The “rockabilly” sound pioneered in the late 1940s and early 1950s was very influential to the later music to come. The genre of this style of music was a combination of country and Rhythm and Blues. This form of music was made in the south and mainly performed by white, working class southerners who attracted a large number of young audiences. Two men in Sun Records paved the way for what rockabilly is known as today who are Sam Phillips (American record producer) and Elvis Presley (American pop singer and a dominant performer). Once Elvis left Sun Records, Sam Phillips focused on other artists who would help develop rockabilly. The sound of rockabilly had a unique timbre in the way it was performed. It had a hillbilly twang to catch the audiences …show more content…
This term “rockabilly” comes from rock n’ roll and hillbilly. There are other forms of this music such as jump blues, western swing, electric blues, and boogie woogie. Back to the sound of this style of music, musicians such as Carl Perkins, Johnny Cash, and Jerry Lee Lewis who are all from Sun Records used vocal twang and the tape echo. Some recording performances in rockabilly included the slapback, slapjack echo, tape delay echo, and flutter echo. All these techniques in recording opened up the tone creating the instrumentation of rockabilly. There were also female artists in the rockabilly genre such as Brenda Lee. Having females in rockabilly also changed the harmony of the genre. It allowed audiences to listen and have a new perspective of how the dynamics of rockabilly can also be performed with a different tone of lyrics. In conclusion the “rockabilly” sound is able to transition from male to female giving an option on what audiences prefer, increased or decreased speed in tempo, and the instrumentation of guitars and banjos gives a variety of ways on how this music can be
What do Clint Black, Bob Dylan, Toad the, Wet Sprocket, and Tina Turner have in common? Their music has its roots in not only the old murder ballads and the raw dance of poor southern whites, but also the blues, the hollers, and the sung of poor blacks. Black rhythm and blues and white country-western merged in such figure as Elvis Presley and Chuck Berry in 1950s. Rock and roll was created by blacks and whites together as a new music filled with power and mystery.
Bessie Smith was a rough, crude, violent woman. She was also the greatest of the classic Blues singers of the 1920s. Bessie started out as a street musician in Chattanooga. In 1912 Bessie joined a traveling show as a dancer and singer. The show featured Pa and Ma Rainey, and Smith developed a friendship with Ma. Ma Rainey was Bessie's mentor and she stayed with her show until 1915. Bessie then joined the T.O.B.A. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. By the early 1920s she was one of the most popular Blues singers in vaudeville. In 1923 she made her recording debut on Columbia, accompanied by pianist Clarence Williams. They recorded "Gulf Coast Blues" and "Down Hearted Blues." The record sold more than 750,000 copies that same year, rivaling the success of Blues singer Mamie Smith (no relation). Throughout the 1920s Smith recorded with many of the great Jazz musicians of that era, including Fletcher Henderson, James P. Johnson, Coleman Hawkins, Don Redman and Louis Armstrong. Her rendition of "St. Louis Blues" with Armstrong is considered by most critics to be one of finest recordings of the 1920s. Bessie Smith was one of the biggest African-American stars of the 1920s and was popular with both Whites and African-Americans, but by 1931 the Classic Blues style of Bessie Smith was out of style and the Depression, radio, and sound movies had all damaged the record companies' ability to sell records so Columbia dropped Smith from its roster. In 1933 she recorded for the last time under the direction of John Hammond for Okeh. The session was released under the name of Bessie Smith accompanied by Buck and his Band. Despite having no record company Smith was still very po...
As time progressed, music had to continue to evolve to keep up with the ever-changing styles. Blues slowly began to morph into Rock and Roll to engage people of a new era. While many changes occurred in creating Rock and Roll, it continued to carry undertones of the Blues. This can be heard while comparing Son House’s, “Walking Blues” and Elvis Presley’s, “Blue Moon of Kentucky.” These two songs show many similarities, while also having their own identities.
The music industry during the 1940s was filled with many talented artists who impacted the music industry and the history of rock n’ roll forever. But one of the very well known and talented artists was Buddy Holly. Buddy Holly was the first to pioneer new music genres and progressive music. Charles Hardin Holley (1936-1959) was an American musician and artist whose creative career began in 1956. The family name is correctly spelled “Holley” but his first recording contract from Decca Records in 1956 spelled his last name “Holly” and he kept it that way for the rest of his career (Griggs 1). Holly took a very influential position in the music industry and built an audience for his Rock and Roll music very quickly due to his unique voice and advanced knowledge of music. Buddy Holly is a prime example of a musical pioneer who blended resources from various music genres including a variety of popular genres such as rhythm and blues (RNB), oriental, and African (Schinder and Schwartz 85).
