Zombie, gang, and rival family movies all seem as if they are not similar in the least but, one common characteristic links them all together, a main character who fell in love with someone she is not meant to be with. This common bond originates from Shakespeare’s Romeo and Juliet in which, Juliet serves as the inspiration for the main character in many modern day works. The idea of a young girl falling madly in love with someone whom she is forbidden to associate with is not only appealing but, it is versatile and easily adaptable. Altered versions of Shakespeare’s classic Romeo and Juliet include Warm Bodies, West Side Story, and Baz Luhrmann’s modernized Romeo and Juliet all in which portray Juliet in many different fashions. Her character is not only popular in movies but, also in many songs, television shows, and spin-off plays. Juliet is an extremely recognizable and versatile character who is portrayed in numerous ways in many contemporary works.
The most recognizable portrayal of Juliet is her original; daughter of the Capulet leader, cousin of Capulet prince Tybalt, and of course Romeo’s true love. Baz Luhrmann’s modernized version follows the original closer than any other modernized movie made from this play, as all the characters and dialogue are from the original. Despite the accurate cast and lines, there are some modifications made to the movie that slightly impact how Juliet is viewed/acts in the movie. Costume may not seem like it plays a very important role in major productions but it does. In spite of this being a contemporary version, her costume differs from the one expected or seen in the original version (Gibbs 1). In the scene where Romeo and Juliet first meet at the Capulet party she is usually thought t...
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...uliet are seen in who they are and where they come from. Maria is an immigrant from Puerto Rico and the sister to her gang’s leader compared to the in the originals, where she is usually the daughter of her side’s leader. This movie was made in the mid-20th century when immigration was an issue so this story reflects a (at the time) contemporary issue. Despite cultural evolution of the character in this work, Maria’s personality mirrors Juliet’s as they both are young, sheltered, and dependent, but in the end risk their loved one’s lives and their own lives for the one they love.
Whether a zombie hunter, capulet daughter, or immigrant in love, Juliet is a timeless figure who constantly reoccurs in stories. Whether these stories are told through songs, poetry, or movies there will always be room for interpretation of one of Shakespeare’s finest characters, Juliet.
Romeo and Juliet is a play about two lovers who have to risk their lives in order to demonstrate their love and will to stay together, regardless the feud between their families. By the end, the death of Romeo and Juliet finally bring the reconciliation to these two families. It is fate that the two most shall-not meet people fall in love and it love that eventually won against hatred. Since then, there have been many different versions of Romeo and Juliet, whether it was for film, stage, musicals. These different recontextualised adaptions change the original play by many ways, some modernise the language, environment, props as well as changing the original characteristics of some characters. Out of all the different adaptions of Romeo and Juliet, two stood out the most. One was the Romeo and Juliet (1996) and directed by Baz Luhrmann and the other one was Romeo and Juliet Broadway (2013) play version,
Romeo and Juliet presents an ongoing feud between the Montague and Capulet families whose children meet and fall in love. Markedly, the meeting scene depicting love at first sight continues to be praised by today’s critics. Romeo and Juliet then receive the label of star-crossed lovers whose tragic demise is written in the stars. In fact, Shakespeare 's work is well received and its numerous adaptations have made it one of his most enduring and notorious stories. The cinematic world brings to the screens a disastrous approach by Baz Luhrmann to do the play justice. A glance at Baz Luhrmann’s productions allows audiences to assume he delivers movies which are unlike those of any other filmmaker today, or perhaps ever. Therefore, blending a delicate
Baz Lurhmann’s creation of the film Romeo and Juliet has shown that today’s audience can still understand and appreciate William Shakespeare. Typically, when a modern audience think of Shakespeare, they immediately think it will be boring, yet Lurhmann successfully rejuvenates Romeo and Juliet. In his film production he uses a number of different cinematic techniques, costumes and a formidably enjoyable soundtrack; yet changes not one word from Shakespeare’s original play, thus making it appeal to a modern audience.
The movie, “Romeo Must Die”, is an action packed drama that adapts William Shakespeare’s “Romeo and Juliet” into a more modern perspective with a twist that deviates from the original plot. Han Sing, played by the actor Jet Li, resembles Romeo, where as Trish O’Day, played by the actress Aaliyah, resembles Juliet. Fate causes them to meet when Trish jumps into the taxi Han hi-jacks. As Han is in search of the person that killed his brother, he learns that Trish may have a connection and begins to pursue her.
“The most filmed of all plays, ‘Romeo and Juliet’, with its universal themes… remains uniquely adaptable for any time period,” (Botnick, 2002). Directors Franco Zeffirelli (1968) and Baz Luhrman (1996) provide examples of the plays adaption to suit the teenage generation of their time. Identifying the key elements of each version: the directors intentions, time/place, pace, symbols, language and human context is one way to clearly show how each director clearly reaches their target audience. Overall however Luhrman’s adaptation would be more effective for capturing the teenage audience.
We first meet Juliet in Act one scene three, where we learn a lot about her character. Juliet is very caring, well mannered and a loving girl. She is always willing to help others. At that time she is only thirteen years old and has never consid...
