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Othello as a Shakespearean tragedy
Othello as a Shakespearean tragedy
Othello as a Shakespearean tragedy
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When one hears the word tragedy, one can assume that the human emotions are responsible for the collapse of an individual. To the Greek philosopher Aristotle, however, a tragedy is “an imitation of an action of high importance…in language enhanced by distinct and varying beauties…[or] by means of pity and fear effecting its purgation of these emotions” (Kennedy & Gioia, 945). He defined a tragic hero as having three common characteristics: hamartia, or the tragic flaw in the character which coupled with hubris (pride which results in overconfidence) causes his downfall and demise; katharsis, the purgation of the audience’s emotions, which causes the audience to feel “not depressed, but somehow elated”; and anagnorisis, or the recognition of some fact not previously realized by the true identity of the main character (Kennedy & Gioia, 946). Therefore, as defined by Aristotle’s concept of tragedy, William Shakespeare’s Othello could be classified as a tragic hero. Shakespeare’s play includes jealousy and intrigue, which intertwined with pride and suspense create the finest of Aristotelian tragedies. Othello complies with the requirements for a tragic hero as Aristotle began with the premise that the hero must be of “high estate,” as if he were the member of a royal family; however, he yet falls from a hierarchy of power to one of abashment. He has married the daughter of a Venetian nobleman. He starts out well, but his end is one of drama. Moreover, Shakespeare’s plot develops as Othello’s katharsis is revealed through the climax and conclusion of the play, while the anagnorisis with the recognition that Iago was a traitor and Desdemona his innocent victim.
Othello complies with all the requirements of a tragic hero as defined by ...
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...of a tragic hero: hamartia, or moral flaw; katharsis, or purgation of emotions; and anagnorisis, the discovery of something unknown (Kennedy & Gioia, 944-947). The author of Othello, William Shakespeare, created an Aristotelian hero by portraying the destruction of the Venetian general through the incorporation of jealousy, deceit, pride, and tragedy. The complexity of such character qualifies Othello as a tragic hero as classified by the Greek philosopher Aristotle. After all, he is an infallible human with a fatal mistake; the play gives the audience a sort of purgation of emotions; and through Othello’s epiphany, he realizes the tragedy of his trust and the misuse of it. Shakespeare’s tragedy has been consolidated as an English classic in literature because of its themes of human characteristics; after all, all humans are proud, jealous, remorseful, and betraying.
According to Aristotle, tragedy requires an admirable hero with power and in a high state, but more importantly, he or she possesses a tragic flaw that leads to their downfall. This tragic flaw most closely relates to a character’s hubris, excessive pride in themselves or their judgment. But sometimes a character cannot be categorized as tragic, and one can argue whether or not the tragic character violates the requirements. In Sophocles’ Antigone Creon and Antigone serve as tragic characters in the play; however, Creon’s character exemplifies Aristotle’s theory of tragedy.
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Othello, a play by William Shakespeare, takes place in Venice during the invasion of the island of Cyprus by the Turks. The protagonist of the story, Othello, is a newlywed, Moorish general with a very gullible nature. The antagonist of the story is Iago, an officer under Othello who wishes to be promoted to lieutenant, but the position was given to the young and attractive Cassio. Other major characters in the play are Desdemona, Othello's wife who is accused of having an affair with Cassio. In addition, there are Roderigo, a Venetian who is deeply in love with Desdemona; and Emilia (Iago's wife) who could have prevented the death of Desdemona.
Throughout history, countless writers have been commended for their work, yet people still had criticized them. Famous Writers like William Shakespeare, Harper Lee and Charles Dickens all have endured much criticism throughout their lifetime by fellow writers. Movie producers also tend to ridicule traditional stories and plays, focusing on a writer’s weaknesses. One of the most famous plays by Shakespeare, Othello, can be seen in bits of the story Tom Thumb, in which Fielding most definitely ridicules the famous play.
Othello is one of Shakespeare’s four pillars of great tragedies. Othello is unique in comparison to the others in that it focuses on the private lives of its primary characters. When researching the subject of Othello being an Aristotelian tragedy, there is debate among some critics and readers. Some claim that Shakespeare did not hold true to Aristotle’s model of tragedy, according to his definition in “Poetics,” which categorized Othello as a classic tragedy as opposed to traditional tragedy. Readers in the twenty-first century would regard Othello a psychological thriller; it definitely keeps you on the edge of your seat creating the emotions of terror, heart break, and sympathy. This paper will focus on what Shakespeare actually intended regarding “Othello” and its Aristotelian influences.
Aristotle continued to express a tragedy arouses both pity and fear, pity for the doomed hero and fear for all humans who are subject to the same forces and weakness. It would not be difficult to discover that Othello demonstrate weakness and fear in the play, and Shak...
Essay Question: Kyle MacLachlan says that he would love to play Iago because he looks “benign.” Explain using lines from the play, images from the film, and using the method used in class why benign, and evil at the same time creates such an interesting prospect for the actor.
