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What are the roots of the blues music
The blues music history
Research from the 19th century on the blues
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Bessie Smith was a rough, crude, violent woman. She was also the greatest of the classic Blues singers of the 1920s. Bessie started out as a street musician in Chattanooga. In 1912 Bessie joined a traveling show as a dancer and singer. The show featured Pa and Ma Rainey, and Smith developed a friendship with Ma. Ma Rainey was Bessie's mentor and she stayed with her show until 1915. Bessie then joined the T.O.B.A. vaudeville circuit and gradually built up her own following in the south and along the eastern seaboard. By the early 1920s she was one of the most popular Blues singers in vaudeville. In 1923 she made her recording debut on Columbia, accompanied by pianist Clarence Williams. They recorded "Gulf Coast Blues" and "Down Hearted Blues." The record sold more than 750,000 copies that same year, rivaling the success of Blues singer Mamie Smith (no relation). Throughout the 1920s Smith recorded with many of the great Jazz musicians of that era, including Fletcher Henderson, James P. Johnson, Coleman Hawkins, Don Redman and Louis Armstrong. Her rendition of "St. Louis Blues" with Armstrong is considered by most critics to be one of finest recordings of the 1920s. Bessie Smith was one of the biggest African-American stars of the 1920s and was popular with both Whites and African-Americans, but by 1931 the Classic Blues style of Bessie Smith was out of style and the Depression, radio, and sound movies had all damaged the record companies' ability to sell records so Columbia dropped Smith from its roster. In 1933 she recorded for the last time under the direction of John Hammond for Okeh. The session was released under the name of Bessie Smith accompanied by Buck and his Band. Despite having no record company Smith was still very po...
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Some of her better-known sides from the Twenties include “Backwater Blues,” “Taint Nobody’s Bizness If I Do,” “St. Louis Blues” (recorded with Louis Armstrong), and “Nobody Knows You When You’re Down and Out.” The Depression dealt her career a blow, but Smith changed with the times by adapting a more up-to-date look and revised repertoire that incorporated Tin Pan Alley tunes like “Smoke Gets in Your Eyes.” On the verge of the Swing Era, Smith died from injuries sustained in an automobile accident outside Clarksdale, Mississippi, in September 1937. She left behind a rich, influential legacy of 160 recordings cut between 1923 and 1933. Some of the great vocal divas who owe a debt to Smith include Billie Holiday, Dinah Washington, Sarah Vaughan, Aretha Franklin and Janis Joplin. In Joplin’s own words of tribute, “She showed me the air and taught me how to fill it.
It highlights the luxurious lifestyle of the rich man and about the rich man’s lack of knowledge regarding the struggles of the poor man. “Washwoman’s Blues” is a parallel song, also performed by smith, speaks about the financial environments of many African American women. These are social protests because “Poor Man’s Blues” openly indicts and upper classes for the increasing manipulation and poverty of the poor and “Washwoman’s Blue” critiques the oppressive conditions that most African-American women were forced to work. Bessie smith wrote and recorded many songs that invoked the black experience in America, notably “Blackwater Blues”, “Workhouse Blues”, and “Send Me to The Lectric Chair” all were subtle protests against the treatment of blacks. They touched on topics ranging from black imprisonment to the disregarding of African Americans and
Elizabeth “Bessie” Coleman was born on January 26, 1892 to Susan and George Coleman who had a large family in Texas. At the time of Bessie’s birth, her parents had already been married for seventeen years and already had nine children, Bessie was the tenth, and she would later have twelve brothers and sisters. Even when she was small, Bessie had to deal with issues about race. Her father was of African American and Cherokee Indian decent, and her mother was black which made it difficult from the start for her to be accepted. Her parents were sharecroppers and her life was filled with renter farms and continuous labor. Then, when Bessie was two, her father decided to move himself and his family to Waxahacie, Texas. He thought that it would offer more opportunities for work, if he were to live in a cotton town.
The blues emerged as a distinct African-American musical form in the early twentieth century. It typically employed a twelve-bar framework and three-lined stanzas; its roots are based in early African-American songs, such as field hollers and work songs, and generally have a melancholy mood. The blues can be divided into many sub-genres, including Classical, Country, and Urban. The purpose of this paper is to focus on the careers of two of Classical blues most influential and legendary singers: Ma Rainey and Bessie Smith.
Women’s sufferage was at it’s peak with the ratification of the United States Nineteenth Amendment. Women recived more independence after the end of the First World War and took a greater part in the work force. In the 1920s, there were many famous women Jazz artists such as Lovie Austin, a piano player and band leader, Lil Hardin Armstrong, a pianist who was originally a member of King Oliver’s band, and Bessie Smith, an African-American blues singer who inspired women like Billie Holiday and Janis Joplin. Although women were also making a difference in the Jazz industry, it wasn’t until the 1930s when they were recongnized as successful artists in the music world.
