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Role of fate in macbeth
Role of fate in macbeth
How does fate guide the actions in macbeth
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A tragedy imitates the emotional events of life by showing instead of telling. It does not have to be an exact replication of life, but instead have some realistic aspects to it. This type of play is special because an event in the plot is caused by a preceding choice or action performed by the character. Therefore, unlike a story where occurrences are caused by coincidences, a tragedy must have events that inescapably connect to one another as a result of the characters’ choices. Consequently, this idea of cause and effect must direct the plot of the play until the protagonists have an unfortunate end. Thus, the audience watching the tragedy will experience fear and pity for the characters since their actions will lead to their dramatic downfall. Similarily, William Shakespeare’s, Romeo and Juliet, conveys these fundamental ideas, but it mainly emphasizes on certain tragic concepts. These components, explained by Aristotle, certainly make this play a quintessence of tragedy. They support the chain of events in Romeo and Juliet by using character traits and majors events to connect the plot and illustrate how the characters create their own ending. For this reason, Romeo and Juliet is a genuine tragedy because of its use of significant, tragic elements; tragically-flawed protagonists; and inevitable fate.
Throughout the play there are many, highlighted tragic elements used to show how Romeo and Juliet’s lives are dramatically shaped into a tragedy. One important element is the anagnorisis: the point of time when a main character finally realizes that one of his decisions went too far, yet he is unable to fix it. For instance, when Romeo kills Tybalt out of pure abhorrence he responds regretfully, “O, I am fortune’s fool!” (III, ...
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...s that could be present in daily life. Hence, Romeo and Juliet may have some fictional components, but it still has the ability to mimic life, as explained by Aristotle.
Works Cited
Kerschen, Lois. “Critical Essay on Romeo and Juliet.” Drama for Students. Vol. 21. Ed. Anne Hacht. Detroit: Gale, 2005. 258-261.
McManus, Barbara. “Outline of Aristotle’s Theory of Tragedy in the POETICS.” CLS267: Greek Tragedy. November 1999. College of New Rochelle. 20 May 2010. < http://www. cnr.edu/home/bmcmanus/poetics.html>.
Moulton, Richard. "Innocence and Pathos: The Tragedy of Romeo and Juliet." Drama for Students. Vol. 21. Ed. Anne Hacht. Detroit: Gale, 2005. 271-273.
Shakespeare, William. The Tragedy of Romeo and Juliet. Prentice Hall Literature: Timeless Voices, Timeless Themes. Ed. Kate Kinsella, et al. Upper Saddle River: Prentice Hall, 2002. 770-874.
Romeo and Juliet are madly in love with each other and will go to any lengths to be together.
Kerschen, Lios. “Critical Essay on ‘Romeo and Juliet’.” Drama for Students. Ed. Anne Marie Hacht. Vol. 21. Detriot: Gale, 2005. Literature Resource Center. Web. 4 Dec 2013.
Decker, Pamela. "Romeo and Juliet." Theatre Journal 62.4 (2010): 681-3. ProQuest. Web. 18 Apr. 2013.
Romeo & Juliet Romeo and Juliet was a tragedy, but it did not have to be. Many things could have been done to prevent their deaths. Many characters contributed to their deaths. The sole character that was responsible for their deaths is Friar Lawrence. Friar Lawrence is responsible for the deaths of the lovers because he was secretive with their relationship, he was unable communicate effectively, and he had a cowardly persona.
A tragedy is : a dramatic composition, often in verse, dealing with a serious or somber theme, typically involving a great person destined to experience downfall or utter destruction, as through a character flaw or conflict with some overpowering force, as fate or an unyielding society. Romeo and Juliet is a tragedy in which the great person or character caught up in downfall and utter destruction is Romeo. Romeo’s utter destruction as a tragic figure is the suffering around him. All of this suffering and tragedy in Romeo and Juliet can be traced back to Romeo or the grudge between the Montagues and the Capulets. Romeo is the most tragic figure in the tragedy of Romeo and Juliet, so he is the leading cause to all suffering to other characters.
bliss. I will do this by examining and comparing William Shakespeare's plays; Romeo and Juliet
< http://callisto.gsu.edu:4000/CGI:html> (5 May 1997). Rozen, Leah. "William Shakespeare's Romeo and Juliet."
An Aristotelian tragedy includes many different characteristics. It is a cause-and-effect chain and it contains the elements of catharsis, which is pity and fear, and hamartia, which is the tragic flaw embedded in the main characters. The famous play Romeo and Juliet, written by William Shakespeare, is about two lovers of two different families who hate each other and the misdemeanors they have to surpass. Many debate on whether it is an Aristotelian tragedy or simply tragic. Shakespeare’s Romeo and Juliet should be regarded as an Aristotelian tragedy because catharsis is exhibited in the play, Juliet’s blindness of love is shown, and Romeo’s impetuousness is the tragic flaw that leads to his demise.
