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Bram stoker's dracula good vs evil
Bram stoker's dracula good vs evil
Dracula good vs evil essay ap language
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1. Time: The role of time in Dracula is very important. Looking at life through each person’s eyes makes the whole ordeal seem more realistic. After Jonathan's last entry in Chapter 4, we are left wondering whether he made it out alive or not. The time suspense here draws us in wanting to know more and more. Time’s importance also has to do with occurrences of good versus evil. The evil things always happen at night in the dark, and night has always been represented as a dark, evil concept.
2. Sleep, dreams, and hypnosis: The use of hypnosis in Dracula is simply proving who has the upper-hand in the timeline. Hypnosis directly comes down to manipulating someone for something you want. In the case of Mina in Chapter 21, when the men rush to her aid, they find her in a trance. She wanted to drink his blood under his trance, but as soon as he left her and she left the trance, she was appalled at the idea of it.
The person who control the others is the one who ultimately hold the power. While sleeping or under hypnosis, you have little to no control. When Mina uses her connection to Dracula in Chapter 25, she has some consciousness to her being, but it could be said that she is being dragged further into vampirism by using the connection. The mind is easily manipulated, to put it most delicately. That was Bram Stoker’s whole purpose of using hypnosis and sleep in this novel. People believe that they have self-control over themselves, but it’s not true. Anyone’s mind is easily persuaded and he proves this using Dracula and the doctor.
3. Role of women: The role of women in Dracula could possibly be the most important. Comparing Mina to the men in the story, we find little difference. She had just as much bravery and wit as ...
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... religious novel. The holy wafers and crucifixes symbolize that even when something evil is around; something good can be found to ward it off. Evil does have a counter and that’s what the use of the holy symbols show us. In other words, evil can be avoided through Christianity and through salvation. Touching on salvation, at the end of the novel, when Dracula dies, it is said that he had “a look of peace” (401) suggesting that he got his salvation from his damnation as a vampire and moved on to a happier place rather than being undead.
It could be said that Dracula could be compared to the Devil. He gathers souls of people, and even his appearance is described as dark and ominous. Or instead of the devil, maybe a better comparison would be the anti-christ gathering followers in his blood lust pursuit rathering than following Christ, who shed his blood for us.
In the novel Dracula, by Bram Stoker, there is much evidence of foreshadowing and parallels to other myths. Dracula was not the first story featuring a vampire myth, nor was it the last. Some would even argue that it was not the best. However, it was the most original, using foreshadowing and mood to create horrific imagery, mythical parallels to draw upon a source of superstition, and original narrative elements that make this story unique.
A belief against religion was evil; therefore one who was not devout would be deemed bad or wicked. Dracula, was as evil as a creature gets and a nightmare for the pious; he was a symbol of an Anti-Christ and could even be called Satan. “I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe it was ever there.” (Stoker 24-25).
In a world with ghosts, monsters, demons, and ghouls, there is one being that resonates in everyone’s mind. The idea of these creatures can be found in almost every culture on the planet in one form or another. They prey on the weak and they feast on the blood of their victims. They are compared to a fox for being quick and cunning, but also rather seductive in their nature. With their unholy existence one can only describe them as almost demonic. So what is this horrid creature? Well it is none other than the vampire, a creature as old as time itself. Throughout history there have been many different variations of the vampire, each with their own unique abilities. But one cannot help but mention
The use of hypnotism is extensive throughout the last few chapters of Bram Stoker’s Dracula. Van Helsing places Mina in a hypnotic state or trance numerous times in order to locate Dracula and to learn about his premeditated actions. Stoker’s great use of hypnotism is what leads to Dracula’s destruction in the end. However, what influences Stoker to use hypnotherapy in order to kill off the most important character in his book? Taking a New Historical approach can help a reader understand how Stoker was influenced by his culture to incorporate hypnosis into Dracula and why he chose it as a method for destroying Dracula, while healing Mina.
When we compare the portrayal of characters in the areas of gender, race, and age, we find striking contrasts. In the 1931 version, men's roles are well-defined: they are the protectors. For example, Jonathan hovers over Mina in many scenes, giving us the impression that Mina is a helpless creature. In Coppola's version, Jonathan is by no means a protector. He barely escapes Dracula's castle; Mina has to go to him--to protect him.
“Dracula, in one aspect, is a novel about the types of Victorian women and the representation of them in Victorian English society” (Humphrey). Through Mina, Lucy and the daughters of Dracula, Stoker symbolizes three different types of woman: the pure, the tempted and the impure. “Although Mina and Lucy possess similar qualities there is striking difference between the two” (Humphrey). Mina is the ideal 19th century Victorian woman; she is chaste, loyal and intelligent. On the other hand, Lucy’s ideal Victorian characteristics began to fade as she transformed from human to vampire and eventually those characteristics disappeared altogether. Lucy no longer embodied the Victorian woman and instead, “the swe...