When a person thinks of rock music in the 50s, they usually think of Elvis Presley, “the King of rock and roll”. However, he seems to exhibit a more stereotypical American approach to music. As Americans, we like everything that entertains us to be bigger and better than before. Presley certainly delivers this idea through his outfit,
People were imagining and seeking a way out of the chaos. From this, came the singing cowboy idea into Hillbilly music. Fans adored the idea of the singing cowboy: the free feeling, being one’s own boss, no worries, and the vast country-side absent from the rest of the chaotic world. People saw that these cowboy artists had beautiful women, loved singing, played the guitar and were quickly becoming famous. The cowboy/western trend quickly spread across Hillbilly music. In Nashville, the industrial center for Southern music, the Grand Ole Opry was formed. The Opry’s vast broadcasting helped to disperse Hillbilly music to the nation. It stands as a monument to the original upbringing and tradition of country music still today. The Opry began using this cowboy/western trend to show fans that Hillbilly music was about the working-class family. They used hay bells, overalls, flannel clothing and boots in most of the performances. This gave fans, still mostly Southerners, a sense of pride and acceptance of who they were and what they stood for in society. They no longer had to feel any less than their Northern brothers and sisters. The Southern, lower-class people took on the role of certain pastimes and traditions that would last throughout American
The blues emerged as a distinct African-American musical form in the early twentieth century. It typically employed a twelve-bar framework and three-lined stanzas; its roots are based in early African-American songs, such as field hollers and work songs, and generally have a melancholy mood. The blues can be divided into many sub-genres, including Classical, Country, and Urban. The purpose of this paper is to focus on the careers of two of Classical blues most influential and legendary singers: Ma Rainey and Bessie Smith.
An African- American euphemism for making love, rock and roll spurred from all genres of music, but mainly that of folk, country, jazz, pop and rhythm & blues (Yorke, 11). It is a type of music that generally involves heavy pounding of the piano, a loud drum beat, saxophone backgrounds and boisterous shouting by the singer. It was a new blend of music emerging from 1948- 1951 as a result of a generation’s need to express their own identity. Originally, rock and roll was performed by black artists because it was a result of the incorporation of a more upbeat background to rhythm & blues. Examples of such artists would be Little Richard and Chuck Berry; both were coined “the fathers of rock and roll” even though they started out as rhythm & blues artists (Szatmary, 16). In context of “Cat on a Hot Tin Roof,” the characters most likely to support rock and roll are Maggie, and Mae’s children. This new upbeat, new- age, gibberish was a symbol of independence, escapism, and rebellion for youths of the early1950’s (Brown, 4).
Many people and many styles of music influenced Rock and Roll. The styles included Blues, Jazz, Gospel, Bluegrass, Boogie-Woogie, and Rockabilly. Each was a major factor into the introduction of a new style of music called Rock ‘N’ Roll.
Played on acoustic instruments (natural sound): Banjo, guitar, fiddle, mandolin, bass fiddle, dobro (resophonic guitar) Instrumental leads used to show off technical ability Distinctive vocal harmonies Originations of Bluegrass Bill Monroe - "The father of Bluegrass" Grew up in Rosine, Kentucky (Ohio County) Music takes its name from Bill Monroe's band, The Blue Grass Boys &nb Arnold Schultz, black "blues" singer and guitar player. Timeline: 1911 - Bill Monroe born on September 13 1940's - development of bluegrass music 1950's - people began referring to his style of music as Bluegrass 1960's - concept of "bluegrass festival" introduced 1996 - Bill Monroe died on September 9 1997 - Bill Monroe inducted into Rock and Roll Hall of Fame Because of his influence on popular music. Bluegrass Music featured in: Films of "Bonnie and Clyde", "Deliverance" Television Shows of "The Beverly Hillbillies", "The Dukes of Hazard". Written Overview A sample overview of the history of bluegrass music follows.
As vaudeville grew in the early 1900’s, it was mainly composed of northern performers. However, their example showed southern performers that one could make music playing in public. This realization spawned the first generation of “hillbilly” performers. The term “hillbilly” was popularized in the 1920’s after a musician by the name of Al Hopkins. He told his producer to name his band whatever he liked because they were just a bunch of hillbilly’s from North Carolina and Virginia.
Music tends to follow the trends of its listeners; genres come and go with popularity. Rock and roll was considered to have its golden era in the 1960s (Rock and Roll). It stood out with unforgettable performances by Sly and the Family Stone, The Jefferson Airplane, The Who, Grateful Dead, Santana, The Beatles, Jimi Hendrix, and Janis Joplin (Rock and Roll). The Beatles were one of the top rock and roll bands. It is said that their music “combined the distinct sounds of Chuck Berry, Little Richard, Elvis Presley, and others which shaped a sound that dominated the sixties with its creativity and style” (Holland 105). Jimi Hendrix brought a new style of music called “acid rock”. He changed the way music was played by experimenting with different melodies, different chord...
Rock and Roll has the most incredible history. Before there was rock and roll, there was blues. Most people think rock music started with Elvis Presley, but he didn’t record his first single until 1953. The first recorded song described as “Genuine Rock-and-Roll” was “Rocket ’88” by pianist Ike Turner and singer Jackie Brenston in 1951. Rock-and-Roll music in the 1950’s was described as a mixture of jazz, blues, country, and has a strong guitar, bass, and drums.
The blues of that time was called country blues. It was a mixture of African
The background of southern rock, its characteristics as well as the instruments and technology used, and the artists/songs important to the subgenre are still prevalent even in the ever-changing music industry of