The movie “Rize” by David LaChapelle involves dancing style called krumping. This movie/ documentary has clowns krumping. Apparently when this documentary was filmed, clowns and krumping was a huge thing at the time. Krumping is a hip hop style that is characterized by aggravation or anger with the movement of arms and legs. When people krump, it may seem like they are hitting each other but that is not true. They pretend to hit each other to give off an angry effect. If a person has never heard or seen krumping before, he or she would think the dancers are fighting. It looks violent, but there is no hitting involved. The groups in the documentary have a krumping competition at the end. The events that lead up to the competition and the events …show more content…
that happen after the competition cause conflict for the clown group. Although majority of the documentary involves krumping, it is about overcoming the odds and conflicts that the clown’s have to face. In the documentary, there are many aspects of conflict that involve the groups lifestyle and status. The first conflict in the story is the clown’s lifestyle.
The other krumping groups look at the clowns as if they are a joke. The groups laugh at the clowns for wearing makeup, dressing up in wigs, big colorful clothing, and floppy shoes. The krumping group has made a huge stereotype on the clowns because of their appearances. A stereotype is a person or group’s assumptions of what people are like, whether true or false. The clowns wear makeup because they are trying to prove that they are different, and the fact that it is okay to be different. The clown group is trying to overcome the struggle that they are not like the other krumping …show more content…
groups. The community is filled with loving and humble people that have the same struggles and conflicts. The clown’s community is a big gemeinschaft, meaning that their intimate community describes village life in which where everyone knows everyone else. They have life-long friendships, kinship ties, and personal connections. The leader of the group, Tommy, knows majority of his neighborhood. He laughs, hangouts, and talks with the people around him. The people in his community helps him even when he’s struggling. For example, all of friends helped Tommy when his house was broken into. Tommy faces the biggest struggle at that point because he does not know what to do. Tommy’s friends supported him and reassured him that everything will be alright. They mentioned that Tommy can only rise up at that moment and prove to the other groups that he is unstoppable. Most people look up to Tommy because he is a role model.
He is the expressive leader or socioemotional leader to the clown group because he is always trying to be humble and find a reason not to fight back with others. The definition of an expressive leader or socioemotional leader is an individual who increases harmony and minimizes conflict in a group. Tommy and his group do not want to cause any type of conflict. They are seeking to break the struggle and protect their status. Tommy sets core values for his group to follow in order to achieve their goals. Core values are the values that are essential to the group around which it builds its common identity. From watching the movie, one can conclude that Tommy’s groups core values are freedom, hard work, achievement and success. Those core values will result in achieving the status and identity the group
wants. “Rize” is simply about a group of people who feel like an outcast from society. The group is filled with the most humble, caring, and hard workers ever. Throughout the course of the movie, they overcome many conflicts that the other groups gave them. From those conflicts, they learned and turned out better because of it. The moral of the documentary is that the group’s lifestyle and status can only rise and become better.
The climax of the story is when Miles is shot by the Bonewoman. The reader comes to realize that Miles’ choice to live life on the safe side was a mistake:
Darryl’s life is worth fighting for. “You can’t buy what I’ve got.” ‘The Castle’ directed by Rob Sitch, about one man, his family and neighbours on the verge of being homeless. Darryl Kerrigan, the “backbone of the family” won’t stand for that. Of course no one can buy what he has. He’s spent almost his entire lifetime building what he has, why should he give it up? Darryl’s way of life is simple yet filled with family values. 3 Highview Crescent is the home to Darryl, his wife Sal and their 3 children: Wayne, Steve, Tracy and Dale. (Wayne currently being in jail.) The house is made up of love, and simple family values. Darryl’s also added bits and pieces to it. He’s added on so much to the house, his own personal touch. His neighbours, also in the same bout are almost family to the Kerrigans. Jack and Farouk are another reason why Darryl’s ready to take matters into his own hands.
