Run Lola Run Essay

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Run Lola Run or Lola Rennt in German, directed by Tom Tykwer and released in 1998. It is an expeditious-paced action-thriller film. This movie sought to be one of the most prosperous German films that brought back the brilliant reputation of German filmmakers on their cinematic excellence in film exhibition. This essay discusses the editing technique of the film utilizing a particular scene, that is, when Manni tells Lola how he lost the bag.

Editing is one of the most fundamental yet crucial steps in the composition and overall appearance or quality of any film. In this case the scene I chose, I feel the editing is fascinating. According to Internet Movie Database, Run Lola Run consists of "about 1581 transitions in 71 minutes of action". …show more content…

The picked scene itself constitutes a portion of this total computation. Run Lola Run is an example of recent narrative experimentation on the worldwide development of contemporary cinema. One has only to glance at a directory of contemporary international films to get a grasp on the incipient trends and optically discern that playing with movie narration has gone global and among the included list is Tykwer's cinematic masterpiece.

On analysis, the scene picked was characterized with an outstanding continuity in cognition to the elements of shots, music and sound, space, as well as rhythm, pace, and timing. It must be recollected that the scene chosen is a series of recollections on what transpired and how the event occurred. Thus, the critical arrangement and synchronization of shots, sounds, and the rate of transition is an opportune place. Considering the kind of reaction or effect being exuded by the scene and expected to be experienced by the audiences or viewers. The editing technique …show more content…

This is similarly apparent in the picked scene. The elements of style were very well incorporated in each frame, and the viewers can visibly notice it. The elements of style that are most saliently conspicuous to the viewers are compositional elements and editing. Interestingly, even if the film contained numerous transitions, the editing is plausibly more gradual towards the closing stages of the film. This is the antithesis standard or convention of most contemporary films as commonly characterized with more expeditious editing towards the finale. Even though the editing is flamboyantly blatant on this particular stage due to the montage sequence, the film editors considered the smooth flow of the story from beginning to culminate. The editing contributed to the a more pellucid understanding of the audiences in terms of the theme, characters, plot, and other components of the film. The essence of publishing is the cumulated series of scenes, shots, and other essentiality of film engendered. This was optically discerned all throughout the

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