Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
William Shakespeare analysis
Shakespeare's imagery essays
Shakespeare critical analysis
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: William Shakespeare analysis
“Shakespeare's play Romeo and Juliet provides a mimetic resume of this rivalry between English and Italian styles of swordplay."(Saunders) Here Saunders states that we see a summary of the conflict of swordplay styles acted out. The allusion to the “subtext of English swordplay versus Italian fencing…would have been apparent in the drama to Elizabethan audiences, but it is lost on modern viewers.”(Saunders) A modern viewer lacks the background knowledge that an Elizabethan audience would have had. Without this essential knowledge this allusion goes unnoticed to most modern viewers despite the fact that there is ample evidence in the text. Curiosity might lead oneself to ask questions such as: Which houses implement which styles of swordplay and what evidence is there in the text to support this? What swords or other weapons would have been used in each of these styles? The text contains many pieces of evidence that support the idea that the Montague and Capulet families are metaphors for Italy and England, respectively. In the following quote you can see that the play opens with an obvious reference to the English defense apparatuses used by the house of Capulet. "Enter Sampson and Gregory, with swords and bucklers, of the house of Capulet.”(Crowther 4) They most likely would have carried short broad swords along with bucklers, which are small shields. Lord Capulet speaks of Romeo’s dagger being not in Romeo’s sheath but in his daughter’s chest: This dagger hath mista'en—for, lo, his house Is empty on the back of Montague,— And it mis-sheathed in my daughter's bosom! ( V.iii.202) “The dagger and sword [rapier] combination…”(Westgate) was a commonplace method of sword-fighting. Since Romeo had a dagger one can assume that Romeo... ... middle of paper ... ...t England from a Catholic family. Growing up Shakespeare would have seen the persecution of Catholics under the reign of Queen Elizabeth I. “The persecution of English Catholics was as cruel as it was necessary in the government's eyes.”(Sommerville) With this often violent persecution occurring Shakespeare would have wanted to maintain a neutral position in this matter. As a member of the Catholic Church and living in an Anglican state Shakespeare would have had a vested interest in religious tolerance. “...it seems that Shakespeare does not really choose between pagan, Protestant and Catholic meanings, but rather merges these conceptions in a quasi-ecumenical vision of the world at large.”(Chiari 9) Shakespeare’s plays generally remain very open towards religion. He doesn’t focus on the practices or beliefs of a single religion. but instead generalizes religion.
Lurhmann sets the film in a fictitious border city between the United States and Mexico. The city is called ‘Verona’ so it maintains its original name from the play. It is extremely built-up and urban just like New York or London so that a modern audience can relate to the film and understand where the film is set. In other modern films, a big urban city is usually the setting where there are big gang rivalries and Lurhmann makes this clear by showing that the Montague’s and Capulet’s are the big two families in the city and they are not to be reckoned with.
In Romeo & Juliet, one major element of design is the setting because the film took place in Verona, Italy which suggests the use of décor, costumes, and hairstyles. Zefirelli uses on location within an exterior scene in figure one as a key element of symbolism that portrays the division between the two families living in separate castles. Another element of design that Zefirelli uses are costumes in order to distinguish the differences between the Capulet family and the Montague family. In figures two and three, Juliet is wearing a “high-waisted empire dress made from thick, plush velvet, with flowing sleeves” that is more of a subtle red and gold costume, while the Capulet family’s costumes were more contrast colors of red and gold (CITE). Zefirelli differentiated Juliet from her family in order to portray to the audience that her family is a part of the conflict, while she is portrayed as an unbiased character. He also distinguishes Romeo and his family’s costumes. Romeo’s costume consisted of dark red and blue with some contrast in his sleeves of bright blue, but the Montagues differed from Romeo because the Montagues had no significant bright contrast in their costumes. Another difference was the hairstyles between the Capulets and Montagues and differs in hierarchy amongst the two families. In figure two, the royal Capulet women have the hornedhead dressed cap covering their
Shakespeare's Use of Violence and Conflict in Romeo and Juliet in Act 3 Scene 1
Luhrmann modernised Romeo and Juliet through regular amendments of the props and costumes. In updating these aspects of the film, Luhrmann makes the play more relevant to our everyday modern environment. The actors in Luhrmann’s version carry guns instead of swords. Luhrmann, in an act of ingenious brand the guns with titles such as “Sword,” thus, enabling the original Shakespearean language to be preserved. Costumes differ dramatically between both versions of the film. In Luhrmann’s depiction of the motion picture, the Montagues have buzz cuts and pink hair whereas, the Capulets’ dress in vests and mainly dark clothes. All of these adjustments to the original play contribute to the popularity of the fil...