Over the years people have given new out looks on the original vampire, Dracula. He was a tall non-attractive looking man who would never come out during the day. Hollywood however has made new vampire stories such as Twilight, True Blood, and The Vampire Diaries/The Originals that have new ideas of a vampire. These novels/books all have differences, but some still have key characteristics of the original vampire.
Dracula is a mythical creature designed to wreak havoc on the lives of mortals through the terror and intimidation of death by bite. Vampires are undead beings that kill humans for their blood to survive. Human blood is the vampire’s sustenance, and only way of staying alive. Throughout time, humans have come up with ways to repel vampires, such as lighting jack-o-lanterns on All Hallows Eve, placing garlic around the neck, a stake through the heart, sunlight, etc. Both beings have a survival instinct, whether it be hunger or safety, both are strong emotions. In the novel Dracula by Bram Stoker, the characters Lucy, John, and Van Helsing strive for survival, therefore killing Dracula.
In Bram Stoker's Dracula, the most blatant and powerful symbol is blood. He takes the blood that means so much to the believers of this legend and has it represent more than even they could imagine. Blood is the main object associated with vampires and vampirism. From a mythical standpoint, it is the basis of life for the vampires as they feed off of the blood of young, vibrant souls. From a more scientific standpoint blood is what would drip out of the corpse's mouth when family members would dig up their dead kin to check for the dreaded disease. Stoker takes the significance of this symbol and puts his own unique twist to the meaning of blood. He combines the traditional folklore of vampirism and the immense sexual undertones of the Victorian era to create a simply horrific tale which completely confuses the emotions of his readers. Stoker knew bloods importance in vampire history and used the overwhelming symbolism to convey his own personal lust and sexual obsessions. The scenes where Lucy is receiving transfusions; first from Holmwood, then from Seward, and the unforgettable vampire baptism between Dracula and Mina all have these very erotic, sexual feelings associated with them. What makes these so powerful is the combination of violence and sex. As a reader, you know that what Dracula is doing are horrific and wrong, but because they are so sexually described and associated you think you should enjoy them, but you can't. This is the confusion which stoker implements into his readers minds, especially ones of the Victorian era. This is why stoker used blood as the most important symbol in the novel; to create an intense horror that was not just in the words of the book, but in the minds of the reader.
The vampire, or monster, could be seen as the unfavorable downturn in social status. The trust that the family put into Dracula only to be betrayed by him could be looked at as fraud. The hypothetical of what Dracula stands for, being the lower class, tricks the high class family into believing he is higher class than he really is. This makes him the villain. It also means that he needs to be outed for what is really is.
Evil features in both ‘Dracula’ and ‘Frankenstein’ but the personification of this evil is different in both novels. A feeling of menace and doom pervades ‘Dracula’ because of his supernatural powers. One feels that he has control of the evil and he has the power to manipulate the environment and people for his own ends. ‘Frankenstein’ centres on the creation of a monster made from parts of dead bodies and the fear created by the monster due to circumstance and the ignorance of society. Also, one feels a certain amount of apprehension that the monster is deserted by his creator and loses control without his support and guidance.
In the book, Dracula by Bram Stoker there are many characters that display qualities of good verse evil. The Count Dracula is a mysterious character who appears as an odd gentleman but the longer the story goes on Dracula shows his true self. Dracula started infiltrating the lives of anyone who crossed his path and he was not stopping his destruction of others’ lives. Many people were affect by Dracula’s actions but there were two people that Dracula caused an impact on during his rampage. Dracula is an evil, cunning, and selfish character who harms the life of a young man and ruins the future of an innocent woman.
The “Otherness” Dracula possesses reinforces our own norms and beliefs through his transgression that separates him from society and the polarity to Western norms and ideals makes him an effective device for extorting revulsion and horror. Stoker’s novel employs Gothic tradition, providing “the principle embodiments and evocations of cultural anxieties” from which the very Gothic mood and horror is produced, establishing the baseline used to distinguish the modern vampires, as part of vampire mythology within the Gothic (Botting Aftergothic 280). Differences Between Dracula and Twilight The similarities between the two novels are namely Gothic imagery and theme, but the Gothic mood predominates in Dracula over Twilight and it is this difference that makes Twilight not belong in the vampire canon. Horror is the element that Dracula possesses that Edward does not, and it is crucial in the interplay between transgression and limit.
The connection is made when Dracula sees a picture of Mina while Jonathan is held up in Dracula’s castle in Transylvania. With Jonathan trapped Dracula and Mina become quite close and go as far as to fall in love with each other. Throughout the novel, there is no love connection between Dracula and Mina and the only relation they encounter is as he attempts to seduce her to her death in spite of the men meddling with his plans of destruction. In the novel Mina resented Dracula for what he had done to her good friend Lucy Westenra. (Stoker Dracula) (Coppola "Bram Stoker 's Dracula")
An Atmosphere of Fear and Horror in the Opening Chapter of Dracula by Bram Stoker