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Summary of antigone sophocles
Essay on Sophocles's Antigone
Essay on Sophocles's Antigone
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Alas , it seems you’ve learn to see what’s right - but far too late” ( 1415- 1416). Creon directly cause the deaths of multiple characters within the play. Creon's actions furnish the tragic vision that the author wants to achieves within the play In Antigone by Sophocles, the author uses the antagonist, Creon, as an instrument of suffering who causes the death of Antigone, Haemon, and Eurydice even though Creon attempted to mend his sins by deciding to free Antigone, his endeavors fell short resulting in the play’s tragic vision.
To begin with in Antigone, King Creon is a harbinger of tragedy. Creon directly cause the deaths of multiple characters within the play. In the text Creon says “ then go down to the dead. If you must love,
love them. No woman's going to gover me - no, no - not while i’m still alive”. (line 599- 601) the real reason that Creon sentenced Antigone to death was because of his pride. Creon put his ego before the bride of his son. Sophocles uses the egotistical characteristics as a mechanism of disaster contributing to the tragic aspect of the play. Also, during a conversation between Creon and Haemon , Haemon states “ the she’ll die- and in her death she will kill someone else.’’ (line 859). As a direct result of Creon’s decision to punish Antigone to death, he he becomes responsible for the death of his own son. The authors use Creon unwillingness to adapt as a direct source of tragedy. If Creon had simply not been so stubborn both Haemon and Antigone would be alive and they play would not have a tragic ending that does. Creon realized his wrongs to late even though he tried to free Antigone and take his son's advice he was too late In additions, Creon eventually realizes the fault of his decisions but not soon enough. In the play Creon state “ mistakes made by a foolish mind, cruel mistakes that bring on death. You see us here , all in one family- the killer and the killed. Oh the profanity of what i planned. Alas, my son, you died so young- a death before your time. Aaiii… aaiii… you're dead … gone- not your own foolishness but mine” ( Lines 1406- 1414) Creon not only realizes the awful series of events he caused he also takes responsibility for them. Creon loses everything that is important him, his wife and his son, all because of mistakes he made. After discovering that his wife committed suicide Creon claims “ Alas for me.., the guilt for all of this is mine- it can never be removed from or passed to any other mortal man. I and I alone … I murdered you… I speak the truth”. All of the catastrophic events and suffering of the characters that occur during the play are ripple effects of the way that Sophocles manipulates Creon's role in the play . In conclusion, Creon's part in the play is a main source of suffering that the authors draws from to create the tragic concepts of the play. The irony that falls upon Creon is the ultimate tragedy that a person can suffer. Sophocles turns Creon from the antagonist to the tragic hero of the play.
Throughout the story of Antigone, particularly the end, Creon proposes the bad-boy in control personality. He acts as the ruler he is and puts his power to work. He fears nothing unless his family is involved. He has no mercy when it comes to the law. Additionally, he is greatly affected by the environment he creates around himself.
Creon’s hubris is the strongest case that can be made about Creon being the most tragic character in Antigone. For example, Creon says,”Am I to rule this land at someone else’s whim or by myself?”(Antigone 835-836). This is truly a profound statement that reflects Creon’s excessive self-pride; moreover, Creon refuses to listen to Haemon, the Chorus at some points, and even Theresias for while. Furthermore, Creon refuses to acknowledge that he has done wrong of any kind, and this eventually leads to the death of his entire family. In conclusion, this is why Creon is the most tragic character in this play.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
Wiz Khalifa once said, “Never make permanent decisions on temporary feelings.” Some students may believe that Antigone was the tragic hero in the story, but the real tragic hero is actually Creon for many reasons. Some describe a tragic hero by whether they are heroic or born into nobility, but in the story he is portrayed as the antagonist. In the novel, “Antigone” written by Sophocles, Creon becomes the tragic hero by forbidding the burial of Polyneices, imprisoning Antigone for his own good and believing that he is the only one that can control the law.
In the play Antigone, I choose Creon to be the tragic hero because he is the King of Thebes and he looses everything he has. Creon being King makes the audience believe that something like that can happen to the King then what can happen to us. Antigone the niece of Creon, The sister of Polyneices was punished by Creon for burying Polyneces after his death, Creon has forbidden anybody to do so. Once Creon punished Antigone the blind prophet Teiresias told him that the Gods will take revenge for his actions, then Creon tried to change everything but he is too late. Creon's tragic flaws were his stubbornness, the abuse of power and the actions he took to cause the downfall of the Thebes.
