Romanticism In Frankenstein Research Paper

1498 Words3 Pages
bulb-icon

Recommended: Frankenstein analysis

Romanticism and Mary Shelly’s Frankenstein

Introduction
The current essay aims to review Mary Shelley’s novel Frankenstein from the perspective of the characteristics which help classify the writing within the literary movement Romanticism. The paper does not aim to conduct an exhaustive discussion of all Romantic themes, motives, or principles identifiable in the novel, but to only refer to some of them and to explain why these can be read as examples of the Romantic literary movement.

Mary Shelley’s Frankenstein can be described , briefly, as the story of a scientist who is willing to invest his efforts to discover, whatever the cost, the ultimate truth about life, more precisely, about the origin of life. Victor Frankenstein, presented …show more content…

the role of the family, the importance of living within a community and abiding by its rules etc.). Ultimately the story can be read as being that of a scientist who assumes the role of God. His radical action aims to create another life, and he intends to use the “image” of his own kind as model for his creation. This recalls one of the religious myths of creations, that according to which God created the first human according to his image. The creature can, therefore, be looked at as being “the new Adam” one created not through the elusive force of God, but with the support of science. As Levine observed, “When the Monster invokes the analogy between himself and Adam or Satan, we are obviously invited to think of Frankenstein as God” (Levine, 7). The creature is significantly different than other human beings, first of all because it is not born, but made. It is not the child of a mother and father, but the creation of an ambitious man of science who defied the natural order of the world. Harold Bloom refers to Victor Frankenstein as being the real monster of the novel (due to his irresponsibility), and he concludes this after ascertaining that the doctor is a victim of his pathos. Frankenstein is

Show More
Related

  • Frankenstein - Victor is the Villain not Victim

    1368 Words  | 3 Pages

    I believe Frankenstein is a villain in this book. I believe he promotes the idea of evil which is symbolised through creating the creature. He is described as “a creature causing havoc”. The creature is an unwanted person. He has no belonging in this world. He was created, and because of this, he is an outcast because of Victor Frankenstein. The creature is the victim. He is lonely and rejected. Frankenstein is the cause of this. I believe it is wrong to play god. No man should try and create human beings. He has created a being that is driven to the extremes of loneliness in life. This is destroying innocent lives.

    Read More

  • Romantic and Enlightenment Ideas in Frankenstein

    1160 Words  | 3 Pages

    The Enlightenment age encouraged everyone to use reason and science in order to rid the world of barbarism and superstition. In fact, Kant argued that the "public use of one's reason must always be free, and it alone can bring about enlightenment among men" (Kant 3). Enlightenment thinking not only influenced philosophy and the sciences, but also literature (especially in Pope's Essay on Man). In reaction to Enlightenment's strict empiricism, Romanticism was born. In Frankenstein, Shelley argues (1) that Victor Frankenstein's role as an Enlightenment hero, not only pulled him out of nature, but made him a slave to his creation; (2) that Frankenstein's role as a revolting romantic failed, because he didn't take responsibility for his creation; and (3) mankind must find a balance between the Enlightenment and Romantic ideologies.

    Read More

  • Mary Shelley´s Frankenstein, an Example of Gothic Romance

    717 Words  | 2 Pages

    Mary Shelley’s world renowned book, “Frankenstein”, is a narrative of how Victor Frankenstein, a brilliant chemist, succeeds in creating a living being. Although Frankenstein’s creation is benevolent to begin with, he soon turns murderous after being mistreated by humans. His anger turns towards Frankenstein, as he was the one who brought him into the world that shuns him. The Monster then spends the rest of the story trying to make his creator’s life as miserable as his own. This novel is an excellent example of the Gothic Romantic style of literature, as it features some core Gothic Romantic elements such as remote and desolate settings, a metonymy of gloom and horror, and women in distress.

    Read More

  • Essay on Romanticism in Mary Shelley's Frankenstein

    930 Words  | 2 Pages

    self-centered. His life is the mirror of a Greed Tragedy. In his case, the flaw

    Read More

  • Who Is the Real Monster in Frankenstein?

