Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Primary and secondary sources of data in research
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Are eyewitness’ a reliable source in written history? Primary sources in dictated word are direct accounts written in the time period, which that author is referring to. Primary details along with secondary sources, or narrative from a retrospective view, can lead a building into an interesting perspective. A basilica in Istanbul, Turkey, the Hagia Sophia, has primary literature, such as Byzantine court historian Procopius’ description, at the same time having secondary accounts of the building. Architectural historian, Richard Krautheimer gives a critical recollection of the Hagia Sophia, whereas Procopius lends himself to a more decorated description of the Hagia Sophia (H. Sophia). Based in a modern bias, Richard Krautheimer digs deep …show more content…
Sophia. His text shows the perspective, one can assume the Byzantine court had, of Emperor Justinian at the time. Using Krautheimer’s angle to view Procopius’ writing, it is clear Procopius is from a biased frame of mind. When Procopius is talking about H. Sophia, he lends himself to praise Emperor Justinian and the gods for the talent it took to build such a structure, Ibid. He tells a story-like chronicle of the H. Sophia, not to mention he leads the reader to marvel at such feat the emperor completed. Eloquently described, every detail of the H. Sophia is perceived to be beautiful and god-like, which is pointed out by Krautheimer as well but in a materialistic view. Fig 2. shows the broad marble and gold foil, which Krautheimer expands and states that to build such a building would cost one-hundred eighty million US dollars Ibid., 206. In the primary writings of Procopius, he does not allude to any economical proportions like Krautheimer does. Procopius fails to know context of Fig. 2, Istanbul Turkey, Hagia Sophia. Getty Images. 2015. the architecture of the time, that being said he is able to explain the H. Sophia with fresh eyes and a colorful
Did the creator have any bias? I do not know the creator’s background, so it is very hard to tell if he or she has any bias. However, I do know the writer defends Rockefeller and the Standard Oil Company. 8.
The difference between an archaic statue such as Kroisos (fig. 5-11) and a classical statue such as Doryphoros (fig. 5-42) may not seem very great in a single glance. In fact, you may not notice any differences in that one glance. Yet, if you were to look at them closely, you can see that these two statues actually have very little in common.
The word “bias” has always had a negative connotation. Although it is used synonymously with bigotry and prejudice, its meaning is actually more akin to “point of view,” “personal tendency,” or “preference.” Just as every individual has her own worldview, so she has a set of biases. These biases are often observable in a person’s habits, speech, and, perhaps most explicitly, writings. Daniel Boorstin, renowned University of Chicago professor, historian, author, and librarian of Congress, is undeniably biased towards certain cultures in The Discoverers. A book chronicling mankind’s scientific history, its first words are “My hero is Man the Discoverer.” In his telling of “man’s search to know his world and himself,” Boorstin declares that
...understandable of making use of perfect architectural form as geometry, in terms of believe and as well as architecture. His design was straight to the point , making use of geometrical shape and it’s magnificent meaning which itself emphasises a perfect form and perfect centre point at its middle, which itself is a powerful remark on the focus point of the building (crucifixion spot at Tempietto and the pulpit at the Basilica) this achievement is more effective rather than using of coloured and expensive material ,gold ,sculpture ,painting ,large windows and light or other architectural elements which Baraque architecture used to bring about the attraction and highlight it’s point in the building.(the Alter of Grace at Church of Vierzehnheiligen)
The Hagia Sophia is a stunning, spherical-shaped building made of marble and gold (Doc. 4). Justinian built the Hagia Sophia, which means “Holy Wisdom” in Greek, after a church of the same name was destroyed in riots in Constantinople (outside information). Procopius, Justinian’s court historian, described the church as “suspended from heaven by the fabled golden chain” (Doc. 4). Undoubtedly, visitors to the Hagia Sophia are left breathless by its beauty (outside information). Other churches that Justinian built include the Church of St. Salvator in Chora and the Church of the Apostles (Doc. 5). Justinian’s churches were beautiful; however, they were created to be more than just a display. The churches caused people to feel a connection with God, which helped unify the empire under a single faith. The bonding of the Romans under one faith helped strengthen the entire empire. Moreover, the abundance of churches in Constantinople helped make the city the center of religious power (Doc. 5). Evidence of Justinian’s legacy can be found when one realizes that the Byzantine Empire’s revived culture influenced Orthodox Christianity, a major branch of modern
The book gives valuable information about Justinian and his age. It covers Justinian's life, his reforms and every action he took. It gives information about the relationship between Justinian and Theodora and its effects on the Empire. It gives a vivid picture of the Byzantine Empire in Justinian's age. The writer of the book also included the writings of some important scholars such as J.B Bury, Norman Baynes and Gibbon's. However the writer of this book did not live to see it print it is a fact that he wrote a great book full of information, giving the reader detailed sketch of Justinian's Age.
