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Movie industry during the depression
Film industry in the great depression
Cinema during the depression
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Recommended: Movie industry during the depression
Danielle Herrin
Section 7
Due: 11/16/17
Romantic Comedy’s Transformation Through Time
Over the years, distinct themes have carried on through the romantic comedy genre, the most prevalent being boy meets girl, boy loses girl, and boy gets girl back. Even though the main theme in romantic comedy is still considered to be the same today as when the genre emerged, roles and ideas have shifted to reflect the ever changing American culture. The expression of gender dominance and social status in film has mirrored what the American people have experienced throughout time to keep drawing audiences to the theatre . This is evident from the subgenres spawned from romantic comedy which are screwball comedy, sex comedy, modern american romantic comedy,
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In these types of romantic comedies, a lot of senseless humor took place consisting of slapstick humor and witty banter between the main characters. “Screwball comedies featured cross-dressing…They also involved a central romantic story, usually in which the couple seem mismatched and even hostile to each other at first, and “cute meet” in some way” (McFarland, 2001). This was great for the audience because even though parts of the story seemed extremely far fetched, they helped people forget about the struggles going on in their everyday lives. It also empowered women. Screwball comedy portrayed them in a higher status compared to men. This is shown by the way women would speak to the men using intelligent dialogue. Good examples of this subgenre can be seen in films such as Woman of the Year, State of the Union, Pat and Mike, and Desk Set. “These films tended to focus on Hepburn playing a professional role and her refusal to be subordinate to her male counterpart” (Hollywood, 2012). During the thirties to the early forties, Americans were going through the Great Depression. This caused suicide and crime rates to rise. Seeing that people were depressed and wanted a way to escape their lives, filmmakers, artists, and actors worked to combat this depression by creating funny, upbeat movies. The ridiculous humor and stories of love that screwball comedy displayed drew audiences in on a two-hour cinematic journey where they could temporarily forget about their own
What was the narrative of the show, who were the characters, and director? Love Jones the Musical is a makeover of the movie Love Jones directed and written by Theodore Witcher. The film starred Larenz Tate - as Darius Lovehall, and Nia Long - as Nina Mosley. The musical produced by Melvin Childs is touring around the country. I was able to catch an evening show of the shows only two nights held at the Kings Theater in Brooklyn. The stars of the musical are Tony Grant - as Darius Lovehall, and Chrisette Michelle - as Nina Mosley. Singers Musiq Soulchild, MC Lyte, Marsha Ambrosius, Raheem Devaughn, and Dave Hollister played themselves. The musical like the movie takes place in Chicago. The plot was also similar to that of 1997 movie in which Darius a poet and Nina a photographer gets together and fall in love. Trials and tribulations test their relationship, but the couple proved that black love is strong by overcoming their obstacles in the end.
Many people never realize or take much notice on what deaf people go through in life, but by watching the movie "Love is Never Silent", hearing people are able to have a clear view of what it is like to be deaf in the hearing world. Many different perspectives towards how deaf people live, socialize, party or work are built by many distinctive types of people. As the movie "Love is Never Silent" shows, Margaret and her family are isolated from their community. They aren 't allowed to sign in front of the hearing because it 's strange and abnormal. Seeing a deaf person sign during a time where being different can make a person look like an outcast makes hearing people pity the deaf and end up treating them as ignorant people. Although deaf
The scene where Robby went on a double date. The social structure of class was express through the social construction of posing bonds. Glenn says Robby should look into the bond market business because that is where the money is. Robby shows his income by having a saving bonds worth $25.00 in 1993. The social structure of Masculinity is express through body, when talking Robby and Glenn are talking about the women’s butt as a piece of meat.
Led by Laura Mulvey, feminist film critics have discussed the difficulty presented to female spectators by the controlling male gaze and narrative generally found in mainstream film, creating for female spectators a position that forces them into limited choices: "bisexual" identification with active male characters; identification with the passive, often victimized, female characters; or on occasion, identification with a "masculinized" active female character, who is generally punished for her unhealthy behavior. Before discussing recent improvements, it is important to note that a group of Classic Hollywood films regularly offered female spectators positive, female characters who were active in controlling narrative, gazing and desiring: the screwball comedy.
‘Lad flicks’ or ‘lad movies’ is a type of film genre that emerged in the late 1990s. They are defined as a “‘hybrid of “buddy movies”, romantic comedies and “chick flicks”, which centre on the trials and tribulations of a young man as he grows up to become a ‘real man’. ‘Lad flicks’ respond in part to the much-debated ‘crisis in masculinity’” (Benjamin A. Brabon 116). This genre of film explored what it meant to be a ‘real man’ in the twentieth century and in order to do so, they would have to grow up and leave their juvenile ways behind to enter the heterosexual world. Gender relations in ‘lad flicks’ portray masculinity as a troubled, anxious cultural category hiding behind a humorous façade and also rely greatly on a knowing gaze and irony. The two ‘lad flicks’ that will be analyzed are The 40-Year-Old Virgin (Judd Apatow 2005) and Role Models (David Wain 2008).
