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The characteristics of the romantic period
Strengths and weaknesses of Romanticism
The characteristics of the romantic period
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Romanticism was an era in European history, roughly between 1790 and 1815, and was characterized by a growing interest in the imagination and emotions. This era was unlike the Enlightenment, which focused on changes in political ideology, or Neo-classicism, which was more akin to classicism in that rationality and realism are ideal. Romanticism aimed to invoke a change in cultural ideology and, in turn, gave people a sort of freedom in deciphering ideas and symbols using their own imaginations.
Romantic philosophy was bolstered by the questionings of Neo-classicism during the Enlightenment. Neo-classicism, governed by reason, attempted to establish certain standards in the lives of Europeans. The backlash during the Enlightenment, in which traditions were beginning to be scrutinized negatively, also fed into much of the ideals during this period. Romanticism emerged as a sort of continuation of the Enlightenment; not in questioning political ideology but in praising irrationality through imagination. Regarded as the “Age of Sensibility,” Romanticism is very well known for the emergence of guiding oneself through emotion rather than reason. First expressed in the Enlightenment by writers such as Jean-Jacques Rousseau, this era saw an increase in the interest of nature and the wish for a return to a “simpler” society.
The work of David Hartley introduced the idea of “association.” In his work, Observations on Man, his Frame, his Duty, and his Expectations (1749), Hartley attempted to connect physiology and psychology in order to explain the workings of the mind. He also expressed that morals are learned from experiences and are key in becoming “capable of sympathy, theopathy and the moral sense.” Hartley concluded that...
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...ics in the Age of Romanticism, edited by Darla Crispin, 37-67.
Belgium: Leuven University Press, 2009.
Watson, J. R. “Association.” In A Handbook to English Romanticism, edited by Jean Raimond and J.R. Watson, 14-16. USA: St. Martin’s Press, Inc., 1992.
———. “Constable, John (1776-1837).” In A Handbook to English Romanticism, edited by
Jean Raimond and J. R. Watson, 80-83. USA: St. Martin’s Press, Inc., 1992.
———. “Drama.” In A Handbook to English Romanticism, edited by Jean Raimond and J.
R. Watson, 95-97. USA: St. Martin’s Press, Inc., 1992.
———. “Painting.” In A Handbook to English Romanticism, edited by Jean Raimond and J.
R. Watson, 199-202. USA: St. Martin’s Press, Inc., 1992.
———. “Turner, Joseph William Mallord (1775-1851).” In A Handbook to English
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Romanticism first came about in the 18th century and it was mostly used for art and literature. The actual word “romanticism” was created in Britain in the 1840s. People like Victor Hugo, William Wordsworth, and Percy Bysshe Shelley had big impacts on this style of art. Romanticism is an art in which people express their emotion. Whatever they believed is put into a picture, painting, poem, or book. Romanticism goes deep into a mind. It is very deep thinking and it’s expressing yourself through that deep thinking. Romanticism is the reaction to the Enlightenment and the enlightenment aka the “Age of Reason” took place during the 1700s to 1800s. The enlightenment emphasized being rational and using your mind; on the other hand, romanticism focuses on emotion and imagination. It says don’t just focus on rationality and reason.
“Romanticism, is an artistic, literary, and intellectual movement that originated in Europe toward the end of the 18th century and in most areas was at its peak in the approximate period from 1800 to 1850” (Wikipedia).
To start with, Romanticism was the first writing movement of the nineteenth century. It originated at the close of the eighteenth century in Europe, but was popular from the 1800s to 1850s. This movement was a revolt against the political and social standards of the Age of Enlightenment and a reaction to the reasoning of nature through science. Romanticism’s characteristics came from philosophical sources and, because it is a reaction against reasoning, it focuses on intuition, nature, and human emotions. The philosophical background of this movement came from an author named Jean-Jacques Rousseau who emphasized the individual and the power of inspiration. Romanticism later then broke off into another two movements called Parnassian and Realism.
Romanticism has been described as a “‘Protestantism in the arts and letters’, an ideological shift on the grand scale from conservative to liberal ideas”. (Keenan, 2005) It was a movement into the era of imagination and feelings instead of objective reasoning.
G. Ed. The Norton Anthology of English Literature: The Romantic Period. New York: Norton, 2000. Barth, Robert J. Romanticism and transcendence: Wordsworth, Coleridge, and the Religious Imagination. Columbia: University of Missouri Press, 2003.