Baz Luhrmann’s Romeo and Juliet is a film that converts Shakespeare’s famous play into a present-day setting. The film transforms the original texts into modern notions, whilst still employing Shakespearean language. Compared to Franco Zeffirelli’s adaptation of Romeo and Juliet, Luhrmann’s picture is easier for a teenage audience to understand and relate to because of his modernisations. Despite the passing of four centuries Shakespeare’s themes of love, hate, violence, family and mortality remain the same regardless of the setting.
How Baz Luhrmann Uses Props, Iconography, Costumes, and Settings to Create His Own Version of William Shakespeare's Romeo and Juliet William Shakespeare’s best loved tragedy, Romeo and Juliet, has been portrayed in theatres and on film in many different ways. But none have been quite like Baz Luhrmann’s imaginative and unconventional adaptation. He has brought aspects of the plays Elizabethan origins and transfused them with a modern day background and created, what can only be described as a masterpiece. I believe that his use of Props, iconography costumes and the settings he has chosen has helped him to make this film such a great success. The settings of each scene have been specifically chosen to create a desired affect.
Juliet’s weakness to be controlled by love leads her to make unadvised and irresponsible decisions that contribute to her choice of ending her life. Characterized as a young and rash teenager, with no interest in love and marriage at first, Juliet wants to be independent. However, after she first lays eyes on Romeo, Juliet’s perception of love is quick to change. Their strong love easily manipulates and clouds her judgment. Even if she is cautious and realizes their love is too fast, the rush of feelings from having a first love overcomes her.
From “the fatal loins” (Prologue.5) of Lord and Lady Capulet, protagonist Juliet is born in Shakespeare’s play Romeo and Juliet. Early on in the play Juliet is portrayed as a very dutiful daughter to her family. After her encounter with Romeo however, she begins a rapid transformation from a naive young girl into a woman. By the end of the play Juliet’s transformation evolves her from a dutiful daughter, into a faithful wife that is willing to desert her family in the name of love.
For this project, I chose to represent Juliet. I used a variety of components to express what I think Juliet’s mask would have looked like at her father’s party. My overall perspective of Juliet is a beautiful young girl who has an awful attitude and was raised with getting whatever she wants. On my mask, I incorporated three different colours to represent crucial details about Juliet. The white background on the mask serves as Juliet being a bride in a white dress. In Act 2 Scene 5 the narrator tells us that “Romeo and Juliet are secretly married in Friar Lawrence’s chapel.” The only person who knows about Romeo and Juliet’s wedding is the Nurse. The blue feathers at the top of the mask represent Juliet being the boss of the Nurse, but still having manners.
It is Act I Scene V in the play and Shakespeare starts it with the servant’s talking and welcoming the guests. This part is completely cut out in the adaptation, it is substituted with dances and Mercutio singing. The substitution wasn’t a loss, in fact it brought more action to the film and introduced character’s costumes. This part is also shown from Romeo’s point of view. The characters is one thing that really gives the director a credit. He made them all really interesting. On the costume feast the costumes symbolically represent the inner worlds of the characters. Lord and Lady Capulet thinking of themselves as the supreme dressed up as Caesar and Cleopatra respectively, Benvolio and his friends are shown as barbarians, not seeing anything around himself Paris wearing a space suit and Tybalt is shown as a devil. Romeo dressed as a knight in shining armor, whom each girl waits for. Leonardo Di Caprio played Romeo as no other actor could, he fully represented the image of Shakespeare’s Romeo. Juliet dresses as light angel as she is. Juliet played by Claire Danes and she is symbol of love. Sweet, young Juliet is not a perfect beauty, she is the girl-next-door. Shakespeare’s Juliet is young and not looking for love, and Lhurmann’s Juliet is romantic, dreamy, innocent, not capable of hypocrisy and betrayal. Mercutio dressed up as a diva from cabaret. The director was able to make this character really interesting. Drugs and indifference help him to hide from the outside world very well. The way he dressed up for the party is another symbol of modernism. High heels, make-up, diva’s wig help make him a great example of a showman of the twentieth century. And the thing that he dressed as a woman not just shows how much fun Mercutio is, but also that he hasn’t come to terms with his sexuality
One of the most celebrated plays in history, “Romeo and Juliet”, was written by William Shakespeare in the late 16th century. It is a story about two lovers that have to meet in secret because of an ongoing family feud. Tragically, because of their forbidden love Romeo and Juliet take their lives so they can be together. In 1997, a movie was adapted from the play “Romeo and Juliet”, directed by Baz Lurhmann. However, as alike as the movie and the play are, they are also relatively different.
William Shakespeare's Romeo and Juliet is fully summarized in Shakespeare's prologue: "Two households, both alike in dignity, in fair Verona where we lay our scene. From ancient grudge break to new mutiny where civil blood make civil hands unclean. From forth the fatal loins of these two foes, a pair of star crossed lovers who take their life" (Universal, 1996). This movie is a masterful culmination of the director's phenomenal ability to create a powerful introduction, to select a realistic, but surreal setting, to choose realistic actors, and to enact specialized dramatic effects.
Considerable expectations are placed on Juliet due to her gender. As a female, Juliet was expected to marry the man of her family’s choosing, granting her no control over her future. Capulet and County Paris discuss whether Juliet is fit to be a bride. Although age plays a factor in this decision, Capulet is deciding his daughter’s fate based on the expected gender roles of her being the sole female daughter of the family, “ She hath not seen the change of fourteen years;/Let two more summers wither in their pride/