During the summer, I read a novel entitled Nilda written by Nicholasa Mohr. I found the novel interesting and different from ordinary novels because Nilda had a different style of writing, a journal-like style. The story is mainly about the life a young Puerto Rican girl named Nilda during the years of World War II. Nilda goes through numerous experiences that are both good and catastrophic. From camp to miracles and new friends to losing loved ones, Nilda is a novel of surprises waiting to be uncovered.
One Child’s Courage to Survive. “ A Child Called It ” Abstract This is one of the best, yet saddest books that I have ever read. There are so many bad things out there that are happening to good people. We just have no idea.
In Charles Frazier’s Cold Mountain, the theme of music is one of the novel’s most powerful themes. From symbolizing character growth to the healing of physical wounds, music plays an integral part in this novel. While many critics will point out that music has little effect on the human psyche, Charles Frazier shows his belief that music does indeed have a profound effect on the human mind throughout Cold Mountain. Throughout the novel, Inman, Ada, Ruby, Stobrod, and many other characters experience music that allows them to keep faith against the odds or even heal their wounds! There are three major types of music used in this novel; hymn music, folk music, and “natural music”. It is through these types of music that the characters in this novel regain their strength to continue their journeys. Many critics of Cold Mountain claim that Frazier ignored certain historical facts in order to make his point. However, when writing about the music of the South during the Civil War, Frazier stays very accurate in the use and power of music. In the world of Cold Mountain as well as the historical South, music is an extremely powerful force.
1. In the book, the father tries to help the son in the beginning but then throughout the book he stops trying to help and listens to the mother. If I had been in this same situation, I would have helped get the child away from his mother because nobody should have to live like that. The father was tired of having to watch his son get abused so eventually he just left and didn’t do anything. David thought that his father would help him but he did not.
Speak is a cleaver and an ironic title for a story in which the main character chooses not to speak. The story is written in first-person narration from the point of view of protagonist, Melinda Sordino. Speak is written like an interior monologue in the mind of an introverted teenage girl, like excerpts from her personal diary during her miserable freshman year of high school. Instead of blending in and finding her way through high school. She withdraws and secludes herself from the other students. She calls herself an "outcast." Melinda is so desperate to hide from the world; she turns an old janitor's closet at the high school into her safe haven. She cuts classes to hide in her closet. How lonely could this teenage girl be? All of these characteristics are common in assault victims. Melinda has been seriously disturbed by something traumatic and doesn't feel comfortable talking about it, nor does she really trust anyone. Teenage depression is a common
In Righteous Dopefiend, Philippe Bourgois and Jeff Schonberg provide a powerful and poignant account of the culture and challenges faced by homeless heroin addicts in San Francisco. Numerous factors, including structural violence, affect the health and quality of life held by the addicts creating a unique set of challenges for health care providers and law enforcement agencies. The problem of heroin addiction is not one-dimensional and many issues go into creating a “syndemic” (Sobo 193). Heroin addiction deserves to be looked at from many angles so that effective solutions can be introduced to help those affected, including the unique community of the Edgewater homeless.
The documentary “Rize” by David LaChapelle, focuses on the lives of Black Americans who live in South Central Los Angeles and the struggles they go through in their daily lives. Moreover the film also introduces two types of dancing groups that they have in the community. These dance groups are meant to keep the youths and children occupied and distracted from all the problems that have been going on in their community, such as the LA riot. The two styles of dancing are Clowning and Krumping. Clowning was created by Tommy the Clown in 1992. Tommy used to be a formal drug dealer, he went from having his life together to losing all his money and house. However, instead of doing nothing productive with his life, he decided to help his community by changing the lives of others through entertainment. In addition, not only did this dancing group help him get to a better place in life but also the group members are like his family. His main goal was to help put similes on people’s faces and help get some of these children and youths away from gangs. On the other hand, Krumping was also generated from Clowning, however Krumpers believe that their form of entertainment is different from clowning. Moreover, these dancing groups main focus is to distract the youths and children in the community by giving them the opportunity to do something they love, which is dancing. Furthermore, passion, spiritual connections and connection to the African culture are conveyed through the film by Clowning and Krumping.
