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Creon, the king of Thebes, was compelled to witness the death of all his family members, simply because of his one oafish decision. The almighty king of Thebes watched the downfall of all of his beloved ones, right before he had the opportunity to prevent it. Antigone, by Sophocles, portrays the courageous deeds of the female heroine, Antigone. Throughout the play, Antigone attempts to avenge her brother, but confronts a series of difficult obstacles, laid out by her uncle, Creon, the antagonist. Antigone, feeling excessively depressed about her life, ends up committing suicide, which leads to a series of events that actually causes the downfall of Creon. Her suicide leads to the death of Creon’s beloved ones, Haemon and Eurydice. Creon ought …show more content…
“No, no, harbor of Death, so choked, so hard to cleanse! - Why me? Why are you killing me? Herald of pain, more words, more grief? I died once, you killed me again and again” (Sophocles 125)! As portrayed in this quote, Creon is confronted by great shock and displeasure, upon realizing these two unfortunate events. Creon feels overburdened with pain and sadness, and in this case, he greatly resembles Oedipus. After this series of unfortunate events, he is now incapable of handling this burden of sadness. “Oh the dread, I shudder with dread! Why not kill me too? – Run me through with a good sharp sword? Oh god, the misery, anguish- I, I’m churning with it, going under” (Sophocles 126). Creon is clearly in deep state of anguish and misery, for he now no longer wishes to live. Creon had to confront much more horrific incidents than the events that Antigone had to face. Creon didn’t just lose one family member; he lost all of them. Thus, the loss of his beloved ones is the leading reason for why he is much more miserable than Antigone …show more content…
“Now- I’m on my way! Come, each of you, take up axes, make for the high ground, over there, quickly! I and my better judgement have come round to this- I shackled her, I’ll set her free myself. I am afraid… It’s best to keep the established laws to the very day we lie” (Sophocles 117). Ironically, shortly after this decision was made, Antigone, Haemon, and Eurydice all commit suicide, due to his oafish decision. He made up his mind to set his past wrongdoing right, but unfortunately the gods refused to cooperate with him. Finally, his idiotic decision led to this turmoil in the first place. Although he committed only a single wrong action, he was still severely punished. “Ohhh, so senseless, so insane… my crimes, my stubborn, deadly- Look at us, the killer, the killed, father and son, the same blood- the misery! My plans, my mad fanatic heart, my son, cut off so young! Ai, dead, lost to the world, not through your stupidity, no, my own” (Sophocles 124). As Creon came to realize his wrongdoing, he becomes overwhelmed with guilt. The gods punished him, due to his stubborn decision. Therefore, since the gods punished him for only one wrongdoing, Creon must be considered as a tragic
Creon’s hubris is the strongest case that can be made about Creon being the most tragic character in Antigone. For example, Creon says,”Am I to rule this land at someone else’s whim or by myself?”(Antigone 835-836). This is truly a profound statement that reflects Creon’s excessive self-pride; moreover, Creon refuses to listen to Haemon, the Chorus at some points, and even Theresias for while. Furthermore, Creon refuses to acknowledge that he has done wrong of any kind, and this eventually leads to the death of his entire family. In conclusion, this is why Creon is the most tragic character in this play.
In the beginning of the play Creon is portrayed as King and a leader unwilling to bend the rules in order to protect the city. The way Creon responds to Antigone, “While I’m alive, no woman is going to lord over me”, shows he is stubborn and also his pride. (593-594) While the play continues Creon’s pride grows, and he thinks he can never be wrong and punishes Antigone by locking her up in a cave. However, things turn a different way when the Prophet tells Creon that he must free Antigone or face the wrath of Gods. After hearing this Creon changes his mind, “I shackled her, I’ll set her free myself. I am afraid it’s best to keep the established laws…” (1236-1238) But, as Creon tries to set Antigone free, he is faced with suicides of Antigone and Haemon, and followed by the suicide of his wife, Eurydice. This moment in the play serves as the downfall of Creon. But unlike Antigone, Creon reaches anagnorisis, which is the moment in the play when the tragic character realizes his hubris has led to his downfall. “And the guilt is all mine- can never be fixed…god help me, I admit all!”(1441-1445) Ultimately, Creon is more of a proper tragic character than Antigone because of he has an epiphany, a moment when he realizes his hubris has caused conflicts and deaths in the
Similarly to Antigone, he faced a great deal of hardship as well. After Antigone committed suicide, so did Haimon, which led Eurydice, Creon’s wife, to kill herself too after finding out the horrendous news. This is considered a tragedy because he lost his family which is a devastating thing to experience. Starting out, Creon didn’t listen to Antigone since he didn’t approve of burying Polyneices. He told the servants: “Take her, go! You know your orders: take her to the vault and leave her alone there. And if she lives or dies, that’s her affair, not ours: our hands are clean” (4, 710-713). Creon felt no need to even consider acknowledging Antigone’s point of view because he was too furious that she went behind his back and somewhat buried Polyneices. So instead of trying to understand her perspective, he just commanded the servants to take Antigone to her “dungeon.” Failing to recognize her opinion and not coming to a compromise, allowed the tragedies to later occur: Antigone committing suicide, along with Haimon and Eurydice. When discussing with the blind prophet, Tiresias, about Creon’s refusal to bury Polynices and his punishment of Antigone, he tells him, “Do what you will, go into business, make money, speculate in India gold or that synthetic gold from Sardis, get rich otherwise than by my consent to bury him” (4, 820-822). Tiresias told King Creon that the Gods will put
...ut her son’s death, she goes and slits her throat. Creon then feels Antigone’s direct action when he is all alone at the end of the play. His edict caused so much pain in suffering for his family, he led them all to suicide.
