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Romanticism and nature
Romanticism and nature
Significance of the romantic period in English literature
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“Wine is bad as well as good”; it heightens the emotions of the drinker just as the emotional appeal of the writing during the Romantic Era were amplified (Hamilton 72). Any literary era must follow a literary concept of either Apollonian or Dionysian dichotomy. Under Apollonian, literature embodies Apollo, the God of the Sun, who represents order and reason (30). Under Dionysian, literature embodies Dionysus, the God of Wine, who represents the contradictory ideas of “ecstatic joy and of savage brutality” (68). The Romantic Era followed the belief that the world is not bounded by reason; thus, the world is chaotic. Additionally, romantics focus on the emotions they expressed in their writing. Therefore, the Romantic Era is strictly Dionysian in nature. Due to the Romantic Era’s major beliefs in the supernatural mystery of nature, personal expression, and its catharsis, the era correlates itself to the Dionysian ideology.
Romantics perceive nature as inherently good and not being bound by reason. However, they also understood that nature is chaotic in its actions. Dionysus is the god of the harvest; thus, he can be directly associated with the patterns of nature (Hamilton 56). Just as the perception of nature is envisioned differently, it is due to Dionysus also being the god of wine. “Wine could be kind and beneficent” or cruel and drive people to terrible deeds (67). The chaotic nature of wine is responsible for the chaotic actions of nature. In “The Devil and Tom Walker” Washington Irving narrates the life of Tom Walker, an anti-hero, who makes a deal with the devil for riches. Irving uses detailed descriptions of the settings to express the changes of Tom Walker. Irving’s detailed description of “the foliage...
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Dickinson, Emily. “My Life Closed Twice Before Its Close.” Glencoe Literature. New York: Glencoe McGraw-Hill, 2009: 440. Print.
Dickinson, Emily. “The Soul Selects Her Own Society.” Glencoe Literature. New York: Glencoe McGraw-Hill, 2009: 440. Print.
Francis, Rogers. "The Final Days of Edgar Allan Poe: Clues to an Old Mystery Using 21st Century Medical Science." EBSCOHost. Omega: Journal of Death & Dying, 2009. Web. 12 April 2014.
Hamilton, Edith. Mythology. Boston: Little, Brown and, 1942. Print.
Irving, Washington. “The Devil and Tom Walker.” Glencoe Literature. New York: Glencoe McGraw-Hill, 2009: 242-250. Print.
Nietzsche, Friedrich Wilhelm. The Birth of Tragedy And The Case of Wagner. New York: Vintage, 1967. Print.
Poe, Edgar Allan. “The Raven.” Glencoe Literature. New York: Glencoe McGraw-Hill, 2009: 256-260. Print.
Both “The Devil and Tom Walker” and “The Devil and Daniel Webster” are exemplary specimens of Faustian myths, and as such have very many similarities and concurrences. But, they also emphasize different aspects of the characters and their respective personalities. These two commendable stories serve as excellent chronicles of literature and as worthy examples of moral lessons for all ages.
Good and Evil in The Devil and Tom Walker The concept of evil in the short story "The Devil and Tom Walker" can be shown in many ways, by Irvings' symbolism. In the short story, Tom Walker symbolizes all of mankind by portraying him as being "sinful" and evil. When there is an intent to destroy, then we get a different level of hatred.
Washington Irving’s “The Devil and Tom Walker” includes great examples of Romanticism, such as symbols in nature having links to the supernatural, the importance of the inner nature, and the emphasis of the individual. In the story, Tom Walker is a selfish man who cares more about money than he does about anyone else, including his wife. One day, while he is walking through the woods, Tom Walker comes across the Devil, who makes a deal with him to exchange his soul for the treasure that is buried in those woods. Tom declines and returns back to his wife and tells her that he has passed on an opportunity that could bring them lots of money. Tom’s wife, outraged by his actions, decides to strike a deal of her own with the Devil and after several attempts, she never returns from the woods. The next time Tom goes to the woods he finds that his wife had been killed by the Devil. He finally agrees to make the deal with him, now that Tom doesn’t have to share anything with his wife. Tom ignores the Devil’s suggestion of becoming a slave-trader and becomes a moneylender instead. He gets wea...
