Shakespeare uses the symbol of flowers to illustrate the characters regard for one another. When Ophelia loses her mind in act four scene five, she starts distributing flowers to Laertes, Gertrude, and Claudius. Each flower has an implied symbolic meaning to its receiver and also reveals Ophelia’s emotions. First, Ophelia gives the rosemary to her brother, Laertes. The rosemary flower symbolizes remembrance and fidelity, usually being distributed and worn at funerals, therefore foreshadowing Ophelia’s death. The rosemary can also be seen as a flower of remembrance for an invisible Hamlet, in which Ophelia is praying, has not forgotten her. Also, Ophelia gives Laertes pansies, which symbolize thought, pensiveness, and grief. It could be interpreted as Ophelia reminding Laertes to “pray, love, remember” (IV.v.151) their past memories and to hint at Ophelia losing her ability to think logically and intellectually. …show more content…
Next, Ophelia gives King Claudius “fennels” and “columbines” (IV.v.153). Fennel symbolizes flattery, cajolery, and deceit; and columbine for faithlessness and adultery. This describes Claudius, who repeatedly used flattery with Polonius, Laertes, and the people of Elsinore in an attempt to win the crown. Also, Claudius represent faithlessness as he murdered his own brother, committed adultery with his sister-in-law, and desired to kill his nephew to secure his crown. Moreover, Ophelia’s state of mind was clearly depicted in the flowers she gave to Gertrude: “there's rue for you; and here's some for me.” (IV.v.154) Gertrude receives rue, which symbolizes regret and everlasting sorrow. Both Gertrude and Ophelia “wear rue” but Gertrude wears rue with a difference”
Hamlet has the disillusion that women are frail after his mother’s rushed remarriage as shown by “Frailty, thy name is woman!” He also believes women do not have the power to reason. (“O God, a beast that wants discourse of reason.”) Ophelia has the power to change his view but her unexplained rejection of him only adds to Hamlet’s disillusion. The ghost’s revelation that Gertrude dishonored Hamlet’s father but also their marriage by the adultery with Claudius is contemplated by Hamlet until he goes into Ophelia’s room to look upon her. As Hamlet searches Ophelia’s face for some sign that might restore his faith in her, he instead believes her face shows guilt and thinks she is another false Gertrude.
Claudius acknowledges the apparent paradox of the royal marriage so soon after the King's death "With an auspicious and a dropping eye/With mirth in funeral and with dirge in marriage/In equal scale weighing delight and dole". The juxtapositions of “delight and dole”, “dirge in marriage”, and “an auspicious and a dropping eye” once again frame Claudius as
Flowers can be seen to represent emotions that are felt when opressions on women are seen. Poisonous flowers represent the determination that these women use to find a better life in this society
Gertrude, his mother and Claudius? new wife; and Polonius, counsel to the King and father
Ophelia’s obedience towards her untrusting father is indescribable ( I; iii; 101-103. "Affection? Pooh! You speak like a green girl, unsifted in such perilous circumstance. Do you believe his tenders, as you call them"?). Why a grown woman would listen to her father and not help the man of her dreams in his time of need is disheartening. A man’s girlfriend should be there for him when a family member passes away, no matter what. If she had been with him on the plan to kill Claudius and knew about his fathers ghost who told Hamlet that Claudius was the one that murdered him, than neither one of them would have went crazy.
During Hamlet, Polonius and Laertes use Ophelia for their own self-gain not taking her feelings in consideration. In the article “Jephthah's Daughter's Daughter: Ophelia,” Cameron Hunt reveals that Polonius disregards Ophelia’s wants for his ...
Throughout the play Hamlet, Ophelia is associated with floral imagery. Her father, Polonius presents her with a violet, she sings songs about flowers when she turns mad, she drowns amid garlands of flowers, and finally, at her burial, Queen Gertrude tosses flowers into her grave. Flowers symbolize her fragile beauty, blossoming sexuality, and a condemned innocence. Flowers are not deeply rooted. They are beautiful living things at the mercy of their surroundings. With no means of self-preservation, a flower's life relies on the natural forces around it. Ophelia's life mirrors this frail existence. She is entirely dependent upon the men in her life to make her choices. With no control over the storm brewing in her own life and no strength to withstand it, her shallow roots are ripped from under her. She loses her mind and takes her own young life.
