Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Morality in pop culture
Morality in hollywood films
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Morality in pop culture
Gandhi once said, “The best way to find yourself is to lose yourself in the service of others.” Good Morning/Afternoon Mr. Nowiki and class. Mark Bellamy’s 2007 short film Road Rage explores how discoveries can be prompted by a desire for insight. This notion of discovery is explored through the lens of the protagonist, Paul Kelman, a motorist who re-evaluates his over reaction to the small things in life. The film opens in an early morning scene on a road where a series of long shots of a modern urban environment forms a montage which slowly transitions into a close up shot of Kelman’s car. This creates the setting and enables the viewer to feel the chaotic and frenetic morning atmosphere. A chase scene of the car accentuates the complex nature of decency in the 21st century. This is strengthened by the constant Dutch tilts to implicitly denote that the complexity of morality can be an aspect which can limit an individual to explore new worlds. It also creates tension, making the viewer feel uneasy. Moreover, Bellamy uses dull colours to create a sense of boredom. This …show more content…
is supported by Paul constantly changing the radio with excessive force of the hand. An interruption to Paul’s self-absorbed and obsessive compulsive routine becomes a platform for him to discover what an insignificant passer-by is going through. This is supported through the hand gesture of stop which reminds the protagonist to stop and reflect in order to discover. Later in the film, the close-up shot of the protagonists face exemplifies his feelings on a busy morning.
It also enables the viewer to view the film from his perspective. This then transitions to a low angle shot of the environment to emphasise the symbolic power of the sky. The sky, shown through a low angle shot is a symbol of the endless discoveries an individual can make or find just like the sky is endless and limitless. Bellamy does this purposefully to emphasise and foreshadow that any individual is not bound to anything in order to make discoveries and compare the protagonist with the sky. By examining the sky, the protagonist discerns that no individual is immune from life’s problems and to overcome this, we need to help each other and form a common fellowship. Moreover, the protagonist also unveils that discoveries can be confronting and provocative which may affect their daily
routine. Ultimately, like Gandhi said, Bellamy coveys the idea of discovery through both emotionally and socially by Paul ‘losing himself in the service of others’ through his employment of short film.
Glory Road is a 2006 sports film directed by James Gartner starring Josh Lucas and Derek Luke. The film portrays the story of how Don Haskins had the first all black starting lineup in the NCAA and led Texas Western to a national championship. Along the way, the players and Coach Haskins face great adversity throughout the season because of their all black starting lineup. As the season progresses, the threats continuously grow worse and eventually are directed towards the family of Coach Haskins. This problem continues to grow due to the fact that Texas Western’s team gains national recognition not only for being the first with an all black starting lineup, but for making i through the regular season with only a single loss As the movie progress the audience sees one of the players get beaten because of his race. Another scene shows a hotel room that has been completely trashed because it was where the black athletes were staying. I will prove that that this scene where the hotel room is trashed is racist towards the black athletes.
Dave Barry’s “Road Warrior” is a humorous essay that discusses different types of “rages” that exists on a daily basis in American life. Barry begins by discussing road rage then goes into parking lot rage, and shopping cart rage. He explains that these rages are unnecessary, and how they just create violence in the world today. While Barry was writing this article he was living in Miami, Florida discussing the problems of road rage in the city. If anyone has ever felt road rage, or any kind of rage this is for you.
Furthermore, when the film draws to its conclusion, Jim is seen walking into the distance of the Australian outback, through a time lapse with an interval fade. I decided to incorporate a time lapse to stress the vastness of the land which is a symbolic representation of Jim’s weak understanding of the land that pales in comparison to Albert’s understanding of the land.
Many scenes involved ironic contrasts between the tone and the surroundings. On several occasions the background music was cheerful and upbeat while the physical settings and scenery were terribly dark, dreary and depressing. One good example of this is the scene where Andy was helping the guards with their taxes. There was upbeat and cheerful music but the room and the surroundings were dark and gloomy. This hint of happiness represents how Andy’s hope ...
...olours of the opening scenes combines with the horrid lifestyle of Vaughn and Lena, whilst the greens and clouded with droplets of rain as they drive over the range brings in the ideas of hope and a future for both of the characters. The vital role the changing images that surrounds the pair gives insight into the influence of settings on plot and character development.
