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The portrayal of women in literature
Portrayal of women in literature
Portrayal of women in literature
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Bram Stoker’s Dracula, set in the late nineteenth century, follows Jonathan Harker and the rest of his group as they hunt down Dracula to rid the earth of evil. Under all the action that takes place lies a window to which the Victorian society they are in displays patriarchal rule, sexism, and repressed female sexuality. This is seen in all the women involved, their culture, and the use of vampires in the novel.
The two main female characters in Dracula, Mina and Lucy, show the standards set by men for women during the time. These two characters also serve as foils for each other, which further highlights the patriarchal standards in the Victorian society, and how women are evolving during the time as well. Lucy is described as an innocent
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young woman with blonde hair, pale skin, and a beautiful face. She is sweet, obedient and has everyone falling in love with her, as seen in the novel when Arthur Holmwood, Quincey Morris, and John Sewer propose to her on the same day. She is what most women are and should strive to be in the nineteenth century. Mina, on the other hand, is angelic, maternal and intelligent. As a school teacher, she relies on herself for income, and keeps up with Jonathan and his studies. In Dracula, she remarks that “I believe we should have shocked the ‘New Woman’ with our appetites” (90). It is also said that “She has man's brain - a brain that a man should have were he much gifted - and woman's heart” (302), signifying that women weren’t supposed to be intelligent. She can be seen as the New Woman in the novel, and the turning point of women in the Victorian society. Mina, as a leader of a new era of women, is silenced by the end of the novel. After being bitten and saved, she becomes just like Lucy- a stereotypical role model for the Victorian woman. She becomes a mother, stays Jonathan’s wife and succeeds only when servicing the men in her life. This ending for Mina shows how strong the patriarchal reign of that time was, and how men during the time wanted their women to be. In addition to the juxtaposition of Lucy and Mina, the three ghost-like women who surround Jonathan in the beginning of the novel can also be used as a foil to them too.
The three women symbolize what women in the nineteenth century should not be- voluptuous and sexually expressive. In comparison, Lucy and Mina were saints and ideals to society and the three women were unacceptable and a horror to society. They could be seen as examples of the New Women. “Their aggressive behavior and attempt to reverse traditional sexual roles show them to be New Women” (Senf, 40). These women not only threaten the ideals of Victorian women, but the dominance of males in that time as well. These women threatened the aggression and power men held as they dominated Jonathan in the novel. They were the ones in control and with all the reasoning, which was what the men were supposed to have, not the women. For this reason, the vampires in the novel- specifically the women who were turned into vampires- had to be destroyed. For example, Lucy became the threat that the men were afraid of and was killed. She became sexually aggressive and independent of men. She had lost all the upheld values and morals of society, which was seen by the men when she started to capture children and drink their blood. She leaned toward the values of New Women, rather than the Victorian woman. The men had to kill her, and as they read from the Bible they stabbed her with a stake, which ended the New Woman and restored the patriarchal
supremacy. Throughout Dracula, women are established to be beautiful, obedient, and sexually repressed. They were supposed to rely on the men for everything, giving them the intelligence, control and reasoning the women weren’t supposed to have. They were sexually repressed and limited by the patriarchal reign over them during the late nineteenth century, and any attempt to challenge the men or the culture that they were in resulted in death or reverting back to the Victorian stereotype for women. This is seen with all the ladies in the novel, like Lucy, Mina, and the three ghost-like vampires.
...sitive depiction of their sexual relationship. For Mina, however, renunciation of Dracula's evil must include the renunciation of her own physical needs and desires. The roles played by social mores and conceptions of gender and sexuality are, in the end, more than incidental. Indeed, the difference between Victorian England and 1990s America causes the subtle -- but significant -- valuation of the connections between good and evil and women and sexuality in two in many ways similar texts.
Lucy and Mina are contrasted; Lucy represents threatening sexuality, whilst Mina represents socially accepted sexuality. Lucy before being vamped contains personality characteristics that are classified as unacceptable in Victorian society. In the film extract, the significance of Arabian Nights reveals Mina’s sexual inquisitiveness in contrast to Lucy’s fantastical application. The neat brown hair and conservative green dress of Mina in comparison to Lucy’s wavy red hair and flowing white dress, emphasize, from Coppola’s deliberate use, the wild passions of Lucy and steadiness of
In Dracula, Bram Stoker explores the fantastic image of a sexually dominant woman within a patriarchal society. The battle between good and evil within the novel very much hinges upon feminine sexuality: Lucy and Nina are embodiments of the Victorian virtues, which Dracula threatens to corrupt,
The late nineteenth century Irish novelist, Bram Stoker is most famous for creating Dracula, one of the most popular and well-known vampire stories ever written. Dracula is a gothic, “horror novel about a vampire named Count Dracula who is looking to move from his native country of Transylvania to England” (Shmoop Editorial Team). Unbeknownst of Dracula’s plans, Jonathan Harker, a young English lawyer, traveled to Castle Dracula to help the count with his plans and talk to him about all his options. At first Jonathan was surprised by the Count’s knowledge, politeness, and overall hospitality. However, the longer Jonathan remained in the castle the more uneasy and suspicious he became as he began to realize just how strange and different Dracula was. As the story unfolded, Jonathan realized he is not just a guest, but a prisoner as well. The horror in the novel not only focuses on the “vampiric nature” (Soyokaze), but also on the fear and threat of female sexual expression and aggression in such a conservative Victorian society.
