Rebel Without a Clue in Updike’s A & P
Adults always stress that it is important to make a good first impression. That is what Sammy was trying to accomplish in John Updike’s "A & P." Although some people believe that Sammy is a hero for standing up for his beliefs when he quit, there is conclusive evidence that he quit in an attempt to impress a girl he was obviously attracted to, Queenie.
We know he is attracted to Queenie because he goes to great lengths to tell us what she looks like, what her mannerisms are, and the way that the other girls follow her. For example, he says, "She was the Queen. She kind of led them, the other two peeking around and making their shoulders round" (1026). This simple quote shows that Sammy immediately identified Queenie as the one in charge. Another quote that describes this perfectly is, "but you got the idea that she had talked the other two into coming in here with her, and now she was showing them how to do it, walk slow and hold yourself straight" ( 1026). Naturally Sammy is attracted to Queenie and wants to be noticed by her. Sammy thinks to himself "She must have felt in the corner of her eye me and over my shoulder Stokesie in the second slot watching, but she didn’t trip. Not this queen" (1027). Sammy is surprised to see something like this in his town. He says, "and the women generally put on a shirt or shorts or something before they get out of the car and into the street. And anyway these are usually women with six children and varicose veins mapping their legs and nobody, including them could care less" (1027).
Sammy’s descriptions also indicated he had a lot of sexual interest in Queenie. He describes her as vividly as he can. He starts with saying, "With the s...
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Sammy was able to bring attention to himself, but it did not work the way that he had hoped it would. The girls most likely didn’t even acknowledge that he even quit. He tried very hard to get Queenie to see him and accept him, but that didn’t work either. Since Sammy’s attempt to impress the girls did not work, he was left standing in a deep shadow called life. I agree with Nathan Hatcher who wrote, "Sammy quits his job not on a matter of ideals, but rather as a means of showing off and trying to impress the girls, especially Queenie" (37).
Works Cited
Hatcher, Nathan. "Sammy’s Motive." Ode to Friendship & Other Essays: Student Writing at Virginia Wesleyan College. Ed. Connie Bellamy. Norfolk, Virginia, 1996. 37.
Updike, John. "A&P." Harper Anthology of Fiction. Ed Sullivan Barnet. NY: HarperCollims, 1989. 1026-1030.
Sammy tells us he is nineteen years old. He is a check-out clerk in the local A&P, where the boss, Lengel, is a friend of Sammy's parents. Sammy does not seem to like his job very much. He calls one of his customers a "witch" and says the other customers are "houseslaves" and "sheep." He himself comes from a middle-class family. When they have a party, he says, they serve "lemonade and if it's a real racy affair Schlitz in tall glasses with 'They'll Do It Every Time' cartoons stencilled on" (15). In addition, Sammy is sexist. He gives long, loving descriptions of the girls who cause all the trouble, and he thinks at first that girls may not even have minds, asking, "do you really think it's a mind in there or just a little buzz like a bee in a glass jar?" (13) However, he does change as the plot goes on.
While it's true that Sammy finds the three scantily-clad girls who enter the supermarket attractive, as would any normal nineteen-year-old male, what is most notable about his descriptions of the girls, and particularly of the "leader" of the group, is that Sammy holds them in contempt. Once we get beyond the descriptions of their bodies, we see nothing but derogatory comments directed at them, including the derisive nicknames that Sammy assigns to them. Nowhere is this more evident than in Sammy's description of the leader, "Queenie." The nickname assigned to her by Sammy points out the stereotypical snap judgment that Sammy makes about her personality and social status initially, and to which Sammy rigidly adheres despite no real evidence of its accuracy. From the description of her "prima donna" legs, to his imagining of ...
Sammy's feelings for Queenie changes when he hears her voice. Her voice is normal and he has built this romantic image of her in his mind. Hearing her voice and realizing she is a normal person, (that happens to be wealthy) slightly changes his feelings for her. It brings him back to reality a little. “Her voice kind of startled me, the way voices do when you see the people first, coming out so flat and dumb yet kind of tony, too, the way it ticked over "pick up" and "snacks." All of a sudden I slid right down her voice into her living room.” Sammy feels as if he has no chance to get noticed by her unless he does something out of the ordinary. So after she is done arguing with Lengel, Sammy decides to stand up for her and quit his job in hopes that she will notice him.