The Deaths of Antigone and Creon Antigone and Creon are the main characters of the play Antigone written by Sophocles. Antigone is the daughter of Oedipus, who was a major figure in ancient Greek myth. Oedipus accidentally killed his father and married his mother. Because of that act, Oedipus ended up cursing his family and died a horrible death. After his death, his sons inherited his kingdom and in a power struggle ended up killing each other.
In the Antigone, unlike the Oedipus Tyrannus, paradoxically, the hero who is left in agony at the end of the play is not the title role. Instead King Creon, the newly appointed and tyrannical ruler, is left all alone in his empty palace with his wife's corpse in his hands, having just seen the suicide of his son. However, despite this pitiable fate for the character, his actions and behavior earlier in the play leave the final scene evoking more satisfaction than pity at his torment. The way the martyr Antigone went against the King and the city of Thebes was not entirely honorable or without ulterior motives of fulfilling pious concerns but it is difficult to lose sight of the fact that this passionate and pious young woman was condemned to living imprisonment.
When Creon’s wife, Eurydice, finds out that her son is dead she kills herself. Creon's downfall started when Antigone choose to hang herself. “ You will not see the sun race through its cycle many times before you lose a child of your own loins, a corpse in payment for these corpses. You’ve thrown down to those below someone from up above-in your arrogance you’ve moved a living soul into a grave, leaving here a body owned by the gods below- unburied, dispossessed, unsanctified. That's no concern of yours or gods above. In this you violate the ones below. And so destroying avengers wait for you, Furies of Hades and the gods, Who’ll see you caught up in this very wickedness (1194-1205).” This quote explains that in view of the unnecessary death of Antigone he will meet his demise. This man predicts that he would lose his
After being locked up in a dark, damp cave, Antigone was fed up with wallowing in her own pity, and takes her own life by “hang[ing] by the neck in a fine linen noose, strangled in her veils,” (1347–1348). Seeing the graceful young woman embraced in the arms of his own son, Creon immediately swells with anger towards un-masculine Haemon because of his display of love, and the significance of Antigone’s death goes straight over his head. Her strong sense of self – knowing who she is, what she values, and what makes her happy – enables her to make regretless decisions that alter her time to come. One of those decisions instigated Haemon’s fate to be sealed as well, prompting Eurydice, mother of the prince, to join her son in the underworld. Not long after becoming aware of her child’s downfall, Eurydice sacrifices her life at the heart of the palace, and “raised a cry for the noble fate of Megareus, the hero killed in the first assault, then for Haemon, then with her dying breath she called down torments on [Creon’s] head–[Creon] killed her sons,” (1429–1432). Creon’s heart fills with grief, for the fault of these three deaths lies with him, and pathetic self-pities are the only thoughts running through his mind. Despite the three-deceased’s blood lying
Antigone, as a character, is extremely strong-willed and loyal to her faith. Creon is similarly loyal, but rather to his homeland, the city of Thebes, instead of the gods. Both characters are dedicated to a fault, a certain stubbornness that effectively blinds them from the repercussions of their actions. Preceding the story, Antigone has been left to deal with the burden of her parents’ and both her brothers’ deaths. Merely a young child, intense grief is to be expected; however, Antigone’s emotional state is portrayed as frivolous when it leads her to directly disobey Creon’s orders. She buries her brother Polynices because of her obedience to family and to the gods, claiming to follow “the gods’ unfailing, unwritten laws” (Sophocles 456-457). CONTINUE
In the book Antigone, Creon and Antigone can be considered as the tragic heroes of the play. Antigone is considered the tragic hero because of the characteristics she shows such as her ambition to defeat Creon, Creon shows more of the characteristics clearly. Creon is the king of Thebes. He is also Antigone's uncle. Creon became king after a fight between Eteocles and Polyneices. One may see Creon as a harsh and controlling ruler, but he is not good nor bad because he shows signs of both like when he wanted to give Eteocles a proper burial . Creon is the tragic hero of the Antigone, because of his dominance in society, high rank, tragic flaw; and self-pride.