Romeo and Juliet by William Shakespeare is often referred to as a classic love story. It is a story of love at first sight and fighting between families. The classic is a true tragedy because of the way it is created. Romeo and Juliet is an Aristotelian tragedy because it clearly follows the model shown by Aristotle. All aspects of the plot and characters perfectly follow way Aristotle defined. The plot follows the events that need to occur and the main characters have a flaw. Pity and fear is felt for the characters throughout the play. Romeo and Juliet by William Shakespeare is a true Aristotelian tragedy because of the characters, plot, and the fact that it triggers pity and fear.
Romeo and Juliet is regarded as one of William Shakespeare’s most tragic love stories, which has its influence on many aspects of the entertainment industry. In the context of this play, there are uncertainties surrounding whether the fatalities occur as a result of free will or under the uncontrollable force of fate. Through Romeo and Juliet’s premeditated encounter, Shakespeare indicates that fate is primarily responsible for love at first sight. Simultaneously, Romeo and Juliet are also portrayed as victims of their own destiny which induces their misfortunes and deaths. Apart from being one of the major themes, fate is also a main contributor to the outcome of the play.
Romeo and Juliet, the tragic play by William Shakespeare, centers around the love story between Romeo, the young heir of the Montagues, and Juliet, the daughter of the house of Capulet. This story starts off with two opposing families of royalty, the Montagues and the Capulets. These families have a deep seeded hatred for one another that traces way back into their family’s history. Shakespeare takes his audience though a heart churning tale of two star crossed lovers. From the start Romeo and Juliet’s love seemed to be an uphill battle that they would never win even with help. The relationship of Romeo and Juliet is a tragic love story of two star crossed lovers trying to find a way to love each other.
One might think of a tragedy being a terrible and destructible event in one’s life that causes great pain and may contain great loss. One particular play written by William Shakespeare – one of the most well known poets in history, happens to be a tragedy-filled story. Othello, the Moor of Venice, set during the captivating renaissance era portrays a character named Othello who reveals characteristics of a tragic hero. The brilliant philosopher Aristotle from the fourth century B.C. developed his own definition and idea of what a tragic hero is. Eric Engle, author of “Aristotle, Law and Justice: The Tragic Hero,” said, Due to Aristotle’s influence, his tragic flaw has distorted western thought ever since its conception” (Engle). “The enquiry of whether Othello is a true tragic hero is debatable. Aristotle’s definition of a tragic hero was a protagonist who is socially superior to others, but then has a downfall due to a “tragic flaw,” typically caused by the character’s solitary weakness. Due to Aristotle’s definition of a tragic hero, Othello possesses the qualities from his definition that fulfill the role of being a tragic hero.
When one hears the word tragedy, one can assume that the human emotions are responsible for the collapse of an individual. To the Greek philosopher Aristotle, however, a tragedy is “an imitation of an action of high importance…in language enhanced by distinct and varying beauties…[or] by means of pity and fear effecting its purgation of these emotions” (Kennedy & Gioia, 945). He defined a tragic hero as having three common characteristics: hamartia, or the tragic flaw in the character which coupled with hubris (pride which results in overconfidence) causes his downfall and demise; katharsis, the purgation of the audience’s emotions, which causes the audience to feel “not depressed, but somehow elated”; and anagnorisis, or the recognition of some fact not previously realized by the true identity of the main character (Kennedy & Gioia, 946). Therefore, as defined by Aristotle’s concept of tragedy, William Shakespeare’s Othello could be classified as a tragic hero. Shakespeare’s play includes jealousy and intrigue, which intertwined with pride and suspense create the finest of Aristotelian tragedies. Othello complies with the requirements for a tragic hero as Aristotle began with the premise that the hero must be of “high estate,” as if he were the member of a royal family; however, he yet falls from a hierarchy of power to one of abashment. He has married the daughter of a Venetian nobleman. He starts out well, but his end is one of drama. Moreover, Shakespeare’s plot develops as Othello’s katharsis is revealed through the climax and conclusion of the play, while the anagnorisis with the recognition that Iago was a traitor and Desdemona his innocent victim.
A Consideration of William Shakespeare's Romeo and Juliet as a Tragedy William Shakespeare was a playwright and an actor in the sixteenth century. He wrote a series of sonnets and plays that have become increasingly popular. Many of his ideas were taken from other writers, and he transformed them brilliantly. His plays were of many genres, including a series of tragedies. " Romeo and Juliet" was part of this series along side other well-known titles such as "Othello" and "Macbeth".
In the story of Romeo and Juliet, Romeo was the tragic hero. His flaw was relying more on passion and love than common sense. He did not think before he made actions. Much like Othello, a death happened because of misleading and no understanding of what was really happening.