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Essay on the history of rodeo
Essay about rodeos
Essay on the history of rodeo
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Cowboy boots have been represented continuously in cultural history dating back to the 1860's. Since then an evolving american culture has shaped what cowboy boots represent, as well as our perception of what mean within culture. The perception of cowboy boots has changed since the 1860's, within the limitations and boundaries in a specific culture.Therefore I consider how have the patterns and rituals of attending/competing in rodeos become associated with the consumption of cowboy boots? How does this consumption generate an ideology? Rituals and patterns in rodeos can be associated with cowboy boots in the process of understanding that they have a similar relationship within modern culture. Both are no longer required for means of living (e.g. Cowboy boots for horseback which used to be a main source of transportation, and Rodeos as a form of income or employment) yet both still remain influential in culture today. How can a product from past culture remain so influential throughout culture today? In order to dissect cowboy boots among popular culture, I will first look at them through cultural theorists, Raymond Williams and F.R. Leavis.
On a basic level, Cowboy boots in culture can be broken down into the specifics of why we still consume them and how cowboy boots have changed since the 1860's. This can be examined in regard to Leavist's cultural theories biased on 1930's. Leavis considers mass culture to keep only the subtlest most perishable parts of tradition from the past. Therefore it is considered to lose part of its older value within the given culture(26). The quality of work declined, Q.D. Leavis (Leavist's Wife) proposed an 'addiction to fiction' (24). This addiction is shown in regard to how ...
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... Story with Woody).We experience what rodeos could have been like through the modern practices in rodeo, based from the documented record and the structure of feeling represented. This is all governed in respect of, according to Williams a contemporary class interest.
Class interest establish what rodeo's and cowboy boots represent among popular culture.
Rodeo's express American virtues of optimism and establish fun loving competition. Cowboy boots have come to represent a casual-comfort for their wearers and have undergone changes to fit alongside modern culture. The rituals and patterns in rodeos have come to reflect specific meanings and values within culture and have created a strong American ideology.
Work Cited
Roper or 'Walking' Boot. 2010. Photograph. WikipediaWeb. 11 Feb 2014.
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In the introduction, Hämäläinen introduces how Plains Indians horse culture is so often romanticized in the image of the “mounted warrior,” and how this romanticized image is frequently juxtaposed with the hardships of disease, death, and destruction brought on by the Europeans. It is also mentioned that many historians depict Plains Indians equestrianism as a typical success story, usually because such a depiction is an appealing story to use in textbooks. However, Plains Indians equestrianism is far from a basic story of success. Plains equestrianism was a double-edged sword: it both helped tribes complete their quotidian tasks more efficiently, but also gave rise to social issues, weakened the customary political system, created problems between other tribes, and was detrimental to the environment.
One sport of rodeo that raises the eyebrows of many anti-rodeo activists is Team Roping. Team roping was used for the purpose of catching live cattle on the range to perform vaccinations and to treat injuries. Team Roping is defined as on cowboy ropes the steer around the horns and turn left, so that the next cowboy can come behi...
Billy and Wyatt of them go through a series of adventures, first stopping off at a motel where they're rejected, regardless of the glowing vacancy sign. This shows that their culture is not accepted in the rest of the world. They leave the motel and camp out in the wilderness. At a point, Wyatt's bike gets a flat, and they stop at a farm to fix it. It is at this point that the film makes a comparison of the bikers to cowboys. As Wyatt is fixing his tire a man in the background is shoeing his horse. This is making the point that Wyatt is the new version of the cowboy and his chopper is the new cowboy’s horse. During this scene there is an exchange between Wyatt and the farmer where Wyatt tells the farmer how much he admires his farm because he built it with his own hands. This is the first time that you get an idea of Wyatt’s values.
Somewhere out in the Old West wind kicks up dust off a lone road through a lawless town, a road once dominated by men with gun belts attached at the hip, boots upon their feet and spurs that clanged as they traversed the dusty road. The gunslinger hero, a man with a violent past and present, a man who eventually would succumb to the progress of the frontier, he is the embodiment of the values of freedom and the land the he defends with his gun. Inseparable is the iconography of the West in the imagination of Americans, the figure of the gunslinger is part of this iconography, his law was through the gun and his boots with spurs signaled his arrival, commanding order by way of violent intentions. The Western also had other iconic figures that populated the Old West, the lawman, in contrast to the gunslinger, had a different weapon to yield, the law. In the frontier, his belief in law and order as well as knowledge and education, brought civility to the untamed frontier. The Western was and still is the “essential American film genre, the cornerstone of American identity.” (Holtz p. 111) There is a strong link between America’s past and the Western film genre, documenting and reflecting the nations changes through conflict in the construction of an expanding nation. Taking the genres classical conventions, such as the gunslinger, and interpret them into the ideology of America. Thus The Western’s classical gunslinger, the personification of America’s violent past to protect the freedoms of a nation, the Modernist takes the familiar convention and buries him to signify that societies attitude has change towards the use of diplomacy, by way of outmoding the gunslinger in favor of the lawman, taming the frontier with civility.
The enduring cultural expressions of the frontier were adapted into unique narrative traditions known as the “Western”. The Western genre portrays a story of conquest, competing visions of the land, and the quintessential American frontier hero who is usually a gunfighter or a cowboy. These Western archetypes can be observed in, The Outlaw Josey Wales, a film that employs revenge motifs that lead into and extended chase across the West and touches on the social and cultural issues of the American frontier.