The contrast of beliefs between the Enlightenment and the Romantic Era is intense. They have complete opposite beliefs on most aspects minus their support of independent thinking and growth. In Life Magazine, it was said that, "There, is no truth, said the Enlightenment, which cannot stand the test of reason". The Enlightenment was all about sense over sensibility; people thrived for further knowledge with everything they could. On the other hand, the Romantic Era was very much focused on the imaginative part of knowledge. Carol Ferguson, a professor at Richard Stockton College, states in one of her lectures, “The logic, ordered, rational was gradually replaced with the magnitude of the imagination, the possibilities of intuition, the importance of the emotions, and the uniqueness of the individual”. Romanticism allowed people to deviate from the constrictions of strictly “logical” thinking of the Enlightenment and concentrate on the emotional and imaginatively curious side of learning. So while both periods started off focusing on learning new things and advancing society with knowledge, they had d...
Wolfson, Susan and Peter Manning (eds.). The Longman Anthology of British Literature: The Romantics and Their Contemporaries. Volume 2A. New York: Longman, 1999.
Despite its name, the Romantic literary period has little to nothing to do with love and romance that often comes with love; instead it focuses on the expression of feelings and imagination. Romanticism originally started in Europe, first seen in Germany in the eighteenth century, and began influencing American writers in the 1800s. The movement lasts for sixty years and is a rejection of a rationalist period of logic and reason. Gary Arpin, author of multiple selections in Elements of Literature: Fifth Course, Literature of The United States, presents the idea that, “To the Romantic sensibility, the imagination, spontaneity, individual feelings and wild nature were of greater value than reason, logic, planning and cultivation” (143). The Romantic author rejects logic and writes wild, spontaneous stories and poems inspired by myths, folk tales, and even the supernatural. Not only do the Romantics reject logic and reasoning, they praise innocence, youthfulness and creativity as well as the beauty and refuge that they so often find in nature.
Woodlief, Ann M. "Intro to American Romanticism." Intro to American Romanticism. Emerita Associate Professor, 18 Aug. 2001. Web. 05 May 2014.
Romanticism was a reaction to the Enlightenment as a cultural movement, an aesthetic style, and an attitude of mind (210). Culturally, Romanticism freed people from the limitations and rules of the Enlightenment. The music of the Enlightenment was orderly and restrained, while the music of the Romantic period was emotional. As an aesthetic style, Romanticism was very imaginative while the art of the Enlightenment was realistic and ornate. The Romanticism as an attitude of mind was characterized by transcendental idealism, where experience was obtained through the gathering and processing of information. The idealism of the Enlightenment defined experience as something that was just gathered.
The Romantic period was an expressive and intellectual movement that originated in Europe towards the end of the 18th century and peaked in the 1800s-1850s. This movement was defined and given depth by an expulsion of all ideals set by the society of the particular time, in the sense that the Romantics sought something deeper, something greater than the simplistic and structured world that they lived in. They drew their inspiration from that around them. Their surroundings, especially nature and the very fabric of their minds, their imagination. This expulsion of the complexity of the simple human life their world had organised and maintained resulted in a unique revolution in history. Eradication of materialism, organisation and society and
Hirsch, E. D. Jr. Wordsworth and Schelling a Typical Study of Romanticism. New Haven: Yale University Press, 1960.
The time of Romanticism began in the late 18th century and ended around the mid 19th century. Just showing what the Romantic Movement is, it can be shown as a reaction against Neoclassicism.
Toward the end of the eiteenth-century, Romanticism emerged as a response to Classicism. Even though this change was gradual, it transformed everything from art and philosophy to education and science. While the Classicsts thought of the world as having a rigid and stern structure, the romanticists thought of the world as a place to express their ideas and believes. The Romaniticists and Classicsts differed in their views of the relationship between an individual and society, their views of nature and the relationship between reason and imagination.
Romanticism spawned in the late 18th century and flourished in the early and mid-19th century. Romanticism emphasized the irrational, the imaginative, the personal, the spontaneous, the emotional, the visionary, the transcendental, and the individual. Romanticism is often viewed as a rejection of the ideologies of Classicism and Neoclassicisms, namely calm, order, harmony, idealization, rationality and balance. Some characteristics of Romanticism include: emotion over reason, senses over intellect, love for nature, use of the hero and the exceptional figure in general, emphasis of imagination being the gateway to spiritual truth, and an interest in folk culture. Romanticism was preceded by related developments in the med-18th century referred to as “Pre-Romanticism”. One Pre-Romantic style was medieval romance, which is where Romanticism gets its name from. The medieval romance was a tale that emphasized the exotic, the mysterious, and individual heroism. This style contrasted the then prevalent classical forms of literature such as the French Neoclassical Tragedy. But this new emotional literary expression would be a key part of literature during the Romantic Era (Britannica). Literature during the Romantic Era was influenced by politics and major historical events and social reforms, religion, science, economics, and art and music.