In 1996 an australian film director Baz Luhrman introduces the new adaptation of the ageless love story – “Romeo and Juliet” by William Shakespeare. The action is moved to America and happening in the end of 20th century. In an imaginary city Verona Beach the two powerful clans Montague (Anglo-Saxon) and Capulet (Latinos) brutally rival. The swords are substituted with the guns, the ancient costumes with jeans and shirts. The art director Catherine Martin didn’t have any lack of materials, since the 20th century brought a great variety of heels, lighters, shirts, bikers, rockers, leather, tattoos, piercing, etc. The creators originally approached the small details: the street posters
In William Shakespeare’s play, Romeo and Juliet, he demonstrates the consequences of one person’s impulsive behaviour. The setting of the play is in Verona, Italy. In Verona, there are two opposing families, the Capulets and Montagues, the two families have an ancient feud. Romeo Montague is the son of Montague and Lady Montague and is involved in the feud due to his name, but he is not concerned about the feud, it does not appeal to him. Juliet Capulet is the daughter of Capulet and Lady Capulet, and is the cousin of Tybalt. She is also involved in the feud but shows no interest. Mercutio is a relative of the County Paris and the Prince of Verona, Escalus and is a close friend of Romeo. Through the characters of Romeo, Juliet, and Mercutio, William Shakespeare demonstrates that one’s impulsive behaviour causes suffering to one’s self.
In Romeo and Juliet, Shakespeare creates a world of violence and generational conflict in which two young lovers fall in love and die because of that love. The story is rather extraordinary in that the normal problems faced by young lovers are here so very large. It is not simply that the families of Romeo and Juliet disapprove of the lovers’ affection for each other; rather, the Montagues and the Capulets are on opposite sides in a blood feud and are trying to kill each other on the streets of Verona. Every time a member of one of the two families dies in a fight, his relatives demand the blood of his killer.
William Shakespeare’s religious views have been an ongoing debate for well over 150 years. His parents were married during the ruling of Queen Mary (r. 1558- 1558), where the official religion of England was Catholicism. Numerous people were executed for being Protestant. Shakespeare was born during the rule of Queen Elizabeth I (r. 1558- 1603), who had restored Protestantism as the official religion. Meaning Shakespeare’s public faith would have been Protestantism. It is believed by many that the Shakespeare family was indeed Catholic because in 1592, John Shakespeare, William’s father, was fined for not attending Anglican Church which was required by the law. Many of Shakespeare’s teachers were Catholic, even though Protestantism was to be
Tybalt demands that Romeo draw is sword and fight. Romeo refuses and Mercutio fights Tybalt. Mercutio and Tybalt begin to fight; Romeo is trying to keep the peace between the two. Romeo fails and Tybalt stabs Mercutio under his arm, which ends up killing him.
In Act 3 of William Shakespeare’s Romeo and Juliet, Lord Capulet, the father of Juliet, had to make a decision regarding Juliet’s emotional well-being. As far as Lord Capulet is aware, Juliet is mourning the death of her cousin. In reality, she is upset that the prince banished Romeo. Lord Capulet decides to let Paris marry Juliet early instead of making him wait two years. This decision shows that he loves Juliet and only wants what is best for her. In the text, we get the sense that Lord Capulet believes that Juliet would be happy marrying Paris. Juliet’s first response to marrying Paris was an unqualified “no.” Her father, enraged at this response, shows anger towards Juliet. He says: “To go with Paris to Saint Peter’s Church, Or I will
Over the years, The Tragedy of Romeo and Juliet has been done again, filmed again, and written again in several different ways. After watching both Zefferilli and Lurhmann’s approach at the classic it is apparent that one film captures the theme, love at first sight, more clearly. After watching the party scene from Lurhmann’s The Tragedy of Romeo and Juliet, viewers are left wanting more. Lurhmann uses a combination of actors’ choice, close ups, and set arrangements to allow the viewers a peak into the main characters’ hearts.
In scene 1 act 1 William Shakespeare establishes the feud between the Capulets (Juliet's family) and Montagues (Romeo's family), this is the very first proper scene in the play, excluding the play's prologue, and it opens with violence. This scene establishes the fact that this is a feud and not a little disagreement straight away as Sampson and Gregory are having a discussion of how to deal with the Montagues should they start trouble, stating things like: "On my word, we will not carry coals." Saying they won't take any insults lying down, also in the first scene Sampson states: "In choler, we'll draw." Meaning, if angry, they will draw their swords, another notable thing said during this conversation is when Gregory says: "Thou art not moved quickly to strike." Taking what Sampson says and spinning it to make it seem like he is not quick enough to act against the Montagues, perhaps trying to fire him up in case there is a fight.
To show that the Nurse is not very well educated she does not speak in
The elizabethan era began in the mid fifthteenth century and marked a very important moment in time, history, and dramatic literature. During the beginning of this time known as the Shakespearean age, Catholicism was the predominant faith of England which began to change when King Henry VIII broke away from the Catholic Church. After this event, the two major and dominantly chosen religions of England became the Catholic and Protestant faiths. Due to Protestantism originating from the Catholic faith, they had both similar and different religious beliefs. In addition to the religious events taking place during this time, William Shakespeare was alive during this time and used a variety of biblical allusions within his plays. These uses of biblical
Shakespeare’s plays are swelling with scenes that remain ambiguous, that force a playwright to appropriate creative liberties. Naturally, I cannot help but sense a captivating tug toward Shakespeare's Romeo and Juliet. In order to communicate my imagination, only the squalid places of Manhattan are befitting of the loathing when Tybalt’s blade penetrates the mistaken coat. The scene of which I am quoting occurs when Romeo pulls Mercutio from his challenge unto Tybalt, then Tybalt stabs Mercutio as he is under Romeo’s shoulder. The scene is most compelling since it includes no lines; thus, I am allotted abundant territories for which my interpretation shall reveal to be both gorgeous and ghastly at the same instant.