Furthermore, Creon is loyal to the state because he follows its laws. When he finds out that his niece, Antigone, is the one who disobeyed his authority and buried Polynices, he follows the law and orders to have her stoned even though she is part of his family and was soon to be married to his son, Haemon. Although it could be argued that Creon did go against his decree and changed his heart later in the play, he was too late because Antigone hangs herself and the consequences of his loyalty to the law had already taken effect.
Creon, the king of Thebes, was compelled to witness the death of all his family members, simply because of his one oafish decision. The almighty king of Thebes watched the downfall of all of his beloved ones, right before he had the opportunity to prevent it. Antigone, by Sophocles, portrays the courageous deeds of the female heroine, Antigone. Throughout the play, Antigone attempts to avenge her brother, but confronts a series of difficult obstacles, laid out by her uncle, Creon, the antagonist. Antigone, feeling excessively depressed about her life, ends up committing suicide, which leads to a series of events that actually causes the downfall of Creon. Her suicide leads to the death of Creon’s beloved ones, Haemon and Eurydice. Creon ought
Attitude is everything. In Antigone by Sophocles, one of the characters makes the remark, “Think all men make mistakes, but a good man yields when he knows his course is wrong, and repairs the evil. The only crime is pride” (line 34-36 scene 5). Pride is being shown in many ways throughout the play. Sophocles emphasizes different ironies to bring out Antigone’s arrogance. Creon’s intelligence, but also to show his irresponsibility and foolishness.
Antigone’s strength allows her to defend her brother’s honor against Creon, who wants to make a statement about traitors. However, both Antigone and King Creon commit faults while trying to protect the things they love. Antigone should not have died for her beliefs as it puts her loved ones and community in danger, and Creon should not have forbidden the burial of Polyneices as it angers the Gods and causes him great suffering in the end.
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
Antigone, although it concerns the last events in the mythic history of the family, was the first of three plays to be written. In it certain elements of the plot seem to indicate that Sophocles, was still imitating the works of the previous Aeschylus. For instance, both Antigone and Creon find themselves caught in a "double bind," a situation in which they are doomed no matter which course of action they choose. Although Antigone suffers because she violates the law of Creon by burying her brother Polyneices, she would have neglected her religious duty had she left him unburied. Creon suffers because he regards his will as more important than the demands of the gods, although political pressures drives him to punish the traitor of his city.
Everybody makes mistakes, it’s just a part of being human and nobody is perfect so if we learn from our mistakes we can help to make this world so much better. In the play Antigone there is no exception to this, and we can see all of the characters making mistakes that lead to bigger problems in the future. But as the play progresses we can see the characters realizing that even though they tried their best they did something wrong and it needs to be fixed. Creon is a perfect example of this, because he has the best intentions at the beginning of the play but as it goes on he realizes his decisions although well intended we're not the best they could be and they need to be changed. But Creon realizes this fact to late and ends up receiving
One example is when Creon ignores his son’s, Haemon, warnings against the dangers of his action and says to Haemon “you’ll pay- / taunting, insulting me! Bring her out, / that hateful-she’ll die now, here, / in front of his eyes, beside her groom!” (Sophocles 851-854). With Creon’s decision to kill Antigone, it causes a chain of death; first starting with Haemon’s death, followed by the death of Creon’s wife, Eurydice, and finally ending with Antigone’s death. Even so, Creon still takes pride over his decision and condemns those who defy his laws. At this point, Creon creates his own downfall and displays himself as a cruel person without mercy. By stating “Go down below and love, / if love you must-love the
Antigone if she is caught. As the play moves on there is a building of this fear and pity that is felt for many of the characters that finally is resolved at the catastrophe. At that point the reader learns that Creon, the king, has lost his wife, his son, and his niece Antigone, all because he was too stubborn to give in as well as to afraid that if he did give in that he would be judged as an easy king. In a way this ending brings the two emotions together. The reader feels pity for Creon because of his great loss, but at the same time he feels a bit of fear because he wouldn’t want this type of tragedy to ever occur in his life.
...e to help Antigone. This play shows how passionately Creon tried to help Antigone overcome her problems. His wise self-controlling behavior lets him deal with this matter reasonably avoiding death and executions. Anouilh's version shows compassionate king who "loved other things in life more than power" (pg. 712) but considered it cowardness to deny the throne. Those qualities make Creon a positive character of the play and Anouilh succeeds in presenting a model king not changing the historical events of the myth.