The views of Antigone and Creon are opposed, and they both possess the same stubborn belief in their own righteousness. This ultimately brings them both to their tragic fate. At first we believe that Creon acts from sincere, patriotic and unselfish motives, and that he is acting out of a sincere belief that his decision is best for the state. This is shown in the first episode (lines 163 - 331), where Creon hopes to be a wise and good ruler. Later on we learn that he is too inflexible and narrow to heed criticism or admit fault, and that this causes all the misery in his life. The same is true of Antigone. She appears to be a very compassionate individual in the prologue; however, later on we learn that she is also stubborn and unwilling to bend in her beliefs, which ultimately leads her to her tragic fate.
This play, Antigone, was titled after one of the play’s main characters; however, the title could have been “Creon”, due to Creon’s influence throughout the play. Creon was a major influence to the play’s plot as it involves Creon within a majority of the scenes, from beginning to end. Throughout the play Creon’s tragic countdown is expressed, beginning with him as king of Thebes to the death of his beloved family. Antigone is merely portrayed as a rebellious nephew, as she consistently defies Creon. Antigone is expressed within the play consistently; however, the play portrays decisions proclaimed by Creon, which displays Creon’s tragic flow. Being titled “Antigone”, does not accurately express the play’s content as Creon’s tragic fate is actually being described and represented.
Some may argue that Creon does not fit the mold of a tragic hero. They believe this is so because Creon's punishment is not excessive. Perhaps they think that the death of Creon's family members and loss of his kingdom is well deserved due to his wrongdoings. Although it is true that Creon makes a mistake, he is excessively punished even though he isn't directly at fault. This is illustrated when Creon finds out from the messenger that his wife blames him for the death of her and her son. Creon exclaims, “I am nothing. I have no life./ Lead me away.../ That have killed unwittingly/ My son, my wife./ I know not where I should turn,/ Where look for help./ My hands have done amiss, my head is bowed/ With fate too heavy for me” (Sophocles lines 1119-1126). Creon has to agonize in guilt because he knows he is the reason his family members are no longer living. One can agree that this is extremely unfair because he does not intend to lose everyone that is impo...
Creon, after he learns of his mistake, intends to correct them. “I and my better judgement / have come round to this-I shackled her, / I’ll set her free myself.” (Sophocles, Antigone, 1234-1235). In comparison to Xerxes, Creon intends to “lay my pride bare to the blows of ruin” (1221). Creon’s reaction when he learns of the death of his niece, son and, and wife was one of intense grief: “herald of pain, more words, more grief? / I died once, you killed me again and again” (1414-1415). In these passages, Creon shows a willingness to have a perpeteia, or a reversal in action. Creon thought he had the authority to govern something only the gods could, and he attempted a perpeteia in this course, but ultimately was too late and was in a state of perpetual grief afterward. The people around Creon also sympathize with him: “for mortal men / there is no escape from the doom we must endure” (1457-1458) In this the leader of the chorus is identifying with Creon, in the acknowledgement of hubris and hamartei, a mistake in judgment, in life. However, a tragic heroes’ perpeteia sets them apart from a tyrant, in that the tyrant will continue to be hubris driven, whereas a tragic hero will have a moment of perpeteia and attempt to repent. The tragic hero will repent to prevent grief in his downfall, whereas a tyrant won’t even have a moment of
Antigone if she is caught. As the play moves on there is a building of this fear and pity that is felt for many of the characters that finally is resolved at the catastrophe. At that point the reader learns that Creon, the king, has lost his wife, his son, and his niece Antigone, all because he was too stubborn to give in as well as to afraid that if he did give in that he would be judged as an easy king. In a way this ending brings the two emotions together. The reader feels pity for Creon because of his great loss, but at the same time he feels a bit of fear because he wouldn’t want this type of tragedy to ever occur in his life.