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Recommended: Essay on musicals
Musicals are usually known for their upbeat songs, dances, and the lighthearted stories that they tell through the art form known as theatre. What many people don’t know, is that since the beginning of theatre, musicals have dealt with serious social issues that have taken place within our society. Musicals have taken unique approaches in projecting impactful social movements and issues. In the past, musicals have made certain ideals, values, and perspectives easier for the people in society to understand and accept. One of the most prominent theatre production companies to deal with major social issues and that has had influence through their musicals is Rodgers and Hammerstein. Rodgers and Hammerstein have had many popular and relevant Broadway musicals that have been performed on different stages all around the world. Musicals such as Oklahoma!, Carousel, South Pacific, The King …show more content…
In an interview, Oscar Hammerstein II stated, “at the time I wrote the song, I was perfectly conscious of the risks, but if you know the deal about the technique of songs, one of the pleasures of working is breaking those rules every once in a while”. Rodgers and Hammerstein had many achievements with their shows and songs that resulted in fifteen Academy Awards, thirty-four Tony Awards, two Grammys, and the Pulitzer Prize through their compositions. Musical productions from this pair sparked controversy and interest making them to find it difficult in communicating their perspectives. In an interview, when asked about viewers’ conformity in reference to the musicals, Rogers explained that “the best way to project these things and to get a response from an audience is to do them in a way they were done originally after we got finished correcting them ourselves”. Rodgers and Hammerstein became the most successful partnership of the 20th century through this type of defiance and their
Sondheim’s music is well-appreciated by many people of all ages. He has won eight Tony’s, more than any other composer. Sondheim sculpted the musicality of musical theatre into what it is today by
Motion pictures from Hollywood had taken Broadway’s place as the king of entertainment. The main reason behind this was that because it was culturally relevant and coming out with new flashy techniques such as Todd-AO and Cinerama.
Even before our team met to go over our ideas on what direction we were going with South Pacific I decided to sit down and read the libretto. I was already decently familiar with South Pacific, but I decided to watch the 1949 musical as well. I felt comfortable with the material and I sat down to start some background on the play. I quickly found information that the play had been based off of a book by James Michener called Tales of the South Pacific, so I picked it up and decided to skim through it and see the stories behind the musical. Pursuing the internet a little bit more I found the story behind how Rodgers and Hammerstein came to know Tales of the South Pacific. Based off of this and the background from reading the novel I wrote a background paragraph with this information and included the production history. While I found a decent amount on the history, I could not find any specific
This project/presentation was intended to educate on a musical that, despite its importance to the American musical, may be easily glanced over because it doesn’t fit the criteria for what makes a musical in the twenty first century. Shuffle Along adds another layer of history to the New Negro Movement and the civil rights movement. Negro theatre is very much responsible for the creation of the modern musical and it’s important to know where things come from. This topic was interesting because I had previously taken a class in African American Music and now seeing Shuffle Along and understanding how that ties in to something that I love helps put the world into a different perspective for me.
"Agnes De Mille :: Rodgers & Hammerstein :: Bio Details." Agnes De Mille :: Rodgers & Hammerstein :: Bio Details. N.p., n.d. Web. 01 Oct. 2013.
Soon George began writing his own tunes and began to present them to Rosen. However Rosen, with much confidence, simply told him,” You haven’t got it in you ...
Most of all, those values that the American musical celebrated — and that is those values of American life, American philosophy, American belief — what we find is by the mid-1960s all of those beliefs, all of those philosophies, are being challenged, are being upset. As in all genres, the musical has had its share of failures. Some worthy dramas have been pressed into service and musicalized and sometimes butchered in the process, and audiences have had to watch a fine play diluted into a mediocre musical. But the successes have been many and spectacular, and they have left a long lasting effect on the American art and culture.
... John, Fred Ebb, and Greg Lawrence. "Chicago on Broadway." Colored Lights: Forty Years of Words and Music, Show Biz, Collaboration, and All That Jazz. New York: Faber and Faber, 2003. 119-40. Google Books. Web. 1 May 2014.
