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Othello the tragic hero
How othello is presented as a tragic hero
Othello as a tragic hero summary
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Shakespeare's Othello clearly demonstrates a tragic hero, with multiple deep rooted causes leading to a downfall. Othello is a complicated and troubled character who is manipulated into heinous acts. However, there are faults in his own traits that make him so easily overcome. Othello is overly passionate, both in love and anger. When he falls, he falls spectacularly. His emotions are explosive, his pride is toxic, and his security is fragile. This incapability to separate delusions from reality makes him susceptible to a horrific lapse in judgment, where he undermines himself.
Othello is a black moor married to a young Venetian woman, causing an insecurity in him when faced with a society that benefits from racist elements. Along with Othello's soldiers, the couple travels from Venice to Cyprus to prepare for battle. Othello's attending ensign, Iago, harbors a secret hatred for the general, and is determined to ruin him. Through ingenious tricks, Othello is lead to believe that his wife, Desdemona, is unfaithful to him. Othello readily admits that Desdemona deserves a more suitable lover, which solidifies Iago's lies into common sense in his mind.
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Combined, he makes a dangerous and volatile character. In just a few days, his sanity is unhinged in multiple mental breakdowns, furious fits, and acts of cruelty. This fast shift between a respected leader to a used villain demonstrates his lack of control, As he descends further into madness, Othello loses the trust and friendship of his brothers in arms. The night he decides to kill Desdemona, he frantically argues with himself. He is blind to his love for her, brain filtered through irrational accusations. Othello was already a bomb, and Iago lit the
Othello is a skilled soldier and a leader but throughout the play, his character corrupts due to the overpowering emotions of anger and betrayal...
Shakespeare's play, “Othello, the Moor of Venice,” is a powerful example of a tragedy and it’s main character, Othello, is an excellent illustration of what Aristotle constitutes as a tragic hero. The play imitates life through basic human emotions such as jealousy and rage. In addition, Othello is far from being a perfect character - another quality that meets Aristotle's requirements. Othello also matches Aristotle's ideas of tragic hero because our Othello realizes the error of his ways, causing us to feel sympathy for him. If we carefully examine the third scene in the third act, we can see how Othello fits into Aristotle's definition of tragic hero. This passage reveals how much Othello has deteriorated as far as his ability to reason or consider things with Desdemona logically. Humanity seems to unravel in this scene as we watch Othello experience a myriad of emotions that only push him closer to the proverbial edge. We feel fear, sympathy, and pity as we watch the man transform before our eyes.
How Othello Follows the Rules of Tragedy Tragedy is not just simply one sad event, in ancient Greek plays and in Shakespeare's tragedies it usually follows a number of common ingredients or rules. Firstly it involves a conspicuous or exceptional personality. For example in the occurrence of Princess Diana's death she was the exceptional character. She was a woman who had done an astonishing amount of work for charities and a Princess. The second rule of tragedy is that it must be unexpected and constructed with previous happiness or glory.
Tragedy is an intrinsically human concept; tragic heroes are damned by what they themselves do. Othello is not so much felled by the actions of Iago, but by a quality all people possess-- human frailty. Accordingly, Othello is not a victim of consequences, but an active participant in his downfall. He is not merely a vehicle for the machinations of Iago; he had free agency. Othello's deficiencies are: an insecure grasp of Venetian social values; lack of critical intelligence, self-knowledge, and faith in his wife; and finally, insecurity-- these are the qualities that lead to his own downfall.
Othello as a Tragic Hero William Shakespeare's famous tragedy "Othello, the Moor of Venice" (c.1604, as reprinted in Laurence Perrine and Thomas R. Arp, Literature: Structure Sound and Sense, 6th ed. [Fort Worth: Harcourt, 1993]1060-1148) is arguably one of the finest, if not the finest, tragedies in the literary history of Western civilization. This paper discusses Othello as a "tragic hero" and compares him to the great Aristotle's concept of what a "tragic hero" actually is. First, we need to understand the characteristics of a so-called "tragic hero" as defined by the Greek critic, Aristotle. He indicates that a tragic hero must have these characteristics: (1) Be a nobleman, prince, or person of high estate; (2) Have a tragic flaw, and a weakness in judgment; and (3) Fall from high to low estate. (Hubele). Using the Aristotle criteria, we can easily classify Othello, the Moor, as a tragic hero. At the time, it was common practice for the Italian city-states to have a foreigner, with proven military capabilities, serving as the head of their Army. Othello, an African Moor of noble birth, is just such a character and held the highest ranking military position as Governor-General of Cyprus. The city of Cyprus was a city-state in the great state of Venice. His title alone, Governor-General, exudes an air of nobility, confidence, and strength. It defines someone who is held in tremendously high esteem by the people of Venice. During Act 1, Scene 3, the Duke and a few Senators are discussing issues around a table when Othello enters the room.