The Hagia Sophia and the Dome of the Rock are two of some of the greatest and most important monuments in the Eastern and the modern world. The Hagia Sophia is an amazing depiction of the Byzantine architecture. It symbolizes the “Golden era” of the Byzantine Empire and is a symbol of modern day Istanbul. The Dome of the Rock is located in Jerusalem. The Dome of the Rock is currently a shrine for Islamic believers and some Jews that believe the grounds are sacred. It holds a great religious significance to the rise of Islam in Jerusalem. Even though these major achievements in architecture were built at different times and were built with different styles, they hold many similarities. These similarities include such fascinating examples of
Kazhadan, Alexander. Studies on Byzantine Literature of the Eleventh and Twelfth. NewYork: Cambridge University press, 1984. Print
As I walked up the street toward the front of Grace Cathedral, I was in awe at the size and ornateness of this cathedral. It was tall and wide and looked very much like the churches we had been studying in class in the prior weeks. As I got closer and closer I began to make out The Ghiberti Doors, also known as the gates of paradise. These are the main cathedral doors made out of bronze, and are replicas of the originals which stood centuries ago at the east entrance to the Baptistry of Florence Cathedral (the Duomo) Italy. I approached and spent about fifteen minutes, just examining all the different engraved scenes within the ten sections in the two doors. After I had finished looking at the Ghiberti Doors, I entered through one of the side doors, since you are not able to use the Ghiberti Doors, because they weight too much. Before I stepped inside the cathedral, I pulled out my text analysis and read over it, so that when I entered I could examine whether or not this cathedral exuded the same sacredness as the cathedral in the text analysis. I feel this Cathedral really does exude not entirely the purity of heaven, but does seem to somewhat separate you from the outer world, as Abbot Suger spoke of. Also, it brings in some of the surrounding beauty from St. Denis, such as the sapphire and stained glass, as well as the gold plating.
Procopius continues to give Justinian a bad reputation as an individual and as an emperor by writing, “This Emperor, then, was deceitful, devious, false, hypocritical, two-faced, cruel, skilled in dissembling his thought, never moved to tears by either joy or pain, though he could summon them artfully at will when the occasion demanded...” Even
Krystek, Lee. "Hagia Sophia." The Museum of Unnatural Mystery. N.p., 2012. Web. 30 Apr. 2014.
It was written in the sixth century and takes place in Byzantine. He wrote this, because he was disgusted by the emperor and his wife Theodora. 2. What is the difference between a.. Procopius starts this document stating that Theodora is nothing more than a prostitute.
The Byzantine Empire, the eastern half of the Roman Empire, flourished as an impressive medieval civilization. This empire was rich with geography, culture, and trade connections due to its location in Constantinople, the isthmus between Asia and Europe. It also lasted for over a thousand years and reached its height and glory during the sixth century, under the reign of Justinian I (Justinian the Great) and his empress, Theodora. They both came from the lower class and gained status to work their way to being rulers of the empire. Justinian and Theodora are important figures in history because they ruled the Byzantine Empire at its height and made many reforms during that time which many still exist today.
...ral (138 ½ feet), Michelangelo’s St. Peter’s (137 ½) and Wren’s St. Paul’s (109 feet). Until steel and concrete technology advanced in the 19th century, no single spaces were larger than these. Bibliography Dirimtekin, Feridun. [1964]. Saint Sophia Museum. Istanbul: Touring and Automobile Club of Turkey. Fossati, Gaspare. 1852. Aya Sofia, Constantinople : as recently restored by order of H. M. the sultan Abdul-Medjid. London: R. & C. Colnagni & Co. James Stevens Curl. Classical Architecture: an introduction to its vocabulary and essentials, with a select glossary of terms. New York: Van Nostrand Reinhold, 1992. ISBN 0-442-30896-5. NA260.C87. interior photo of circular space (photo of the prostyle octstyle portico of the Pantheon) William L. MacDonald. The Architecture of the Roman Empire I. New Haven, CT: Yale University Press, 1982. ISBN 0-300-02818-0. LC 81-16513
6. Shear, Ione Mylonas. “Maidens in Greek Architecture : The Origin of the « Caryatids ».” In: Bulletin de correspondance hellénique. Volume 123, livraison 1, 1999. pp. 65-85.