Victorian Women were highly held back in their full potential. Their main role in the household was to “be happy - a sunbeam in the house, making others happy” (Hardy, E.J. 1887). On top of this, Women in the Victorian era were not allowed to display their sexuality or “tempt” men in public; they were meant to be submissive and meek (Causey S., 2008). The Victorian era lasted from 1837 til 1901, with women being punished everyday for crimes that are nowadays just part of living for a woman. Bram Stoker was born during this era and wrote his most famous novel, Dracula (Miller, E. unknown). One of the main discourses in this novel is that of Women and their Morality of the time.
3. Role of women: The role of women in Dracula could possibly be the most important. Comparing Mina to the men in the story, we find little difference. She had just as much bravery and wit as ...
In Bram Stoker’s novel Dracula, Stoker’s use of inverted gender roles allows readers to grasp the sense of obscureness throughout, eventually leading to the reader’s realization that these characters are rather similar to the “monster” which they call Dracula. Despite being in the Victorian era, Stoker’s use of sexuality in the novel contributes to the reasoning of obscureness going against the Victorian morals and values. Throughout the novel the stereotypical roles of the Victorian man and woman are inverted to draw attention to the similarities between Dracula and the characters. Vague to a majority of readers, Bram Stoker uses Dracula as a negative connotation on society being that the values of the Victorian culture are inverted amongst the sexes of characters, thus pointing out the similarities of the characters and the so called “monster” which they call Dracula.
Bram Stoker’s Dracula illustrated fears about sexual women in contrast to the woman who respected and abided by society’s sexual norms. Joseph Sheridan LeFanu’s “Carmilla” represented not only the fear of feminine sexuality, but also the fear of sexuality between women. John William Polidori’s “The Vampyre” showed society’s fear of sexuality in terms of the seductive man who could “ruin” a young girl.These texts are representative of vampire stories in the Victorian Era, and will be the focus here.
The Victorian England setting and culture of “Dracula” by: Bram Stoker attributes to many stylistic components and character behaviours in the novel. One of which is the behaviour and actions characters express that are a result of sexual repression. In Dracula, sexual repression is best expressed by the character’s desire to create. This desire is exemplified by the way Dracula creates other vampires, Lucy’s sexual desires, and the men’s expression of aggression. The creation of other Vampires is evident through events including Dracula’s aggressive encounters with Lucy and Mina, and the fact the Dracula is building up a Vampire army. Lucy’s sexual desires are exemplified through her longing to have sex with multiple men and how she compares
As the saying goes, “Women can do everything Men can do.” In the Gothic Novel Dracula by Bram Stoker, there is a constant theme of sexuality, from both male and females in society. In the Victorian era, the roles of male and females have caused a lot of tension. After reading Dracula, some would argue the roles men and women hold in society. As mentioned in Dr. Seward’s Dairy from Val Halsing., “Ah, that wonderful Madam Mina! She has man’s brain—a brain that a man should have were he much gifted—and a woman’s heart. The good God fashioned her for a purpose, believe me, when He made that so good combination” (Stoker and Hindle, 2003 250). A women’s mind is not the always the first thing on a males mind. Some would overlook what a woman really has to offer.
Conclusively, while Bram Stokers novel Dracula is seen as a gothic and horror story, I argue that it is a novel that seeks to address female sexuality directly. Seen through numerous passages, Stoker confronts and battles the views between sexuality during the Victorian era though his genius of characterization of characters present within the novel. As it seems highly intentional to me, I respect the way in which he criticizes and critiques upon female sexuality by bringing into light new ideas regarding female desires. When contrasting his text upon today’s culture, the differences to how one perceived the vampire has changed significantly.
Stoker uses phenomenal imagery to produce a late nineteenth century setting, located somewhere within eastern Europe. Transylvania, the infamous home to Dracula himself, is described in great detail in Harker’s journal. There, Stoker purposely and meticulously outlines Dracula’s castle and the surrounding town. Stoker manages to do this with a very gothic tone, immediately lowering the societal status of women. In conjunction with Dracula’s gothic tone comes the understanding of male and female traditional roles of the era. The reader sees that there is no hesitation differentiating between the two, as Stoker “ cast[s] men as rational, strong, protective and decisive…[and] women as emotional (irrational), weak, nurturing and submissive.” (Tyson, 82).
Bram Stoker’s novel Dracula, is a highly controversial work of fiction that is still being read for the first time today. Dracula touches many different categories including; sci-fi horror to 1800’s English romance literature. This is the main reason why the novel Dracula can be analyzed in many different ways using many different literary theories. The theory which stuck out most to me while reading this novel was the Feminist Theory. The Feminist Theory cannot be used to analyze Dracula as a whole novel, but it can be used in order to analyze the different female characters throughout the book. Therefore, Bram Stoker’s Dracula can be analyzed through the feminist theory by focusing on the characters Mina Harker, Lucy Westenra, and the three brides of Dracula.
There are a few characters in Dracula that embody society’s views of the time towards the uprising of women for better rights. On the other hand there are also characters that portray the Victorian ideals that men are stronger than women and how it should stay that way. As author Bram Dijkstra mentions in his response essay, “Stokers work demonstrates how thoroughly the war waged by the nineteenth century male culture against the dignity and self -respect of women had been fought”.(Dijkstra , p.460).
Shelley’s use of describing Safie going against the passive role of women compared to Caroline, Justine, and Elizabeth symbolizes how women should have the same rights as men, such as getting an education, working in the medical field, and having their voices heard to others. Without the appearance of women in society, the workforce would be cut in half with men working and earning money for a living, and women taking care of children. Therefore, one should not forget that women are the backbone of our society.