Contestants arrive at the arena an hour before the performance to draw the calf each will be roping. A large pen of calves is assembled, each calf branded with a different number. Corresponding numbers are placed in a hat and each cowboy draws his calf for the first go-around. There is always some cowboy who knows what rodeo string these particular calves are from and can discuss some trait of nearly all of them. For example, " number 16 breaks hard and heads straight to the far end of the arena. Number 8 will break hard but tends to veer sharply right on nearly every run. Number 21 breaks slow and many a good horse has run right past him".
For many Americans, the image of the cowboy evokes pleasant nostalgia of a time gone by, when cowboys roamed free. The Cowboy is, to many Americans, the ideal American, who was quick to the draw, well skilled in his profession, and yet minded his own business. Regardless of whether the mental picture that the word cowboy evokes is a correct or incorrect view of the vocation, one seldom views cowboys as being black. The first cowboy I met was from Texas and was black. After he told me that he was a cowboy, I told him that he had to be kidding. Unfortunately, I was not totally to blame for my inability to recognize that color has nothing to do with the cowboy profession; most if not all popular famous images of cowboys are white. In general, even today, blacks are excluded from the popular depiction of famous Westerners. Black cowboys were unheard of for almost a century after they made their mark on the cattle herding trade, not because they were insignificant, but because history fell victim to prejudice, and forgot peoples of color in popular depictions of the West and Western history.
When one thinks of the United States of America, they probably consider our history, our culture, our media, our impressive cities and the extremely wide variety of beautiful wildernesses that we are lucky enough to still enjoy. We are lucky enough to have a melting pot of cultures in this country, and many different kinds of people. However, when thinking of an original, all-American figure, cowboys come to mind for many people. Our history and the settlement of the U.S. was unlike any other country, and the development of the country in the more western states came with the unique and fascinating time period referred to now as “The Old West”. The Old West was a crucial time in American history, and though it was a simpler time it also came with its share of excitement. Some of the most memorable details about the Old West were the characters that came with it, and some extremely interesting ones were the least conforming- the outlaws. Jesse Woodson James was one of the most notorious outlaws in American history. His name would go down in history as one belonging to a tough as nails and fearless bank robber who led a group of outlaws across the mid-west robbing banks and trains, and even murdering people. When we look at the big picture of what the U.S. has become today, The Old West certainly has had a large impact on our culture, and Jesse James certainly had a large impact on the Old West. Though most would argue that he was not a decent or moral person, one cannot argue that he was still a very interesting and unique icon of the west. So how did Jesse Woodson James change and leave his mark on the United St...
... rodeo as cruel and abusive. But the rodeo today is changing with the hope of getting better. The bucking and roping stock are treated as prized animals. They even have their own bucking champions. The solution to any kind of animal abuse is in the continued scrutiny of the sport by the PRCA. As the sport evolves and the animals become more valuable it should cause better care for the animals.
In the 1930's Native Americans and women were viewed as inferior races. The films produced during the early part of the 20th century, particularly those starring John Wayne reflected these societal attitudes. The portrayal of minorities in Stagecoach and Fort Apache clearly reflect the views of society at that time. The depiction of the West is similar to that which is found in old history textbooks, em...
As the days grow longer, the Kansas wind gets warmer, and the school year draws to a close, the thoughts of ranchers and would-be cowboys in Chase County and the surrounding communities turn to rodeo, specifically the Flint Hills Rodeo. The oldest consecutive rodeo of June, the Flint Hills Rodeo draws thousands of spectators from near and far. This two-day event is an experience that is not easily forgotten.
When the three of us decided to use Texas as our micro-culture, I thought it was a great idea. I am not a Texan, since by definition to be a Texan, you must have been born in Texas, no exceptions (http://www.texas-best.com), but do consider myself an honorary Texan.
The cowboys of the frontier have long captured the imagination of the American public. Americans, faced with the reality of an increasingly industrialized society, love the image of a man living out in the wilderness fending for himself against the dangers of the unknown. By the end of the 19th century there were few renegade Indians left in the country and the vast expanse of open land to the west of the Mississippi was rapidly filling with settlers.
A “Western Film” is a film genre dedicated to this period in time, where Cowboys, Indians and Outlaws ran wild. The very first Western films showed in the 1890’s, these were; Annie Oakley, Bucking Broncho, Buffalo Bill, Buffalo Dance and Sioux Ghost Dance. They were trying to show audiences the “heroics” and the “bravery” of fake people, which I think flawed many people’s impressions of what makes a real man, as it would almost always depict the man as a hero who stands up for the weaker many, is great with a gun, can take down several men at once with just his fists, which just isn’t possible. Personally, I think this has skewed gender roles over the years, even just slightly, and only now are we “recovering” and realizing that not everyone is a macho-man.
Few Hollywood film makers have captured America’s Wild West history as depicted in the movies, Rio Bravo and El Dorado. Most Western movies had fairly simple but very similar plots, including personal conflicts, land rights, crimes and of course, failed romances that typically led to drinking more alcoholic beverages than could respectfully be consumed by any one person, as they attempted to drown their sorrows away. The 1958 Rio Bravo and 1967 El Dorado Western movies directed by Howard Hawks, and starring John Wayne have a similar theme and plot. They tell the story of a sheriff and three of his deputies, as they stand alone against adversity in the name of the law. Western movies like these two have forever left a memorable and lasting impressions in the memory of every viewer, with its gunfighters, action filled saloons and sardonic showdowns all in the name of masculinity, revenge and unlawful aggressive behavior. Featuring some of the most famous backdrops in the world ranging from the rustic Red Rock Mountains of Monument Valley in Utah, to the jagged snow capped Mountain tops of the Teton Range in Wyoming, gun-slinging cowboys out in search of mischief and most often at their own misfortune traveled far and wide, seeking one dangerous encounter after another, and unfortunately, ending in their own demise.