When Claudius spoke this astounding speech, as the new king, he made it quite clear that he was sympathetic for this horrific tragedy. He seems to use this speech to address his marriage with Queen Gertrude. “With mirth in funeral and with dirge in marriage,” (1.2.12) One second he is talking about the Queen’s former husband, his own brother, and not even two seconds after the fa...
He is the type of person that will do anything to get what he wants and everything in his power to stay king. He will do what it takes to get his way, even if that means betraying the person he is supposed to be committed to and love, his wife Gertrude. Gertrude is the mother of Hamlet, who she deeply cares for and loves. She is convinced that Claudius does as well. In order for Claudius to stay as king, he must keep Gertrude happy and pleased.
In “Hamlet,” Shakespeare commendably conveys a, if you will, a “love story” between the major characters in the play. Hamlet, Gertrude and Claudius are the individuals he writes about. In this story, Gertrude must choose between her son, a loyal, sincere male figure in her life that has always supported and loved her, or a man who can offer her power and fulfill her dependency trait, which one may say is what she has always strived to attain. Gertrude’s inability to see the bigger picture of King Claudius’ deceit and ill morals is what makes Gertrude a weak and submissive character. While Gertrude means no harm, her poor judgment contributes significantly to the rotten events that occur throughout the play. The choices Gertrude does make ultimately leads to her death and the downfall of the ones she loves as well.
Both Claudius’s and Hamlet’s deaths suggests that corruption is destructive to someone’s mind and even life; and it is arguably worse than ignorance. But ignorance also has a price; in this case, it is still death, just notably less painful. Polonius and Ophelia represent unawareness, and their stories show the importance of analysing situations and the impact of their actions. Although this play is written hundreds years ago, the message behind the text is still worthwhile to ponder
King Hamlet’s “foul and most unnatural murder” (I.v.25) tops Claudius’ list of egregious sins, but most of his offenses are psychological rather than physical. Using his mastery of manipulation, Claudius, the “incestuous” and “adulterate beast” managed to win “to his shameful lust the will” of the virtuous queen, Gertrude (I.v.42-6). Gertrude could not be persuaded to switch husbands without a little verbal tricker...
Claudius seduced Gertrude easily because of his ‘power’. Claudius manipulated her and his traits are not of any quality. Gertrude and Ophelia are easily impressionable, and were easily used to others’ advantages, proving their presence invaluable.
Claudius is seen in Hamlets eyes as a horrible person because he convicted murder and incest. Claudius had killed the king of Denmark, Old Hamlet, to obtain the position of the throne. He had been jealous of Old Hamlet’s wife Gertrude and wanted to marry her for her power. Although, such an act would be called incest and considered unnatural he did not care, all he had cared about was the power that he would be stealing from Hamlet and Old Hamlet, Gertrude’s son and husband (R). When Hamlet had talked to his f...
Plants arch over Ophelia’s corpse, literally “aslant” as Shakespeare intended (Act IV, scene VII), as though about to contain her with next Spring 's resurgence of life. The inclusion of pansies around her wrist, themselves signifying love in vain, are mocking, for while Ophelia and Hamlet 's doomed romance is pain enough, the visual way in which the river has engulfed her only further cements the idea of a vain loss, departing from the traditional pathos consistently seen in the depiction of beautiful young women as victims; sympathetically virtuous, pious, and likeable. Though anecdotal, many perhaps would have liked to see Ophelia metamorphose into a mermaid or an angel, something beyond her apparent entropic destiny, yet Millais refuses to gift her any of this......, implying the process of constant decay and germination is more interesting than how we would like to mystify this woman in our heads. Thus, Millais here is incredibly refreshing, bringing to light how boring and pathetic... notions of femininity