Bunn, and Irvin are correct to say how no one is born naturally good writers. Now that we know this, we should find ways to help improve our writing skills, and
Hansberry, Lorraine. A Raisin in the Sun. Literature and the Writing Process. Elizabeth McMahan, Susan X. Day, and Robert Funk. 6th ed. Upper Saddle River: Prentice, 2002.
Glaspell, Susan. Trifles. Literature and the Writing Process. Elizabeth Mahan, Susan X Day, and Robert Funk. 6th ed. Upper Saddle River, NJ: Prentice, 2002. 977-986
Although the greater picture is that reading is fundamental, the two authors have a few different messages that they seek to communicate to their audiences. “The Joy of Reading and Writing” depicts how reading serves as a mechanism to escape the preconceived notions that constrain several groups of people from establishing themselves and achieving success in their lifetimes. “Reading to Write,” on the other hand, offers a valuable advice to aspiring writers. The author suggests that one has to read, read, and read before he or she can become a writer. Moreover, he holds an interesting opinion concerning mediocre writing. He says, “Every book you pick has its own lesson or lessons, and quite often the bad books have more to teach than the good ones” (p.221). Although these two essays differ in their contents and messages, the authors use the same rhetorical mode to write their essays. Both are process analyses, meaning that they develop their main argument and provide justification for it step by step. By employing this technique, the two authors create essays that are thoughtful, well supported, and easy to understand. In addition, Alexie and King both add a little personal touch to their writings as they include personal anecdotes. This has the effect of providing support for their arguments. Although the two essays have fairly different messages, the authors make use of anecdotes and structure their writing in a somewhat similar
The nineteen twenties was a remarkable period in the field of American art and literature. A renaissance was clearly taking place in the field of the short story also. It is no exaggeration to say that there has never been a time in the history of American literature when the short story writers have shown more interest in their craft. These writers moved away from the traditional plot line and introduced a flexible form which could accommodate any situation. It is not that the short stories during this period are formless, episodic, or casual. On the contrary, they do have a distinct structure, though not one as tightly organized as in the traditional story. In fact, the writers during this period wove their material into a symbolic design. Instead of rounding off an action definitively, they revealed its meaning through a casual glance, gesture or remark. Such a form of the short story works through indirection rather than explicit statements. The innate and ultimate value of these stories lies in their chaste compactness and inclusiveness. Words in these stories are not used as self-contained units. They are not even a means to convey information. In fact, they only create amplitude, where everything is, and nothing is explained. This characteristic of purity in the narrative prose is the hallmark of the American short story of the twenties.
‘I am going to fail’ was the very first thought that crept into my mind on that very first day of class. Before I stepped into the classroom on the first day, I felt pretty good about my writing. I had done previously well in English, and didn’t think this class would be much of a challenge. This all changed on the first day of school, when my professor talked about the level of reading and writing expected for this class. I remember thinking ‘I don’t read, why couldn’t I have been born someone who likes to read?!’ Since this moment on the very first day of class, I have grown immensely through hard work. In this essay, I will explain what I have learned over the course of this class about myself, and about writing.
Wilson, Kathleen, and Marie Lazzari. Short stories for students presenting analysis, context, and criticism on commonly studied short stories. Volume 4 ed. Detroit: Gale Group, 1998. Print.
Writing doesn’t come easily to me, which must make me a glutton for punishment. It has taken me years of training, learning to structure an essay and unlearning to begin again. Only since attending HSU am I realizing how exceptional my writing has become. Over the course of two semesters, I have seen my writing expand and grow. While I still adhere to the training I received in high school, I am excited to now take these tools and develop my own unique style in the years to come.
Perrault, Charles. “Cinderella.” Writing and Reading Across the Curriculum. Ed. Laurence Behrens, Leonard J. Rosen. Toronto: Longman, 2013. 236-240. Print.
Students throughout the ages have faced the moral dilemma of turning in an original piece, or borrowing someone else’s words. There are many reasons to be tempted into dishonesty. Perhaps one is unsure of his or her writing skill, or knowledge in the subject matter. Maybe there are pressures of time, or the need to get a good grade. The advent of th...
I knew I wasn’t bad at writing but I never thought I was great at it either. I think one of these reasons is because I had never really cared about and/or related to the subjects I was writing about. But because of Mrs. Shaw’s class I was taught that I couldn’t just write, I could take joy in it. This argument is supported in Lenhart et. al.’s article, “Writing, Technology, and Teens,” stating:
We spent most of the first month in Mr. M.’s class just going over “the infamous page one” as he liked to call it and just reading some great pieces of literature, including Of Mice and Men and Julius Caesar. Then one winter day, we all came into his cool green room and sat down, chatting with our neighbors as usual until the bell rang to signify the start of class. When the bell rang, our teacher began talking about our upcoming assignments; he told us we would be writing 3 essays during the next ...