So Sammy quits his job to prove to himself, maybe to others, that he belongs in this "place." Quitting his job is his first step in achieving this goal. Sammy was obviously enthralled by the girls from the moment they walked in the A & P. He was not keen on the other two girls, but Queenie overwhelmed him. He may have even taken a liking to Queenie, but any average, nineteen-year old male would do the same after witnessing such striking beauty as is described. On the other hand, the average male would not quit a job and create such turmoil if first impression was the only cause. How interested could he actually be? In trying to figure out Queenie’s persona, he asks, "do you really think it’s a mind in there or just a little buzz like a bee in a glass jar?
As they go about their errands, Sammy observes the reactions, of the other customers, to this trio of young women. He uses the word "Sheep" to describe the store regulars, as they seem to follow one and other, in their actions and reactions. The girls, however, appear to be unique in all aspects of their beings: walking, down the isles, against the grain, going barefoot and in swim suits, amongst the properly attired clientele. They are different, and this is what catches and holds Sammy's attention. He sees them in such detail, that he can even see the queen of the bunch.
Myrtle eventually had similar goals as Gatsby, but her life did not begin the same way. She was of the lower class of society and married a simple man. The two pursued a poor life, but Myrtle’s husband George was a decent man. Nevertheless, Myrtle became unsatisfied, and when the opportunity arose to better the quality of her life, she took it. Daisy’s husband Tom, an unfaithful, rough man not very committed to his marriage, began an affair with Myrtle.
A reader can tell that Sammy likes the main girl that he gives the nickname “Queenie” to. He thinks that she is the leader of the girls and also that she is the prettiest. The way that Sammy thinks about these girls really puts the story into perspective. A person would think that a few girls going into a grocery store to grab some snacks is just a part of life, but to hear it in the words of Sammy, it seems quite fascinating. At one point a reader might think of Sammy as sexist, because in his own words, “You never know for sure how girls’ minds work (do you really think it’s a mind in there or just a little buzz like a bee in a glass jar?)[…] (370). All in all, this is just the way that Sammy’s’ mind works; it is how he thinks about people. This is what makes it be known that he a younger man not from the current
The wild lavishness of Gatsby's parties and the shallowness and purposelessness of the lives of the guests all kills Gatsby on the inside. All Gatsby wants when he chooses to be rich is to get Daisy. Daisy, who is wealthy and beautiful, symbolizes a way of life which is remote from Gatsby's and therefore more attractive because it is out of reach so he changes himself. (Fitzgerald, -page 54) Myrtle and Gatsby both want to be part of the same elite crowd. They play a reflection of each other in the book by wanting the same thing but they have different methods of achieving it. Gatsby wants Daisy, and Myrtle just wants to be higher in society.
At the beginning of A&P, Sammy notices that three girls have walked into the store with only there bathing suits on. At first, poor Sammy cannot see the girls because he was at register 3 with his back toward the door. When they finally get into his sight, he immediately size the girls up. "The one that caught my eye first was the one in the placid green two-piece. She was a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it, where the sun never seems to hit, at the top of the backs of her legs." He also gives a description of the other two girls. He says one has "a chubby berry-faces, her lips all bunched together under her nose and the tall one, with black hair that hadn't quite frizzed right, and one of these sunburns right across under the eyes and a chin that was too long--you know, the kind of girl other girls think is very "striking" and "attractive" but never quite makes it, as they very well know, which is why they like her so much." This comments illustrate his immaturity. Sammy refers to one of the girls as queen. He calls her queen because she seems to be the leader. ...
