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"I became insane with long intervals of horrible sanity". To what extent can it be argued that torture and insanity are integral elements of The Prussian Officer, The Pit and the Pendulum and The Tell-Tale Heart?
Insanity could be defined as “the state of being mentally ill; madness”, thus it is no surprise that writers such as Edgar Allan Poe and D. H. Lawrence beauteously integrated aspects of insanity into their stories in order to chisel the perfect piece of gothic literature, simultaneously luring the reader in to a world carved by madness and drowned in an eerie atmosphere. Portraying one as insane is a powerful gothic literary device that has been used throughout the era of the gothic, notably in Matthew Lewis' “The
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Since the alleged first gothic novel, The Castle of Otranto, the human body has been a prominent topic of uncertainty, disruption and transgression, such qualities becoming magnified throughout the texts in question, with torture further enhancing the insanity. Those who enforce torturous acts upon the innocent clearly have a degree of insanity whether it be major or minor. The narrator of “The Tell-Tale Heart” provides a fine example for such an analogy as he takes pleasure from psychologically tormenting the old man, evident when he says “it was the beating of the old man's heart. It increased my fury, as the beating of a drum stimulates the soldier into courage.” That the narrator can hear the beating of the old man’s heart suggests the stress and psychological torture that has been inflicted upon him and becomes an inevitable part of his “downfall” due the heart’s weakening. This is further supported as it is clear that “the old man's terror must have been extreme” as the heart beat “grew louder…louder every moment”. However, the beating could also be expressed in a metaphorical sense; a sign of the protagonist’s guilt or, in contrast, his desire to kill, the heartbeat representing his mind encouraging him. The narrator not only lures the old man into psychological torture, but also physical during and after the inhumane murder. The way in which he “dragged him to the floor, and pulled the heavy bed over him” and afterwards “dismembered the corpse” and “cut off the head and the arms and the legs” conveys the idea that torture is a vital component of gothic texts in order to create a sense of terror, despair and disbelief for the reader. This also reinforces the idea of the body being an integral topic of focus within
Suddenly there is something unknown in the plot and the ending of the story becomes less apparent. In “The Tell-Tale Heart”, the reader is not sure wheter or not the narrator will actually kill the man, or if he happens to be caught murdering. The narrator claims not to be mad, yet he still commits acts of terror towards others. This is an example of how mystery in gothic literature can make the feeler feel anxious. “The hellish tattoo of the heart increased.
The “Tell-Tale Heart” is a short story written by Edgar Allan Poe and serves as a testament to Poe’s ability to convey mental disability in an entertaining way. The story revolves around the unnamed narrator and old man, and the narrator’s desire to kill the old man for reasons that seem unexplainable and insane. After taking a more critical approach, it is evident that Poe’s story is a psychological tale of inner turmoil.
The Tell-Tale Heart is one of Edgar Allan Poe’s shortest of short stories; it is both a convoluted and equivocal explanation of a madman’s paranoia resulting in what he considers to be a fully rational murder. This piece contains very little dialogue between the characters, yet the narrators voice is disproportionately strong and ostensible. Throughout the story, the narrator attempts to persuade the audience into believing that his is not insane by justifying his irrational behavior, through the use of symbolism and language. Although under dissimilar circumstances, Poe utilizes this technique in a number of his works, John P. Hussey remarks, “Poe created a series of rhetorical characters who try to persuade and guide the readers to particular ends.” (Zimmerman, Rhetoric & Style). While Poe
If someone makes a bad choice, does it matter if they are sane or insane? It depends on the evidence and how the reader portrays the definition of "sane"in the Tell Tale Heart. The narrator’s emotions are appropriate for his given situations. Some would say that being sane is to "normal" and everyone can be "normal" being insane is the only reason why he killed the old man. How could he be insane if he did so many sane and normal things? The narrator in Tell Tale Heart is sane, he took the time and effort to kill the old man.
Every once in awhile, a case comes about in which the defendant confesses to a crime, but the defense tries to argue that at the time the defendant was not sane. This case is no different; the court knows the defendant is guilty the only aspect they are unsure about is the punishment this murderer should receive. The State is pushing for a jail sentence and strongly believes that the defendant was sane at the time of the murder. It is nearly impossible for the defense to prove their evidence burden of 51%. The State claims that the defendant was criminally responsible at the time of the murder. By using excessive exaggeration, premeditation and motive, the Prosecution will prove that the defendant knew exactly what he was doing and how wrong it was.
