Rhetorical Questions For Night By Elie Wiesel

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Joseph Sobieralski Mr. Jaskula English 10B (3rd hour) 14 Apr. 2024 Night: The Post Essay Elie Wiesel is one of the most iconic Holocaust authors, most famously known for the book Night: a book about his experiences during the Holocaust. He is also well known for his intriguing literature style. To understand his style, however, we first must understand the history behind his works. The Holocaust was the Nazi regime that operated behind World War 2. Its goal was to obtain an Asian race and eliminate the Jewish population. To do this, they had mass crematoriums and gas chambers built that killed millions. Weisel and his family had to endure the pain and suffering of the Holocaust for months, and he was the only one that survived. The pain that …show more content…

Some devices he uses to display this are interjections, ellipsis marks, and rhetorical questions. In the novel Night, interjections add an extra sense of mood and impressionism to the story. For example, Wiesel uses exclamation points in the quote “You will be burned! Burned into a cinder board! Turned to ashes” (31)! These interjections create a mood that revolves around fear to show you how angry the man saying these words was, and, how scared Wiesel was. Wiesel also used his interjections to convey a mood of excitement and hope. An example of this being used is in the quote “How close the Russians were! With a little luck, the Russians would be there before the evacuation. Hope is still alive” (Wiesel, 83). Ellipses can create a somber or dramatic shift in mood, enhancing the impressionism of a novel; Wiesel uses them very effectively. “I am asking you. take it, do as I ask you, my son. Time is running out, do as your father asks you.”(Wiesel, 75). This quote sets the mood for exhaustion and urgency coming from Wiesel’s father, fitting the subject of his father potentially getting killed. We see Wiesel using ellipses to also create a somber and dehumanizing mood, as can be seen in the quote, "Perhaps he was still breathing..." (Wiesel,

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