In John Updike's short story, "A & P," the main character, Sammy, is a cashier at a small grocery store. He is seen by many to be a sexist pig, describing in detail how he sees the three girls that walk in to the store. Sammy is in fact a sexist pig by what he says about them. With evidence and quotes from the story, Sammy can be determined to be a sexist pig. He describes the first girl he sees walking in the store as "a chunky kid, with a good tan and a sweet broad soft-looking can with those two crescents of white just under it..." (421). Although the comment was kept to himself, in mind it is a sexist comment. Though the girl was in a bathing suit and there was no beach around, she probably wasn't trying to get the attention of young guys. She was just there to "pick up a jar of herring snacks" (423). Describing the girl's "can" (421), meaning her backside, gives Sammy some credit of being a sexist pig. Sammy slowly begins to see the other two girls follow the first. He notices not only what they're wearing, but what the little clothing that they have on covers up. "This clean bare plane of the top of her chest down from the shoulder bones like a dented sheet of metal tilted in the light" (421). With this quote, he is describing how the bathing suit was slipping off the girl, but in a more demeaning manner. "With the straps pushed off, there was nothing between the top of the suit and top of her head except just her..." (421). Sammy describes that he just sees the girl, a one-nighter type. He doesn't see that she's a human, but just a plaything. One other quote/thought that Sammy has while these girls (whom remain nameless throughout the story), is when the one he calls Queeny takes her money from "the hollow at the center of her nubbled pink top" (423). He begins to get excited as he uncreases the bill as "it just having come from between the two smoothest scoops of vanilla [he] had ever known there were" (424). Sammy seems to be more of a sexist pig, as the reader proceeds through the story.
Sammy watches every step the girls take while criticizing and admiring them at the same time. His observations of the leader who he refers to as Queenie and her followers give him an insight of who they are personally. Sammy likes Queenie as she possesses confidence which sets her apart from the group. Sammy, still being a young boy likes that her bathing suit has “slipped on her a little bit” (Updike 158). Updike conveys the obvious that Sammy cannot look away from Queenie when “there was nothing between the top of the suit and the top of her head except just her”. Updike includes these small details and imagery to indulge the reader in the perception that Sammy at this point in his life is a clueless teenage
Sammy's thoughts, as told to the reader in his narration, betray a deep understanding of the people he comes in contact with. When the girls walked into the store, he began to describe not only their looks, but also their attitudes and personalities without ever speaking to them. The one who held his attention was also the one he named "Queenie". On page one he says, She was the queen. She kind of led them, the other two peeking around and making their shoulders round. Sammy understood that she was the one in charge, and by saying that the other two made their shoulders round he showed that he realized their passivity was by choice; they followed her by their own wills.
After Robert Bolt selected this man, he began to write and realised many more things about Thomas More, which had drawn him to the 16th century character. One of the things that Bolt found out was More’s sense of self. He remarks on this on page 12 of the preface. “At any rate, Thomas More, as I wrote about him, became for me a man with an adamantine sense of his own self.” Robert Bolt went back to this era long past because of that trait but it was as he wrote about him that he discovered just how strong his sense of identity was.
Myrtle’s ambition proves to be her fatal flaw in being the tragic hero. The goal of her ambition is to lead her to a higher social status. In pursuit of her ambition she expresses that her husband, George Wilson, serves as an obstacle since he is in the opposite direction of where she wishes to be. She expresses disgust in George for committing actions that are considered lowly by her standards. She was particularly unenthused with her husband after it is revealed that “he borrowed somebody’s best suit to get married” without telling her. (35) She expresses her marriage as regretful, which illustrates her ambition to strive for better, being Tom. Essentially it illustrates that she would rather be treated with little respect to achieve status, rather than to be treated with respect without status. Myrtle not only exudes her ambition through her pompous attitude, but also in the manner in which she carries herself. She is a young woman in her “middle thirties, and faintly stout, but (carries) her surplus flesh sensuously,” and although she is not attributed with beauty she is somewhat charismatic. (25) The way in which she carries herself may be considered sexual, and her persona is alluring for men such as Tom. Her seducing persona illustrates her ambition in being a temptress in order to move up the social ladder.
Rorty criticized this theory of truth as part of his argument to drop the distinction between objective and subjective (Pojman 250). He stated the concept of truth should apply equally to all disciplines, science, considered the objective, as well as humanities and arts, often referred to as subjective. Rorty believed the emphasis of weight placed on truth should not vary between disciplines (Pojman 250). Rorty defended this by claiming that if the distinction between truth as correspondence to reality and truth as well-justified beliefs was eliminated; society would be better off (Pojman 251). He alleged pragmatists do not believe one thing is relative to another, and there should not be any difference between knowledge and opinion. Additionally, Rorty claimed pragmatists do not have a theory of truth (Pojman