Relationships are complicated, not every relationship will last, and this seems to be the most apparent with romantic relationships, as these types of relationships two partners will often come together and open up to each other and become very close. Every relationship needs effective communication, and this is evident in the film, The Breakup; starring Jennifer Aniston and Vince Vaughn. This film ties in with Interpersonal Communications very well as it portrays its message of poor communication very well. Models of Relational Dynamics, couples conflict styles, crazymakers, and conflict in relational systems are some of the topics that the film perfectly depicts.
These movies allowed female characters to embody all the contradictions that could make them a woman. They were portrayed as the “femme fatale” and also “mother,” the “seductress” and at the same time the “saint,” (Newsom, 2011). Female characters were multi-faceted during this time and had much more complexity and interesting qualities than in the movies we watch today. Today, only 16% of protagonists in movies are female, and the portrayal of these women is one of sexualization and dependence rather than complexity (Newsom, 2011).
How does it feel starting over in a completely new place? In the movie “The Karate Kid”, Daniel, the main character, and his mom moved to the California from New Jersey because of his mom’s new job offer. Daniel started going to school in California and met a girl named Ali, whom he started to like. He started going out with her. Daniel was getting beat up by some bullies; one of them was Ali’s ex-boyfriend. They knew karate very well, but Daniel did not. So Daniel decided to learn karate. Daniel and his mom were living in an apartment and one day he discovers that the handyman at his apartment, Mr.Miyagi, knows karate very well. He asked Mr.Miyagi to teach him karate, and Mr.Miyagi became his karate teacher. It was hard for him to make new friends in a new place and he believed that Mr.Miyagi would be the only best friend he ever met.
For example, if she is at a restaurant, she is always with a date. She tries to mimic the cliché scenes in romantic films; like sharing food or holding hands at a candlelit table. Also, at school, the romance moviegoer is considered the popular girl. She surrounds herself with friends and always starts drama because she plays matchmaker and tries to get her friends into romantic relationships whether they want it or not. She has a boyfriend of her own and forces public displays of affection every time they are together, in hopes of getting others to notice how perfect her love life is. Finally, when the romance moviegoer is at the movie theater, she is again, on a date. She insists that they share all of the refreshments but does not offer to pay for anything. Once they get into the theater, she is very picky about finding a seat and takes forever to finally choose the perfect one. As the movie starts, she becomes engrossed with the characters and imagines herself as the leading
Today, love, sex and romance are three main topics that presented in media as main themes discuss in contemporary popular culture. Social media is important in shaping audience value about feminism through the framework of contemporary media like films, magazines, plays, advertisements, TV shows, graphic novels, etc. The television show “Sex and the City” incorporates “pop feminism” that influences many lives of women. Sex and the City is originally talking about four single thirty-something women living in Manhattan. They are coming to New York in order to seek “love and labels” (Sex and the City). The main theme of Sex and the City is concentrating on contemporary American woman’s conception of sex, love, and romance. As we learned from lecture, sex, love, and romance have a history; they are different in different cultures; they are shaped by gender, class, race, ethnicity, nation, ability, and other differences (Lecture Notes). Sex and the City is focusing on modern American woman’s experiences and their thinks with sex, love, and romance. The four main women characters in Sex and the City represent diversity of gender, class, race, ethnicity, religion, age, able-bodiedness through their different experience and expectations of their life (Lecture Notes). Sex and the City represents that the feminism notions of sex, love, and romance are socially constructed, and this social construction of sex, love and romance are featured in these female characters’ personalities.
A New Literacy Age in American Society Super Sad True Love Story by Gary Shteyngart depicts a futuristic American society dominated by media. Technology is their most precious process, everything revolves around their äppärät. Everyone is ranked based on their attractiveness and wealth. Most people want to stay young and live longer. Any written artifacts are almost non-existent, and literacy is not the same as before.
Web. 30 Apr. 2014. Sharot, Stephen. "The 'New Woman', Star Personas, And Cross-Class Romance Films in 1920s America.
“Nobody will ever notice that Filmmaking is not about the tiny details. It’s about the big picture” Ed Wood once said, emphasizing the misconception of a film’s notion. Silver Linings Playbook, directed by David O. Russell is categorized as a Romantic comedy film because of the relationship between two of the main characters. Considering the format of the story, the movie being characterized as a romantic comedy film is still quite skeptical. David O. Russell’s Silver Linings Playbook breaks the traditional romantic comedy formula for not follow the “love triangle” format and its complex plotline.
Johnson R. Kimberly, and Holmes M. Bjarne. "Contradictory Messages: A Content Analysis of Hollywood-Produced Romantic Comedy Feature Films." Communication Quarterly 57 (2009): 1-22. Print.
After watching “The Notebook” for the six hundredth time, with tears streaming down her face, a girl can finally declare it as being her favorite movie, and maybe even deem it as the best production ever created. The cliché motives of the woman always seem to involve love and a knight in shining armor. Naturally, every woman dreams about Mr. Right, and falling head over heels in love. This is why females are so vulnerable to passionate films. “My heart melted when I saw him kiss her like that.” Stereotyped as the hopeless romantics, girls live to love and be loved. Girls want relationships. Girls enjoy corny love movies. This is somewhat of an escape route for the girls, knowing that in reality, the average guy isn’t interested in a relationship, or falling in love. But for the sake of women, in the hours of our mourning, why not take advantage of the blockbusters while their...