Bessie Smith is the best blues singer of the twentieth century because the legacy she left behind still affects us today. Bessie Smith is known as the “Empress of Blues”, and this title is well deserved. Bessie Smith is the most influential and significant blues singer of the twentieth century. Bessie Smith's ability to have full control over the genre was amazing because it allowed her to have a soulful but powerful performance ("Bessie Smith Queen of the Blues"). Smith's work ethic that was drilled in by her older sister helped her launch and continue on with her successful career. Because of Smith's work ethic, she was able to rise out of poverty and into fame (Forman). Bessie Smith influenced many other singers like Billie Holiday, Janis Joplin, and more ("Bessie Smith"), and she also had role in changing the musical landscape for African American women (Machado). During her prime, Bessie Smith sold thousands of records and was well paid ("Bessie Smith Queen of the Blues"). She signed with Columbia Records and the focus of her songs were about a woman's control over her body and sexuality (Machado). Smith's success gave hope to
Rhythm and Blues also known as R&B has become one of the most identifiable art-forms of the 20th Century, with an enormous influence on the development of both the sound and attitude of modern music. The history of R&B series of box sets investigates the accidental synthesis of Jazz, Gospel, Blues, Ragtime, Latin, Country and Pop into a definable from of Black music. The hardship of segregation caused by the Jim Crow laws caused a cultural revolution within Afro-American society. In the 1900s, as a method of self-expression in the southern states, the Blues gradually became a form of public entertainment in juke joints and dance halls picking up new rhythm along the way. In 1910, nearly five million African Americans left the south for the
For many African-Americans, Smith was more than just a blues singer, thanks to an aggressive personality and often-excessive lifestyle. It seemed as if she was describing black culture in the 1920s through her songs. Smith recorded at least 160 songs for Columbia Records from 1923 to 1933. Many of these songs are blues classics. Bessie Smith was inducted into the Blues Foundation Hall of Fame in 1980 and the Rock and Roll Hall of Fame in 1989. Bessie Smith had a huge voice capable of strength and softness, which she left behind on all her recordings.
Waters' success was related to her style of singing. She could sing like other classic blues singers with plenty of passion and fire, but she had a unique approach. She was not a shouter but was able to hold the attention of the audience with her low and sweet voice. According to Jimmy McPartland, who saw her in the 1927 show Miss Calico, "We were enthralled with her. We liked Bessie Smith very much, too, but Waters had more polish, I guess you'd say. She phrased so wonderfully, the natural quality of her voice was so fine . . ." Waters introduced a new style of the blues, one that was influenced by her grandmother who always told her "You don't have to holler so.
What comes to mind when thinking of the 1920’s? Most people think of the freedom the United States felt after World War I and that is exactly what jazz and the Charleston symbolize (Boundless.com par. 1). Jazz and the Charleston were extremely controversial in the 1920’s because they promoted a new way of thinking, which outraged the older generations (Knowles 160). Older generations did not like the fact that young people were becoming more and more daring with their actions just by playing music and dancing (Boundless.com par. 6). Today, jazz and the Charleston are thought of as out of date, but without them, music today would be completely different. Jazz and the Charleston revolutionized modern music and dance by altering the rhythm of classical music, changing the culture of American society (Boundless.com par. 1).
Joy Williams, “The Blue Men” is a story about a woman who struggles to face and accept her past while trying not to let it consume her. May, our main character, her son had been executed for the murder of a deputy and his drug dog, and she was left to care for his son, Bomber. May is all alone, aside from her grandson and these photos and postcards she carries around in her purse. She is slowly becoming unseen to everyone around her, even herself. One night, on her way home, her purse was stolen from her, and for a short time she felt relief, but the purse was returned to her. The purse disappeared again, but this time by Mays doing, but again it came back to her. It is these moments, when the purse returns to her again and again, that show
Dolly Parton’s life began in Sevier County, Tennessee. She was the fourth of twelve children born to a poor tobacco farmer (Dolly). Even though her family was very poor, that didn’t stop this bubbly little girl from pursuing her dreams. In fact, Dolly was able to turn the struggles that her family encountered into inspirations to her songwriting. One of the very popular songs “Coat of Many Colors” was written by Dolly regarding a true story of her mother sewing a multi-colored coat for her that was made from rags. Not only did Dolly grow up singing and songwriting at home in the family’s rustic one room cabin, she sang in church and by the time she was ten she was performing on local television and radio shows in Knoxville, Tennessee (Dolly). Dolly’s parents saw the gift that their daughter was given and purchased for her a guitar when she was only ten years old. She taught herself how to play and not only sang in the public eye but played the guitar as well. If this wasn’t already an open...
Perry Bradford was an artist, musician, piano player and vaudeville and minstrel entertainer who always showed signs of change the sound of American popular music by persuading Okeh Records to release the first Blues record in 1920. Bradford was certain that there was a business opportunity for African-American music went for African-American shoppers. He experienced serious difficulties the record organizations in New York of this, yet he kept at it and figured out how to get Okeh records offered by the idea in 1920.
Humans from the coast of West Africa arrived to the New World as slaves. Stripped of everything familiar, they brought with them their traditional ways of using music to record historic events, expressions, and to accompany rituals. While toiling in the tobacco fields of Virginia, slaves were not permitted to speak to each other. So, they resorted to their African tradition. They sang!
Bessie Smith was arguably one of the most influential blues singer during the Harlem Renaissance. Bessie Smith was brought up in poverty. Born on April 15, 1894 in Chattanooga, Tennessee, one of seven children in a small one room shack. After the death of her mother and father, her older sister, Viola took care of her and the rest of her siblings. Bessie finished school until the eighth grade; when Bessie was 12, she was recruited by her brother’s mezzo troop, where she met a woman by the name of Gertrude “Ma” Rainey. Bessie defied racial barriers, she wanted to make a difference in peoples’ lives with her music and voice. She made more money than any African American before her. She dealt with a lot of
They were a mixture of story telling and talking with a definite call and response. Religious music was very important in forming blues music. Because most blacks went to Christian churches from an early age and were exposed to Christian hymns. Ragtime was an influence that came later and is a faster blues played with the piano and someone singing which was usually played in bars called barrel houses.