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Importance of technical theatre
Technical theatre essays
Technical theatre essays
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Role Research
When I first received the role of light board operator, I thought that I would be only controlling the spotlights and stage lights. Through my research, I found out that my job scope involved operating the light control board, learning about the various types of lighting instruments and their uses as well as working together with the lighting designer, director and the director to interpret their creative vision into the lighting design. However, my final role as Lights and Sounds coordinator meant that I had to cue both lights and sounds. Initially, I believed that technical jargon such as “animations”, “back projection” and “automated fixture” would be used. However, the technical jargon used in my role was relatively simple,
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My research led me to believe that my role in Lights and Sounds department would be an easy one. After the production, I understood that my role was both demanding and difficult. Although it may seem as if the members of the technical theatre do not do anything of significance, this observation is not true as everyone, regardless of their roles, had to contribute equally to the production. Before the production of my class play, I had taken part in another production where the Lights and Sounds Department had done their part unskillfully. This experience led me to believe that if any slip-ups were to occur, I would ultimately be blamed as I was in-charge of coordinating both the light and sound cues. However during the play, the window of the control room was opened and as such the operators of the light and sounds boards were able to witness the production. Thus, I did not have to cue the cues at all. The presence of both the stage manager and the director made my role less effective as I did not have to cue any cues. However, I stood outside of the control room and was able to listen to give advice to the sound operators. I think I did poorly as the other aspects of my duties had been removed. If given a second chance, I would have definitely attended the lights and sounds briefing. If so, my role would not have been reassigned and I would have contributed more to the class. One obstacle my group faced was overstaffing. Our classmates felt that the lights and sounds should be bigger and assigned 6 students. Later, they realized the problem and Yuxuan and I were reassigned to other roles within the department. However, these roles were not well-defined and it reduced our contribution to the production. Through the Drama Challenge process, I learnt that drama and the process of drama-making is an extremely difficult
The play that we read for this unit is Too Much Punch For Judy, by Mark Wheeller. It is a form of Verbatim Theatre, meaning that it is based on the spoken words of real people. This play is about the story of a young woman who kills her sister in an alcohol related accident. When I first read the play I couldn’t empathize with the story as I haven’t experienced such a shocking event before. In this essay I will describe, analyse and evaluate both my work and the work of other actors in my group, focusing on the mediums, elements and explorative strategies of Drama.
Woolway, Joanne. Drama for Students. Eds. David Galens and Lynn M. Spampinato. Vol. 1. Detroit: Gale, 1998. 292-94. Print.
Olive, David. "Possibilities of Performance: New Ways of Teaching Dramatic Literature." Links & Letters 2 (1995): 9-17. UAB Digital Repository of Documents. Web. 30 Mar. 2012.
Galens, David, and Lynn M. Spampinato, eds. Drama for Students. Vol. 2. Detroit: Gale, 1998. Print.
DRAMA OFTEN EXAMINES THE WAYS INDIVIDUALS STRUGGLE TO DOMINATE AND/OR MINIPULATE EACH OTHER. DISCUSS THE TECHNIQUES USED IN ONE OR MORE PLAYS, WHICH DRAW OUT ATTENTION TO THE POWER SHIFTS BWTWEEN CHARACTERS.
Drama: A Definition and an Estimate, Cornell University Press, 1953, pp. 104-34. Rpt. In CLC, vol. 30. Ed. Jean C. Stine, Daniel G. Marowski. Detroit: Gale Research Co., 1984. Print
Thad Engle (Technical Director)has been taking things apart and building/rebuilding them since he was a child. An interest in theater found Thad building scenery and technical directing in high school, and it has been a passion ever since. Thad has worked for American Stage Theater, freeFall Theater Company, Stageworks, The Theater School DePaul University, Round Barn Theater and HSN. He is very happy to be back in education and working with these great students.
The process of role development goes beyond networking and taking on a new role as an APN. According to Brykczynski’s study of clinical nurse specialists, role development involves a complete makeover of one’s professional identity and the ability to integrate the seven core advanced practice competencies.1 New graduate APNs go through phases during their transitioning period, from a registered nurse to an APN; these phases include orientation, frustration, implementation, integration, frozen, reorganization and complant.2
” Drama for Students. Ed. Anne Marie Hacht. Vol. 21.
This professional use of acting skills reinforces the dramatic meaning of the production. The successful use of acting skills assists the exploration of how communities and families deal with upheaval and how we strive to
Holism is the epicenter of Ericson, Tomlin and Swain’s theory of Modeling and Role-Modeling. A newer theory development in nursing, published in 1983 has been integrated into many different university nursing programs as well as in clinical settings (Marriner-Tomey & Alligood, 2006). The theory while simple in concept has a complex combination of other well-known theories in psychology. The theory integrates Abraham Maslow’s higharchy of needs, Erik Erickson’s stages of psychosocial development, Jean Piaget’s cognitive development theory, and Selye and Engle stress response theory (Marriner-Tomey & Alligood, 2006). These theories cover the internal aspect of the person, which Ericson, Tomlin and Swain deemed necessary in treatment of the whole patient.
In this paper, I will be focusing briefly on my knowledge and understanding of the concept of Applied theatre and one of its theatre form, which is Theatre in Education. The term Applied Theatre is a broad range of dramatic activity carried out by a crowd of diverse bodies and groups.
Drama is one genre in Literature whose functionality in society cannot be under estimated. It is an active and practical genre because; there is harmony and a practical relationship between the audience and the dramatis personae. It thus imitates its society at best. From this, it is difficult to separate drama from politics; politics being a science that deals with the state and the condition of the human society.
Historically, drama, and indeed all areas of the arts, have been seen to make an unimportant contribution to society as a whole. As recently as the mid to late 20th century, the arts were seen as a luxury, and a purely leisure exercise or hobby, with only gifted children having access to classically defined art forms such as music or art. This ideology still exists in some form today, although the arts are beginning to be recognised as an integral part of our everyday and working lives. Many drama practitioners and educators consider the arts to be a growing power within the economy, and that drama has benefits to society, culture, and a person’s inner development. These benefits have shaped the incorporation and delivery of drama within Queensland schools. This essay will examine how, by teachers delivering a rich aesthetic experience to students through drama in schools, students are provided with opportunities to develop self identity and equipping them with a skill set that is transferable across a variety of learning areas.
In this essay the following aspects will be discussed: Firstly, I will highlight the importance of drama in the literature classroom, and how successful the method is used. Secondly, I will look at different advantages and disadvantages of drama as medium of teaching. Thirdly, the responsibility of the teacher concerning the design of activities will be discussed and lastly I will draw a conclusion to what I have learned throughout my three years as a future English teacher.