Symbolism plays a vital role throughout Tom Walker’s tale. Set in the early to mid-18th century in the New England area, Irving uses the location’s landscape as a basis of symbolism throughout the story, as well as to represent the main character. The murky morass environment of the swamp in which Tom Walker meets the devil represents his soul which, like the swamp fog, is clouded and thick with greed. The swamp areas of the New England areas were also used as a stronghold by the Native Americans against the Europeans during the Indian battles. Ironically, this same area in the story is seen as the devil’s stronghold, which symbolizes the prejudice that was still prevalent in the...
Edgar Allen Poe was one of the greatest writers of the nineteenth century. Perhaps he is best know for is ominous short stories. One of my personal favorites was called The Raven. Throughout his works Poe used coherent connections between symbols to encourage the reader to dig deep and find the real meaning of his writing. Poe's work is much like a puzzle, when u first see it its intact, but take apart and find there is much more to the story than you thought. The Raven, written in 1845, is a perfect example of Poe at his craziest. Poe's calculated use of symbolism is at his best in this story as each symbol coincides with the others. In The Raven, Poe explains a morbid fear of loneliness and the end of something through symbols. The symbols not only tell the story of the narrator in the poem, they also tell the true story of Poe's own loneliness in life and the hardships he faced. Connected together through imagery they tell a story of a dark world only Poe Knows exists.
New York: A.C. Armstrong & Son., 1884. xv-xxvi. EPUB file. Sova, Dawn B. "Poe, Edgar Allan.
Dickinson, Emily. “Because I could not stop for Death.” Literature: An Introduction to Fiction, Poetry, Drama, and writing. Seventh Edition. X.J. Kennedy, Dana Gioia. Saddle River. Pearson Education, 2013. 777. Print.
Dickinson, Emily. Baym, Nina, editor. The Norton Anthology: American Literature. New York: W. W. Norton
Di Yanni, Robert. “Character Revealed Through Dialogue.” Readings on The Tragedies. Ed. Clarice Swisher. San Diego: Greenhaven Press, 1996. Reprint from Literature. N. p.: Random House, 1986.
Irving, Washington. “The Devil and Tom Walker”. Elements of Literature: Fifth Course. Austin: Holt, Rinehart and Winston, 2008. 175-185. Print.
The idea of losing a loved is a powerful emotion and one that virtually every person can relate to. It was with this concept in mind that Edgar Allan Poe crafted his classic narrative poem “The Raven.” For some, poetry acts as a means to express different ideals, either social, intellectual, or philosophical. For Edgar Allan Poe, poetry was at its best when it conveyed beauty through the expression of simple yet powerful emotion. In Poe’s mind, there was no purer manifestation of poetic beauty than the deep emotion felt from the loss of a beloved woman. Is with this in mind the Poe employs setting, tone, and symbolism to relate the powerful emotion of never-ending despair to connect with his audience in the classic poem “The Raven.”
Emily Dickinson is frightened of death and the unknown life after it. To release her
Dickinson, Emily. “The last Night that She lived.” Literature. 5th ed. Ed. Robert DiYanni. New York: McGraw-Hill, 2002. 843.
The first two stanzas of The Raven introduce you to the narrator, and his beloved maiden Lenore. You find him sitting on a “dreary” and dark evening with a book opened in front of him, though he is dozing more than reading. Suddenly, he hears knocking on his door, but only believes it to be a visitor nothing more. He remembers another night, like this one, where he had sought the solace of his library to forget his sorrows of his long lost beloved, and to wait for dawn. Meanwhile the tapping on his door continues.