Othello, the Shakespearean tragedy which features Othello the moor as the main character, is a Shakespearean play rich for interpretation. Othello follows the story of Othello and his wife Desdemona as their story, unfortunately, ends in tragedy, murder, and suicide. Due to the fact that Othello is black, he is susceptible to the racial stereotypes that Shakspeare has built for him. Othello is originally introduced as an honorable and dignified man but throughout the play, he slowly and then rapidly deteriorates into an almost animal-like state. While many could argue that Othello 's madness originates from Iago 's constant manipulation, it can be claimed that Desdemona played a significant part in the deterioration of Othello’s character. It can be asserted that Desdemona 's subservient demeanor throughout
Othello, a play by William Shakespeare, takes place in Venice during the invasion of the island of Cyprus by the Turks. The protagonist of the story, Othello, is a newlywed, Moorish general with a very gullible nature. The antagonist of the story is Iago, an officer under Othello who wishes to be promoted to lieutenant, but the position was given to the young and attractive Cassio. Other major characters in the play are Desdemona, Othello's wife who is accused of having an affair with Cassio. In addition, there are Roderigo, a Venetian who is deeply in love with Desdemona; and Emilia (Iago's wife) who could have prevented the death of Desdemona.
At the beginning of the play, Othello is identified as confident. He is a respected war hero until he marries Desdemona who is a white, Venetian and the senator’s daughter while Othello is only classified as “the Moor”. This lack of identity
From the beginning, Othello is noble, quick to act, judicious, trusting, and gives much weight to the importance of duty. These are all traits that serve to make him great at the beginning of the play, and later, ironically, become key elements in his downfall. These aspects can be considered the internal causes of Othello’s tragic flaw. “Othello's nature is all one piece. His trust, where he trusts, is absolute.
While Othello is a very trustworthy character towards everybody, Iago is the complete opposite and lets everybody believes he is very trustworthy when in fact he is not. Othello’s weakness and ultimately his undoing is that he trusts and listens to the wrong people and uses the love he has for Desdemona against him. Iago uses this weakness against Othello to plot his revenge. The motivation behind Iago turning Othello against Desdemona is because Othello did not give Iago the promotion even though Iago did not deserve the promotion. Iago started plotting his revenge from the very start of the play: “After some time, to abuse Othello’s ear/ That he is too familiar with his wife” (I, iii, 386-7). Iago plans to tell Othello that Cassio has been sleeping with his wife and needs to fire and take care of both D...
Iago, to achieve his revenge manipulates Othello into wrongfully suspecting his wife of infidelity, and makes him insane with jealousy, enough to kill her in his rage. Othello is the general of the city of Venice, and as foreigner, a dark-skinned Moor. Othello appears to be a ...
In order to be considered a tragic hero, one must ultimately be a genuine person, but makes some error in judgment that causes his downfall. A simple mistake or character flaw can bring them to an abrupt end, followed by a loss of everything they have. In William Shakespeare’s Othello, Othello carries certain characteristics that make him seem very ingenuous. Although he is a prestigious character, he allows his surroundings to spin him into self-destruction. Not Only is Othello’s destruction caused by his own actions and his own fate, but is also caused by the actions of other characters in the play. Othello’s Gullibility and Jealous spirit is what makes him a tragic hero.
Othello’s achievements and his status as an outside makes him become obsessed with his reputation and status. When others questions him, he starts to wonder if the cause is his race. After Iago’s manipulation, he finally believed his wife’s infidelity, it triggers him to a point that he must kill her in order to get his good former reputation back. He felt Desdemona’s “affair” have damaged his good reputation because Othello wants to be seen as a honourable nobleman not a useless black man. he describes his “name” and reputation “that was as fresh as Dian’s visage” (III, III, 283-385) turn to “black” just as his “own face”. Othello felt his name and good reputation is “begrimed” because his wife cheated on him. He compared his great quality is now as black as his face . Othello ends up killing his wife as he believed her indelty has damaged his reputation. Othello can not stand any factors that influence his character, so he will destroy anything in his way to maintain a good
The plot of William Shakespeare's Othello is a tale of love, jealousy, and betrayal; however, the characters, themes, and attitudes of the works are different, with Shakespeare's play being a more involved study of human nature and psychology. Othello is considered to be a prime example of Aristotelian drama. It focuses upon a very small cast of characters, one of the smallest used in Shakespeare. Also, it has few distractions from the main plot, and concentrates on just a few themes, like jealousy. In Shakespeare's Othello, Othello is an excellent example of an Aristotelian tragic hero. His gullibility and jealousy are the main reason of his downfall. Othello deals with love lost because of gullibility and jealousy.
In William Shakespeare’s Othello, Othello is the tragic hero. He is a character of high stature who is destroyed by his surroundings, his own actions, and his fate. His destruction is essentially precipitated by his own actions, as well as by the actions of the characters surrounding him. The tragedy of Othello is not a fault of a single villain, but is rather a consequence of a wide range of feelings, judgments and misjudgments, and attempts for personal justification exhibited by the characters. Othello is first shown as a hero of war and a man of great pride and courage. As the play continues, his character begins to deteriorate and become less noble. Chronologically through the play, Othello’s character changes from a flawless military leader, to a murderer. He has certain traits which make him seem naive and unsophisticated compared to many other people. Iago knows Othello is a proud man, Othello’s open and trusting nature in the beginning of the play lets Iago- cunning, untrustworthy, selfish, and plotting; use him as a scapegoat.