    1708 Words  | 4 Pages

    Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein, is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise. Throughout the novel, Shelley investigates the idea of monstrosity. She makes the point that a monster does not have to be genuinely evil in order to be considered monstrous.

    Read More

  • Mary Shelley Challenges Society in Frankenstein

    1219 Words  | 3 Pages

    Romantic writer Mary Shelley’s gothic novel Frankenstein does indeed do a lot more than simply tell story, and in this case, horrify and frighten the reader. Through her careful and deliberate construction of characters as representations of certain dominant beliefs, Shelley supports a value system and way of life that challenges those that prevailed in the late eighteenth century during the ‘Age of Reason’. Thus the novel can be said to be challenging prevailant ideologies, of which the dominant society was constructed, and endorsing many of the alternative views and thoughts of the society. Shelley can be said to be influenced by her mothers early feminist views, her father’s radical challenges to society’s structure and her own, and indeed her husband’s views as Romantics. By considering these vital influences on the text, we can see that in Shelley’s construction of the meaning in Frankenstein she encourages a life led as a challenge to dominant views.

    Read More

  • Comparing Voltaire's Candide And Mary Shelley

    1175 Words  | 3 Pages

    Her parents were two of its pioneers, and her husband was one of its well-respected contributors. Frankenstein remains her best known contribution to the body of Romantic literature, and it, too, was well-rooted in the movement. Embedded in it are classic elements of the Romantics - an all-to-human monster that quests for love, journeys to exotic places, and a plot that twists and turns on the events of human interactions. It uses these elements to suggest an answer to the Romantic question, how devastating can the effects of science and reason be on the human condition if they are allow to progress

    Read More

  • Romanticism in Mary Shelley's Frankenstein

    2058 Words  | 5 Pages

    Mary Shelley, with her brilliant tale of mankind's obsession with two opposing forces: creation and science, continues to draw readers with Frankenstein's many meanings and effect on society. Frankenstein has had a major influence across literature and pop culture and was one of the major contributors to a completely new genre of horror. Frankenstein is most famous for being arguably considered the first fully-realized science fiction novel. In Frankenstein, some of the main concepts behind the literary movement of Romanticism can be found. Mary Shelley was a colleague of many Romantic poets such as her husband Percy Shelley, and their friends William Wordsworth and Samuel Coleridge, even though the themes within Frankenstein are darker than their brighter subjects and poems. Still, she was very influenced by Romantics and the Romantic Period, and readers can find many examples of Romanticism in this book. Some people actually argue that Frankenstein “initiates a rethinking of romantic rhetoric”1, or is a more cultured novel than the writings of other Romantics. Shelley questions and interacts with the classic Romantic tropes, causing this rethink of a novel that goes deeper into societal history than it appears. For example, the introduction of Gothic ideas to Frankenstein challenges the typical stereotyped assumptions of Romanticism, giving new meaning and context to the novel. Mary Shelley challenges Romanticism by highlighting certain aspects of the movement while questioning and interacting with the Romantic movement through her writing.

    Read More

  • The Power of the Imagination and Its Relationship to Mary Shelley’s Frankenstein

    1950 Words  | 4 Pages

    The role of the imagination in Mary Shelley’s 1818 novel, Frankenstein is a vital when defining the work as Romantic. Though Shelley incorporates aspects that resemble the Enlightenment period, she relies on the imagination. The power of the imagination is exemplified in the novel through both Victor and the Creature as each embarks to accomplish their separate goals of scientific fame and accomplishing human relationships. The origin of the tale also emphasizes the role of the imagination as Shelley describes it in her “Introduction to Frankenstein, Third Edition (1831)”. Imagination in the text is also relatable to other iconic works of the Romantic Period such as S. T. Coleridge’s Biographia Literaria in which he defines Primary and Secondary imagination. The story as a whole is completely Romantic in that it is filled with impossibilities that seem to have come from a fairy tale. The imaginative quality of the plot itself is a far cry from the stiff subject matter of the Enlightenment period. Frankenstein is wholly a work of Romanticism both from the outside of the tale and within the plot. Shelley created the story in a moment of Primary imagination filling it with impossibilities that can only be called fantastical. Imagining notoriety leads Victor to forge the creature; the creature imagines the joy of having human relationships. The driving factor of the tale is the imagination: imagining fame, imagining relationships and imagining the satisfaction of revenge. Shelley’s use of the imagination is a direct contradiction to the themes of logic and reason that ruled the Enlightenment Period.