The story takes place in a city in the year of 2053 A.D. Cities are imagined to be busy and energetic at night but in this city it is portrayed as deserted and noiseless as the author wrote ¨To enter that silence that was the city at eight o'clock of a misty evening in November...¨ Author Ray Bradbury goes on to explain the setting in several different parts of the story like that the ¨cement was vanishing under flowers of grass¨ or the ¨...cottages and homes with their dark windows...¨ to give an image to each reader. The setting can create a mood or an atmosphere- a subtle emotional overtone that can strongly affect our feelings. An example would be “On a dark, cold night in November 2053, the pedestrian - Leonard Mead- walks alone through the city. The streets and freeways are deserted. Dark tomblike homes line the streets.” Bradbury uses mood and details to explain how dehumanization and technology ruined the society that the character Mr. Mead was
“There once was a time in this business when I had the eyes of the whole world! But that wasn't good enough for them, oh no! They had to have the ears of the whole world too. So they opened their big mouths and out came talk. Talk! TALK!” (Sunset Boulevard). The film Sunset Boulevard directed by Billy Wilder focuses on a struggling screen writer who is hired to rewrite a silent film star’s script leading to a dysfunctional and fatal relationship. Sunset Boulevard is heavily influenced by the history of cinema starting from the 1930s to 1950 when the film was released.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
Crash is a crime-drama film directed by Paul Haggis. It is a real-life incident based story about racial and social tensions in lives of people of Los Angeles. In the movie, various characters didn’t knew each other, but their lives met without their intention. This carried out situation where a decision has to be made. The movie points towards the importance of coming out of your comfort zone to be in the lives of other people to become more like them. Looking at the story with sociological perspective, following are some of the concepts that explains the story in a better way. Crash demonstrates the Thomas Theorem, The Interactionist Perspective, Ethnocentrism, Racial Inequality, and many more. Further we will talk about how the concepts are related to the story.
As a fan of cinema, I was excited to do this project on what I had remembered as a touching portrait on racism in our modern society. Writer/Director Paul Haggis deliberately depicts his characters in Crash within the context of many typical ethnic stereotypes that exist in our world today -- a "gangbanger" Latino with a shaved head and tattoos, an upper-class white woman who is discomforted by the sight of two young Black kids, and so on -- and causes them to rethink their own prejudices during their "crash moment" when they realize the racism that exists within themselves.
"Fed Up (Soechtig, 2014)." narrated by Katie Couric, focuses on the growing link between sugar consumption and the obesity epidemic. The film aggressively attacks the food industry, advertising, and the government who, it claims, all contribute to the U.S. sugar-dependent, obesity problem. The film sets out to prove the government, and food industry is knowingly causing an increase in the amount of obese children. It reserves its most critical comments for government advisory panels who make and enforce food and health policy, and its failure to properly regulate the food industry. They claim lobbyists for the sugar board have been instrumental in the removal of negative statistics from research papers worldwide. Instead
The film begins with a title card sequence upon a static backdrop of shrubbery, mountains and distant clouds; a lingering sight that doesn’t truthfully establish forthcoming events in Vienna’s saloon. Her saloon may be quiet, but it is always occupied, and whilst the opening sequence, in which we are introduced to Johnny Guitar, is filled with a bravado of horns and orchestral accompaniment, the saloon itself is inversely populated by the sound of wind, tumbleweed, and stark silences - something perhaps more associated with the western expanse in which the story takes place. Yet for this dichotomy in sound, the initial visuals after the credit sequence foreshadow the destruction of locale, and the audience takes the place ...
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
This is where the “leftover bond money” from her daddy’s jail bond gets delivered to her. Granik portrays a resolution and a sense of happiness that would never be attained in real life. A technique which is used to highlight the epitome of this happiness is the lighting. In this particular scene, you’ll notice it is significantly brighter than the rest of the film. This is because it’s the only scene which the sun is shining. This allows the audience to undergo a change of heart. It’s an offered resolution, which allows us (the audience) to distract away from all the misery and heartbreak. To reconsider the harshness of society. And makes us entitled to feel happy for the character. However, like earlier in the film where the dialogue was distracting away from the almost too perfect house, fit for the societal circumstances of the Ozarks. It outlines again that this film is a Hollywood representation of the unprivileged society. A resolution that is offered after the character having to go through traumatic events would be an unforeseen occurrence in real life. The particular resolution distracts away from the real life circumstances of poverty and welfare in America. This allows again for the viewers to reconsider the film and relate to real life thinking that people do get resolutions. Furthermore that people are “free to” but not understanding that they’re not “free
The opening scene begins with a stark extreme close up of a woman’s face in black and white. The camera focuses on her startled eyes that dart from side to side in an ominous manner that is coherent to the genre of thriller and its ability to perpetuate a feeling of unease. As the camera continues to zoom inwards towards her pupil, the image turns a deep red and we notice the emergence of animated spirals superimposed onto her iris. As the screen changes from monochrome to red the non-diegetic sound of mood music alerts the viewer to the insidious nature of the thriller, instilling a feeling of unease. Hitchcock’s use of the colour in this scene is unconsciously interpreted by the viewer as menacing or foreboding, as the colour red suggests an allusion to blood and death. The spirals foreshadow the plot’s concern with vertigo and hypnosis, anticipating the use of the spiral motif throughout the film. This use of psychedelic animation with film produces a metaphor that is sustained in the plot, whereby reality becomes inseparable from illusion. Scotty is first introduced to the illusionary construct of the character of Madeline in the catalytic scene set in Gavin Elsters office. A contrast is made between the affluent and powerful shipyard owner Elster and the unemployed, disabled figure of John Ferguson in order to establish a hierarchy of power. This power relation is reflected in Hitchcock’s use of Mis En Scene, camera angles and diegetic dialogue. The spatial relationship between the two characters is confirmed through the use of an establishing shot that situates the commanding figure of Gavin Elster dominantly behind his desk in order to convey that Scotty is subservient to Elsters plan. A series of shot reverse shots ensue ...