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Essay about the godfather
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The famous film based on Mario Puzo’s novel, is based on the crime of the Sicilian family, the Corleone’s. The film was directed by Francis Ford Coppola and successfully released in the year of 1972. The Corleone’s are known for their dedication in their family business, and led problems with the women in the film and novel. Women played no at all role within the family business, they never had a say in it or allowed to even hear about it. Their task was to simply be caregivers. These concepts can be expressed through Kay and Connie. Today women have evolved to take part in a successful role in life. Women have the right to have a job and to have an opinion in the family, but weren’t followed by the Corleone family. Instead women were seen …show more content…
It seemed as if the family business came first and then the women. A scene that can be supported by this idea is when Michael leaves to Italy for a year and doesn’t make the effort to contact his wife Kay. This immediately portrays how Michael is focused on only the business and doesn’t care to communicate with his wife. If Michael truly cared for Kay he would of found time to reach her and disregard the business for a little. The last scene of the movie was a very important and really demonstrated the barrier of business and marriage. In typical marriages secrets are not kept from each other, but certainly with Michael and Kay. Kay confronts Michael when he sees Connie screaming and toppling over Michael telling him why he had killed Carlo. When Connie is dismissed, Kay addresses Michael if he had killed Carlo. Michael trying to convey her to believe him says that question was the only question she could ask about his business, and so she asked, and he said no. Kay happily hugs Michael, while he hugs her with remorse knowing he had lied to her. But the moment she left the office and stared back at him with a couple a men congratulating him and filling him with pride, she knew he
Coontz’s argument about the importance of women having more control over their lives today than beginning of this century is proven by Carver. Coontz believe to have a better family, women should have more choices and freedom to live their own life. “What’s new is not that women make half their families’ living, but that for the first time they have substantial
Stolen Children is a Gianni Amelio’s magnum opus and a tragic salute to neorealism. The film follows a carabinieri, Antonio, who was assigned to escort two southern orphans in northern Italy to a Catholic orphanage, but when that proved to be unsuccessful, he took it in his hands to escort the children back to southern Italy. Gianni, much like De Sica, explores the issue of failed institutions that are fundamental to a contemporary society or an individual in need of help. When these central institutions, such as the church or law, begin to deteriorate, so does the community that relies on them. He also makes a point of criticizing post-modern institutions, such as the role of media in current society and its socio-cultural impact. This criticism begins the fundamental conversation, postmodern society should concern itself with to improve one’s present civilization.
Women like Martha followed the custom of publicly staying out of men’s affairs to honor their husbands, but privately they were the glue that held their lives together and kept the home running from day-to-day. Though these courageous and tireless women worked hard behind the scenes and did not enjoy the freedom and benefits their male counterparts did, they were an inspiration to future generations who recognized their hard work and accomplishments that paved the way for change in the words, “all men are created to equal” to include all of humanity and not just certain men.
Women were represented in different ways throughout the movie Metropolis, but the underlying theme was women were seen as purely sexual. Maria was seen as the nurturer in the film, but also as a sexual object. She was the one who preached for peace and harmony down in the catacombs to the workers. Maria was also the nurturing maternal figure that was seen walking into the garden with all of the poor children. The vamp, on the other hand, was portrayed blatantly as a sexual object. This whole movie was seen through the eyes of the male perspective, which usually portrays women as sexual objects, and robs them of any identity. Lang shows Frederson as having fear of femininity which involves women's emotion and nurturing.
This film is divided into two separate parts. First, is a story that shows a situation in Italy during the Nazi occupation of World War II. There are a couple of members of a secret underground movement that try to keep the Nazis away from them. This movement is made up of poor Italians, who are troubled by the war and other Nazi ideologies. One of the members of the revolutionist group is engaged to a mother of the young boy, and the wedding is about to take place in a matter of days. But all sorts of problems follow, and all of this is based on how the Nazis will finally catch up with these traitors. The second, more effective and emotional part of the film is a tragic melodrama.
Women living in London in the late 19th and early 20th century, did not have the choices of the 21st century women. Women had little chance of evading their societal approved destiny that consisted of marrying young, stay at home and raise a family. Despite the fact that change was on the horizon and many women took to finding work in factories and other domestic work, most women still had to rely on men for financial security and stability. Joseph Conrad portrays a woman who is very strategic and complex in her actions which places her in multiple roles. Throughout the narrative, she is referred to as having an “unfathomable look” about her, which leaves a lot unexpressed about Winnie—except her commitment to her brother, Stevie. The narrator of Joseph Conrad’s The Secret Agent, takes the reader on a ride full of secrecy and lack of communication between its characters, and the true secret agent of The Secret Agent emerges not as Verloc but his wife Winnie.