George Gershwin was arguably the greatest influence on 20th century music. Gershwin’s music was composed of both popular and classical musical genres, but his most popular refrains are extensively known. Gershwin’s work have been used and heard in many movies, plays including Broadway, and fit for television. George Gershwin today remains one of the greatest and most influential musical composers and pianists of all time.
thesis of how the musical brought our inner child out to realize our true struggles in life.
I experienced Chicago, the Broadway musical, and because I had seen the movie many times before, I knew all the songs and dances by heart. I loved it, but it was actually the movie that influenced me to become a “Chicago fan.” The movie is based on the 1996 Chicago revival of the original musical version of 1975. It was thrilling knowing that the making of the musical into a mainstream production would increase its accessibility and widen its distribution into all the corners of the world; now there is no excuse for people not to experience Chicago, and though not everyone can go to Broadway to see it, just about anyone can indulge themselves in this dazzling movie in the comfort of their homes. In addition to a fantasy world of singing, dancing and Vaudeville, the film also provides a narrative that is explicitly presented through Roxie’s point of view, creating a counter-human side to Roxie’s fantasy world so that the audience can easily identify and engage.
The Lion King musical is a well-known musical that has taken the stages of Broadway, West End and the rest of the world by storm (The Lion King, 1997). Regarding the process of the musical, Artistic Director Julie Taymor’s first thoughts for choosing the Lion King as the next big thing on stage, was classed as ‘impossible’ due to the film’s lack of theatrical material (The Lion King, 1997). Therefore, staging this particular work contained a great deal of uncertainty and the need for taking huge risks. Taymor (1997) suggests how ‘the Lion King was the worst idea possible to create a stage show.’ It has become evident that a number of significant barriers had to be overcome to secure the practicality of the production. In view of this controversy, this dissertation will critically analyse the success of the Lion King by exploring two significant aspects that have helped to make the musical a success. Firstly, the essential components that make up this theatrical production will be explored and secondly, the roles of each producer within the Lion King and their combined and individual influences they have had from the production will be evaluated. By analysing these two central themes, this paper will show how and why this musical has developed and achieved its phenomenal success.
The 2000s/ 2010s brought in a wave of movie musicals- adapted from the stage shows. These brought new audiences into the theatre world, and for the first time in 20 years, brought a love to some of the timeless musicals. With slightly altered songs to appeal to a newer audience, these films brought in much needed money into the industry, with films including: Les Misérables, Phantom of the Opera, Rent, Hairspray, Mamma Mia, Fame- and many more. Together with this, musicals began to push the concept of the songs in them, with a wave of new styles being written. Rap musicals such as ‘Hamilton’ and ‘In The Heights’, Pop musicals including ‘Waitress’ and ‘Dear Evan Hansen’ and Rock musicals of ‘American Idiot’ and ‘Spring Awakening’. Together they pushed boundaries of a ‘traditional’ musical theatre sound, and brought in something never before seen. Due to the influence of ‘Rent’, controversial issues and themes began to be explored more, such as Teen suicide, Murder, Ethnic barriers and everything else, which brought with them, a world of opportunities. It was clear that musical theatre was once again showing for a promising
Musical theatre is a type of theatrical performance combining music, dance, acting and spoken dialogue. Written by Leonard Bernstein and Stephen Sondheim, ‘West Side Story’ is a classic American musical based on William Shakespeare’s ‘Romeo and Juliet’. The through-composed score and lyrics are used to portray different characters and their cultures, the rivalry between the Jets and Sharks, and the emotions felt as the story progresses. This essay will be exploring the music and how effective the score is in realising the world and characters of the musical. Furthermore, it will discuss how Bernstein and Sondheim relate characters’ diverse ethnicities to particular musical ideas and motifs.
William Gilbert and Arthur Sullivan were two of the most profound playwrights and composers of the late 1800’s. The duo of Gilbert and Sullivan transformed musical theatre, and created a series of witty, melodic operettas which set a new standard for stage professionalism. Both men had written minor musical shows with other collaborators, but neither expected that musical theatre would be their key to lasting fame. In all, they collaborated for 14 pieces of work which are most famously known as “the canon”.