The Tragedy of Othello William Shakespeare’s, The Tragedy of Othello, the Moor of Venice, from the sixteenth century is an excellent example of Renaissance humanism. “A poet of unparalleled genius, Shakespeare emerged during the golden age of England under the rule of Elizabeth I.”(Fiero 3:98) He produced comedies, tragedies, romances and histories. According to Webster’s pocket dictionary, a tragedy is defined as a form of drama in which the protagonist comes to a disaster, as through a flaw in character, and in which the ending is usually marked by pity or sorrow. I would like to concentrate on the character Iago and the theme of deceit.
Courageous and admirable with noble qualities defines a heroine. In Aristotle’s Poetics he describes a tragic hero as a character who is larger than life and through fate and a flaw they destroy themselves. Additionally, Aristotle states excessive pride is the hubris of a tragic hero. The hero is very self-involved; they are blind to their surroundings and commit a tragic action. A tragedy describes a story that evokes sadness and awe, something larger than life. Furthermore, a tragedy of a play results in the destruction of a hero, evoking catharsis and feelings of pity and fear among the audience. Aristotle states, "It should, moreover, imitate actions which excite pity and fear, this being the distinctive mark of tragic imitation." (18) For a tragedy to arouse fear, the audience believes similar fate might happen to them and the sight of the suffering of others arouses pity. A tragedy's plot includes peripeteia, anagnorisis, hamartia and catharsis. Using Aristotle’s criteria, both characters in Oedipus The King and The Medea share similar qualities that define a tragic hero such as being of noble birth, having excessive pride, and making poor choices. They both gain recognition through their downfall and the audience feels pity and fear.
Shakespeare's Othello is a novel that depicts on the intense relationship between Othello, Cassio, and Iago. One charter may see the other as a dear friend and a comrade, but the second one may see the first as an inferior person that he/she is envious of due to something they have. Othello is a tragedy of trust, if you learn to trust then you live in happiness, but the power of distrust is enough to make a man attempt evil and corrupt actions. During the course of the book some of the characters relations become strong, but then at the last possible moment most of those relations revert and a few increase. It is a difficult thing to explain, but I'll break it down for you. Each character had his own relation towards another, Othello had a strong friendship towards Iago, as if he were his brother. Othello sees Cassio as a fine young soldier, but as the story goes on he begins to despise Cassio because he was fed false information about Cassio that upset the war hero greatly. Iago hates Othello, because he gave what he thought was an underqualified soldier a promotion, so he is out for revenge. Iago is also jealous of Cassio for the reason just given, he thinks he deserves the promotion and is very envious that Cassio beat him to it. Why did these people's relation change? What role does trust play in the entire play? When do we know when to trust and when not to trust? These are all questions that wonder in your heads because in some cases it is bad to trust, but in others trust is what keeps relationships and friendships alive, don't be confused its just a matter of knowing when to trust and when not to trust.
Tragic heroism is often seen in the earlier years of many works of literature. Many well-known authors use them to identify their main character. Among the more popular tragic heroes in literature are Othello from Othello, the Moor of Venice by William Shakespeare and Willy Loman from Arthur Miller’s Death of a Salesman. Othello falls from his happiness to utter despair by his own doings, or character flaws. Othello lets his jealousy and pride get in the way of his love for Desdemona, which will ultimately lead to his death. Just like Othello, Willy Loman falls from an elevated standing in society as a result of a fatal flaw he has within himself. These two characters, both with their internal conflicts fit the qualifications of a tragic hero,
Shakespeare's Othello clearly demonstrates a tragic hero, with multiple deep rooted causes leading to a downfall. Othello is a complicated and troubled character who is manipulated into heinous acts. However, there are faults in his own traits that make him so easily overcome. Othello is overly passionate, both in love and anger. When he falls, he falls spectacularly. His emotions are explosive, his pride is toxic, and his security is fragile. This incapability to separate delusions from reality makes him susceptible to a horrific lapse in judgment, where he undermines himself.
All people have their fate and destiny, and is up to them to follow it or deny it. In the play Othello, the protagonist, Othello is a tragic hero because he identifies with all the traits as one, such as a tragic flaw that causes the downfall of the hero, catharsis, and when the protagonist discovers someone’s true identity.
A tragic hero is a character in a tragedy whose tragic flaw leads to their inevitable downfall. In Shakespeare’s Othello, Othello bears the title of a tragic hero. Othello is a tragic hero because he has the fatal flaw of jealousy, he is liked by the audience and Othello changes society.
William Shakespeare is known to create magnificent tales of love and tragedy. His play Othello is a tragedy as it meets the definition according to Aristotle, who describes it as using drama to tell the story of a downfall of a nobleman. Othello fits the definition which is proven by his actions throughout the play. In tragedies, the character often leads to their downfall due to misconception or treachery. A tragic hero is described as a character that is of noble stature and has a high status. This character is usually treated with a great amount of respect due to their position in society. The character has an error of judgment, excessive pride in themselves, the character suffers more than he deserves and a flaw that leads to the