In Edgar Allen Poe’s classic short story, “The Tell-Tale Heart,” an impression of apprehension is established through the fear-induced monologue of an unknown narrator. Right from the beginning of this short story, Poe prepares the reader for a horrific tale by way of the narrator admitting to the audience that he has, “made up my mind to take the life of the old man” (41). The narrator not only admits to this heinous crime, he proclaims that he had done so out of complete ‘sanity’ and proceeds to inform the audience, “and observe how healthily --how calmly I can tell you the whole story” (41), as he feels this will justify his atrocious crime. The narrator’s assurance of sanity is swiftly demolished as their mania takes control of the way they explain their actions. This obvious foreshadowing forces the audience to surpass the dreadful details and look for the remarkable facets of Poe’s short story allowing the setting of the
When he finally succeeded in murdering the old man he became glorified, thinking about how cleverly he accomplished his goal. However, the unsuspecting behaviour in front of the policeman, suggests that the narrator became ignorant of his behaviour and surrounding. This is because he cannot tell the difference between reality and his inner thoughts. He presumes that he has correctly and reasonably explained all the events of the story in a typical manner. Furthermore, he thinks the police officers and the neighbours hear the heart beating through the walls. Instead, it’s all in his mind because the heartbeat would only be heard when the narrator was in stress. This relinquishes us a clue that the heartbeat was a symbol of agony to him. The sound in the last few paragraphs of the short story is noticeable as an increase in sound. In the short story it states, (Poe, pg 106) “The ringing became more...it continued and became more distinct”. The increase of the beating is emphasized repeatedly. His repetition of the word “louder” echoes the sound of the heart beat. Finally, he shouts out his confession. (Poe, pg 106) “ I admit the deed!...here, here! --it is the beating of his hideous heart!” The main point is the narrator couldn’t distinguish whether this was reality or his inner thoughts. Only the narrator could hear the heartbeat, therefore this specific reasoning makes him
The narrator thinks that if a murder is carefully planned, then the murderer is not insane. Also, the narrator claims he suffers from acuteness of the senses. Regarding the sound of the old man's beating heart, the narrator says, "And now have I not told you that what you mistake for madness is but over-acuteness of the senses? --now, I say, there came to my ears a low dull, quick sound, such as a watch makes when enveloped in cotton". The narrator claims he is not imagining the sound, but he is hearing it because his senses are so sharp.
Many people who have read “The Tell Tale Heart,” argue whether or not the narrator is sane or insane. Throughout this paper I have mentioned the main reasons for the narrator being sane. The narrator experienced guilt, he also was very wary executing the plan, and the intelligence level of his plan to murder the old
Tell-Tale Heart is a short story by Edgar Allen Poe. The entire story is a confession of a brutal murder with no rational motive. The narrator repeatedly tries to convince the audience he hasn’t gone mad though his actions prove otherwise. To him his nervousness sharpens his senses and allows him to hear things from heaven Earth and hell. The narrator planned to kill his roommate whom had never wronged him and had loved dearly because he felt his pale blue eye was tormenting him. The narrator claims “his eye resembles that of a vulture.” The madman then goes on to explain how when the eye is on him his blood turns cold, and he has to get rid of the eye forever. He sneaks into his roommate’s room for seven nights at midnights and shines a beam of light from a lantern over the eye to find it closed. On the eighth night he repeats the same steps to find that this time the eye is open! The roommate senses someone’s presence and is alarmed. The narrator says that he knew his roommate was frightened because he could hear his heartbeat and had recognized that feeling of being scared. The narrator then attacks the man pushes him onto the floor and tosses the bed on top of him and kills him instantly. The narrator dismembers the body and places the pieces under the floorboards of the house. While doing this he’s amused with himself and what he has done. Moments later the police knock on the door because a neighbor has complained about the noise and heard someone shriek. The narrator says the shrieks came from him, but calmly assist the policemen inside to check for themselves. He hears a faint heartbeat. When they find nothing wrong with the scene, they all pull up chairs and converse. The longer they sit around the louder the heartbeat gr...
Poe writes “The Tell Tale Heart” from the perspective of the murderer of the old man. When an author creates a situation where the central character tells his own account, the overall impact of the story is heightened. The narrator, in this story, adds to the overall effect of horror by continually stressing to the reader that he or she is not mad, and tries to convince us of that fact by how carefully this brutal crime was planned and executed. The point of view helps communicate that the theme is madness to the audience because from the beginning the narrator uses repetition, onomatopoeias, similes, hyperboles, metaphors and irony.
In “The Tell Tale Heart” Edgar Allan Poe builds up suspense by guiding us through the darkness that dwells inside his character’s heart and mind. Poe masterfully demonstrates the theme of guilt and its relationship to the narrator’s madness. In this classic gothic tale, guilt is not simply present in the insistently beating heart. It insinuates itself earlier in the story through the old man’s eye and slowly takes over the theme without remorse. Through his writing, Poe directly attributes the narrator’s guilt to his inability to admit his illness and offers his obsession with imaginary events - The eye’s ability to see inside his soul and the sound of a beating heart- as plausible causes for the madness that plagues him. After reading the story, the audience is left wondering whether the guilt created the madness, or vice versa.
In Edgar Allan Poe’s “The Tell-Tale Heart” the narrator attempts to assert his sanity while describing a murder he carefully planned and executed. Despite his claims that he is not mad, it is very obvious that his actions are a result of his mental disorder. Hollie Pritchard writes in her article, “it has been suggested that it is not the idea but the form of his madness that is of importance to the story” (144). There is evidence in the text to support that the narrator suffers from paranoid schizophrenia and was experiencing the active phase of said disease when the murder happened. The narrator’s actions in “The Tell-Tale Heart” are a result of him succumbing to his paranoid schizophrenia.
In the “Tell-Tale Heart” by Edgar Allan Poe, the narrator is extremely uncanny due to the reader’s inability to trust him. Right from the beggining the reader can tell that the narrator is crazy although the narrator does proclaim that he is sane. Since a person cannot trust a crazy person, the narrator himself is unreliable and therefore uncanny. Also as the story progress the narrator falls deeper and deeper into lunacy making him more and more unreliable, until the end of the story where the narrator gives in to his insanity, and the reader loses all ability to believe him.
The behavior of the narrator in The Tell-Tale heart demonstrate characteristic that are associated with people with obsessive-compulsive disorder and paranoid schizophrenia . When Poe wrote this story in 1843 obsessive-compulsive disorder and paranoia had not been discovered. However in modern times the characteristics demonstrated by the narrator leads people to believe that he has a mental illness. Poe’s narrator demonstrates classic signs throughout the story leading the reader to believe that this character is mad