Within their efforts, you can see how women desired to shape their society as they saw fit. This is visible when you examine their work at the settlement houses, the most famous being Hull House. Immigrants that attended these places were slowly being Americanized and assimilated. Also with the prohibition act, women believed the source of many domestic problems was alcohol. While their intentions were good-natured, the outcome was not always the
Although Vito “Don” Corleone appears to have a rigid personality, his character is more dynamic than it appears to be. He is “a character who [is presented] with more facets-- author portrays them in greater depth and in more generous detail” (K&G 96). Vito is introduced as a man of great power. The opening scene includes Bonasera pleading to the Don for help. Bonasera’s daughter was brutally beaten in America and the suspects were not punished in the court of law. He seeks out Don Corleone to serve justice by having the men murdered. Vito admits to being offended at the fact that Bonasera “didn 't even think to call [him] Godfather.” In desperate need, “Bonasera kisses [Don’s] hand” and is dismissed. Two other men follow Bonasera in an attempt
The Godfather is most notably one of the most prolific films of its time. This "gangster" film displayed many transformations of permeating color to give the viewer observable cues in its mise en scene that drew one right into the movie. The dramatic acting set the tone of the film with a score that lifted the viewer right out of their seat in many scenes. The directing and cinematography made The Godfather ahead of its time. The nostalgic feel of family importance and the danger of revenge lets us into the life of the Mafia. Even though no other techniques would have given the viewer a feeling of inside the mob like the mise en scene of the power the godfather held, the characters are reinforced literally and figuratively because the story views the Mafia from the inside out, and the cinematography of the film gives it a dangerous and nostalgic feel.
Much Ado About Nothing by William Shakespeare focuses on the enormous gap between the power of men and where women stand. Women were expected to be obedient and dependent on men, innocent, and were also expected to be good wives. Shakespeare wanted women to see how the roles are changing for the better. In this play, there is difference between the traditional roles of women back then, and the ones that stand out from the rest. He depicts this through two characters. In the opening scene, where characters and their personalities, and roles are established; Hero has only one line, which is seven words. Even said that, these lines are just a comment on Beatrice. Hero is the daughter and the property of her father, Leonato. Her helplessness comes from her being overprotected by her father, and the need to obey him. Beatrice, by contrast, does not have a father, she lives on her witty personality and her intelligence. Beatrice has a dream to spend her life “where the bachelors sit, and there live we, as merry as the day is long” (2.1.40-46) When Leonato tells Hero, “Daughter, remember what I told you: if the prince do solicit you in that kind, you know your answer,” (2.1.60-63) she just stands there, silently obeying her father. Hero’s looks are her only advantage as a women, as they are what attracts Claudio. He falls in love with her at first sight in the first act, based only on her appearance.
In the 16th century, women and men were defined as having specific and contrasting roles within society. Men were defined as being powerful and dominant while women were defined as being submissive and meek. These ideals can be seen across cultures and throughout time. With these definitions of gender roles in place, the text suggests that gender is a social construct therefore qualities of femininity and masculinity are subjective. This is shown when Portia cross dresses as the lawyer Balthazar (IV) and when the truths of the rings are discovered by the two women (V). The strong female characters in the play exemplify that women are not confined to their social construct as they manipulate the male characters. During the 16th century only
A crime is an act that breaks a law that relates to how to behave in society. The harm caused by the act is seen to be against society as a whole, not just a specific person. More specifically, a crime is an act (something you do) or omission (something you don’t do) that is against the law and punishable upon conviction. Crime includes criminal code offences against a person or property, drug offences, and so much more. Why do people commit crimes? Why do women commit crimes? Is a woman capable of committing a crime, and what causes her to do so? Many people believe that women would never commit crimes because of the common stereotypes of them being trustworthy, nurturing, and compassionate people. They place these stereotypes on women because they believe that women are not capable of committing crimes to the point where they would have to face prison. Although these stereotypes are assured to be true, these people do not realize that women crime rates have been increasing tremendously overtime, especially in the 1980's. Women/female offenders have had the fastest growing segment over the last 40 years, but are still much smaller than men. It has been proven that out of 1.5 million prisoners incarcerated in the nation, only 54 out of 100,000 of those people are women. According to Judge Thomas Mostowy, 14% of women crimes are violent, 10% are murders, 60% are against family members, and 20% of the violent female offenders are juveniles who have committed other crimes but notably majority of them are non-violent.
Divisions separating the roles of men and women have been prevalent since ancient history. In general, people deemed females as inferior to men and ultimately regarded the entire gender role of women as less important in society as a whole. This condescending view of women is especially prevalent in the Renaissance period, as wives and daughters were expected to be submissive and obedient objects of desire as opposed to normal human beings. As arguably the most famous writer of the Renaissance, Shakespeare and his works of literature provide a window of insight into his own perspective on the values and ideals of the time period. While his play The Merchant of Venice is widely read as the story of religious conflict between renowned Christians
In Shakespeare’s The Merchant of Venice, the role of women is quite significant. Although there are only three women throughout the play, Jessica, Nerissa, and Portia, all play a role that affects the outcome of the play. Portia, Jessica, and Nerissa are all very significant characters from this time period. The three women display characteristics of bravery, independence, and intelligence.
Then there was the woman’s movement and women felt they deserved equal rights and should be considered man’s equal and not inferior. The man going out to work, and the wife staying home to care for the home and the children would soon become less the norm. This movement would go on to shape the changes within the nuclear family. Women deci...