Sidewalk is a book written by Mitchell Duneier, an American sociology professor at Princeton University, in 1999; where the book has gained a lot of favorable reviews, leading its winning the Los Angeles Times Book prize and C. Wright Mills Award. Similarly, the book had become a classic in urban studies, especially due to the interesting methodology, which was used by Duneier while he was conducting his research. The book is based on observations, participant observation and interviews, which gave the author the ability to live and interact with the book and magazine vendors on daily bases. Although, this gave him an insight into the life of the sidewalk, many methodological issues have concerned scholars and students of sociology since the day this book was published. Duneier had admitted during the book that he couldn’t be completely subjective while conducting his research and writing his book due to his involvement and personal relationship with people who work and live at the sidewalk, which raise the question, whether the research is still relevant if the researcher is only giving us an objective outcome?
The Play "Sure Thing" from David Ives examines the endless variations of boy meets girl and the ensuing pick up lines. The central theme throughout the play displays a few varieties of a possible conversation that end with a ringing bell that symbolizes a fresh start and a second chance to make a good impression.
Powder, a short story written by Tobias Wolff, is about a boy and his father on a Christmas Eve outing. As the story unfolds, it appears to run deeper than only a story about a boy and his father on a simple adventure in the snow. It is an account of a boy and his father’s relationship, or maybe the lack of one. Powder is narrated by a grown-up version of the boy. In this tale, the roles of the boy and his father emerge completely opposite than what they are supposed to be but may prove to be entirely different from the reader’s first observation.
In the novel “Hunger” by Knut Hamsun, the novel’s narrator is unfortunate enough to go through delusions and pains that are caused by what many people cannot experience in the modern days; state of being hungry. As the novel progresses narrator becomes more intoxicated into state of delusion as the hunger deepens. In many scenes of the novel, narrator relates to God many times. Narrator blames, thanks, and even to talk one-sided dialogues with his imaginary God. While many can think that God doesn’t take key parts in novel and let it slip as just another symptom of narrator’s delusion, the scenes with God being a part reveals that God plays both scapegoat and a person of gratitude for narrator’s outcome for every action he takes. From the passages it can be deducted that both narrator and Hamsun have attitude that God is ominous and act as catalyst in everyday life.
When reading the book The Goal written by Eliyahu Goldratt, there were many lessons that I learned in order to have a clear and concise understanding of a positive level of productivity in a company. To have a positive level of productivity there are may components that are taken into consideration. Understanding what it actually means to be productive and how to increase the level of productivity by knowing the actual goal of the company that is trying to be reached and the components that go into the process of being productive. There are many factors that contribute to the level of productivity and being able to identify these factors is the key ingredient to having a successful level of productivity.
In Pouliuli, a novel written by Albert Wendt, Faleasa Osovae awakens to find the life he’s been living all along is a mere façade. Pouliuli invites readers into the Samoan community of Malaelua, which is turned topsy-turvy when Faleasa misleads his aiga and community by acting maniacal. Albert Wendt ties a famous Malaelua saga about a mythological hero named Pili to Faleasa Osovae’s life. In the myth as well as in Faleasa’s story, they both had the same goal, which was to live the rest of their life “free”. To accomplish this goal, they both had to accomplish three tasks. Pilis’ tasks were to eat a mountain of fish which the giant’s had caught that day, to race the giants down a river, and make himself disappear. Faleasas’ tasks were to destroy Filemoni, Make Moaula the new leader, and remove Sau and Vaelupa as council leader. Of course they couldn’t have done these tasks alone so both of them enlisted help from friends. Pili enlisted the help of Tausamitele, Lelemalosi, and Pouliuli. Faleasa enlisted the help of his long time friend Laaumatua and his son Moaula. Finally to get the freedom they so wished for they had to complete one last task. In Pili’s case it was to divide his kingdom among his children while Faleasa had to remove Malaga as congress of the village. In the end, they both end up with nothing. Both ending up in the darkness of Pouliuli.