    Read More

  • The Monster’s Birth in Mary Shelley's Frankenstein

    730 Words  | 2 Pages

    In the Romantic novel Frankenstein by Mary Shelly, the selection in chapter five recounting the birth of Dr. Frankenstein’s monster plays a vital role in explaining the relationship between the doctor and his creation. Shelley’s use of literary contrast and Gothic diction eloquently set the scene of Frankenstein’s hard work and ambition coming to life, only to transform his way of thinking about the world forever with its first breath.

    Read More

  • Frankenstein Romanticism Essay

    1864 Words  | 4 Pages

    As a response to the Enlightenment movement in 18th century Europe, Romanticism gradually began to undermine the way people thought about human consciousness and nature itself. Appreciation of the natural beauty of the world and pure, human emotion bloomed in Europe as Romanticism’s influence grew ("Topic Page: Romanticism”). Romantics valued Individualism and thought that being close to nature would make them closer to God (Morner and Rausch). People also searched for solace in nature to overcome the adversities and cynicisms that followed the French Revolution ("French Revolution."). Romanticism and Romantic ideals influenced Mary Shelley, and that influence can be seen throughout her novel Frankenstein. The two main characters, Victor Frankenstein

    Read More

  • Shelley's Dr. Frankenstein: The Romantic Hero

    572 Words  | 2 Pages

    Shelley’s writing was heavily influenced by the artistic movement that emerged in the 19th century in England. One of her most popular novels, Frankenstein, features one of the key aspects of romanticism: the romantic hero. In the excerpt from this novel in Fiero’s The Humanistic Tradition Dr. Frankenstein is shown to possess the qualities of said hero. The plot of Shelly’s Frankenstein highlights the unmanageable quest of Dr. Frankenstein’s attempt to overcome the decaying effect of death. His aspirations and ultimate “failure” are what brand his character the romantic hero of the novel.

    Read More

  • Romanticism and Nature in Frankenstein by Mary Shelley

    770 Words  | 2 Pages

    Frankenstein by Mary Shelley is a gothic science fiction novel written in the romantic era that focuses on the elements of life. The romantic era was sparked by the changing social environment, including the industrial revolution. It was a form of revolt against the scientific revolutions of the era by developing a form of literature that romanticize nature and giving nature godliness. This element of romanticized nature is a recurrent element in Frankenstein and is used to reflect emotions, as a place for relaxation and as foreshadowing. Frankenstein also includes various other elements of romanticism including strong emotions and interest in the common people.

    Read More

  • The Importance Of Romanticism In Mary Shelley's Frankenstein

    1270 Words  | 3 Pages

    Mary Shelley’s Frankenstein was published in 1818 during the Romanticism era. Romanticism describes the period of time from the late 18th century to the mid 19th century. This period was seen as a response to the Enlightenment; overall there was an increase in the desire to understand the world in an objective matter (lecture). Though Romanticism is commonly viewed as a literary and artistic movement, Mary Shelley gives evidence on the development of Europe in a historical sense through her novel, Frankenstein. Through the motifs and personal experiences of her characters, Mary Shelley’s Frankenstein gives insight on scientific development, emerging roles of women, and how the individual is viewed the

    Read More

  • Frankenstein Critical Analysis Essay

    735 Words  | 2 Pages

    Walter Scott’s critique in the 1818, Blackwood's Edinburgh Magazine Review of Frankenstein, is that Frankenstein is a novel of romantic fiction depicting a peculiar nature that narrates the real laws of nature and family values. This review explains that Mary Shelley manages the style of composition, and gives her characters an indirect importance to the reader as the laws of nature takes course in the novel. In addition, Walter Scott appreciates the numerous theme...

    Read More

More about Romanticism In Frankenstein Research Paper

Open Document