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Character development introduction
Character development introduction
Narrative techniques
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Norman Mailer writes about the death of Benny Paret, a Cuban boxer, using various rhetorical strategies to create lifelike imagery and sensations. The effect produced is that the reader feels like they are actually there, spectating the fight and only a couple feet away, spectating the death of Paret. Mailer uses a colloquial diction to achieve this effect, with choices like “whaled” and “orgy”. He chooses these words because they are words that the common man are familiar with and that they understand. Therefore, the reader knows what is taking place and can imagine it more clearly. Furthermore, Mailer’s awed tone helps the reader feel the atmosphere of the fight, therefore feeling as if they were really there, with choices like, “I was hypnotized,”
Throughout the whole essay, Mailer interspersed various stylistic devices ranging from diction to syntax in order to give the reader an overall melancholy mood to reflect how he felt that day when he witnessed Paret die. Since he had utilized these stylistic devices, he had engendered potency for his passage as a whole and he had reinforced the mood throughout the passage with efficacy. More importantly, from this passage, Mailer wanted the reader to remember the significance of Benny Paret and the fact that surprises lurk in every corner of life.
Throughout the course of this novel, Ishmael Beah keeps the readers on the edge of their seat by incorporating interchanging tones. At the beginning of the novel, the tone can be depicted as naïve, for Beah was unaware to what was actually occurring with the rebels. Eventually, the tone shifts to being very cynical and dark when he depicts the fighting he has endured both physically and mentally. However, the most game changing tone is towards the end of the novel in chapters nineteen and twenty. His tone can be understood as independent or prevailing. It can be portrayed as independent because Beah learns how to survive on his own and to take care of himself. At the same time, it is perceived as prevailing and uplifting because Beah was able to demonstrate that there is hope. Later in the novel, Beah travels to
Born in 1956 in Mexico City, Juan Villoro is the author of many well known books such as “El Testigo” which was recognized and was honored with the Herralde Prize, and other books like “La Casa Pierde” and “Efectos Personales”. Juan Villoro stands out with his style of writing using impressive array of topics with insight, dark humor, irony, and the social and cultural functions of spectator sports like boxing and soccer. With his interest in sports, he enjoys writing about the deep passion that is represented in the sport, with his story “Lightweight Champ”, a short story about a professional Mexican boxer and his journalist/drug addicted childhood friend who came from poverty in the early years in Mexico. Juan becomes very interested in investigating why what happens in sports, giving people interest in what their reading, making them think about lets loose superstitions, systems of belief, hopes, disappointments and so on. The story “Lightweight Champ” talks about how guilt was the motivation to Ignacio Barrientos’s success in his career as a professional boxer, yet no one knew his past, that gave me that stride and edge in the ring other than a few people, including the speaker of the story. Guilt is a feeling where can last a moment or a lifetime, leaving an unphysical effect on yourself, and finding a way to deal with it, so it does not eat us up inside.
The tone of Brendan Galvin’s poem “An Evel Knievel Elegy” is quickly established by the writer’s use of the word elegy. Elegy is defined to be a sad lyrical poem or song that expresses sorrow for someone who is dead. In this poem the writer chooses to reflect on some of the public events in the life of motorcycle stuntman, Evel Knievel. This free verse poem has no stanzas or rhyme scheme and there is no set rhythm. The poet’s use of the word “We” in the first line implies the speaker and the poet are one in the same.
In “The Man I Killed,” O’Brien uses descriptive language to describe the individual that he supposedly killed. In this chapter, the reader is given a clear description of the body that O’Brien sees on the path, already dead. O’Brien continues to describe not only the physical features of the body, but also
In the biography C.S. Lewis: Master Storyteller by Janet and Geoff Benge, several moments and images are portrayed showing vitality in their writing. Countless experiences aided to the changes that took place in C.S. Lewis’s life, and each affair displayed vital conceptions which illustrated clever pictures for one’s mind. From the deaths in his family and even being thrown into the heat of the battlefield, like in World War 1, one could feel as if they were experiencing the battle themselves. For example one scene is describing Lewis while he watched several men dying from either side trying to gain a portion of no-man’s land (Benge & Benge, 2007, p. 58), the scene is depicted being littered with dead bodies and barbed wire surrounding deep trenches of the battle.
Randall Jarrell utilizes strong diction to create a very raw and surreal viewpoint of war. The soldier’s emotionless description of his death reveals
Ultimately, Roethke’s use of negative diction influences one to believe that his poem tells the story of his abusive father. With the use of negative diction, the author is able to create a woeful and melancholy tone that paints multiple eerie images. After carefully analyzing the poem, one can conclude that the author tells his traumatic experience with his abusive father; Roethke is “beat” on his “head,” his “right ear scrape[s] a buckle,” and he “rompe[s]” to the point that pans begin falling. The author shares his experience as a dreadful memory, not a joyful dance with his father. Roethke uses negative diction such as “romped,” “death,” “whiskey,” “beat,” “scraped,” and “battered.” All these words have a negative connotation that illuminates
Diction is used through out the poem Execution to effectively portray the Coach's character through out the story and the battle he is fighting with cancer. In the story the game of football was used with an extended symbolic meaning representing the game of life. At the beginning of the story Hirsch used phrases...
Authors use figurative language to express nuanced ideas, those that beggar literal description. Such language provides the author an opportunity to play with his reader’s imagination and sense. A piece of literature that uses figurative language is more intriguing and engaging than a writing that aims only to explain. Ralph Ellison’s use of figurative language in “The Battle Royal” paints a powerful and unique story of oppression and the struggle for self-discovery. His juxtaposition of literal and figural language gave the story a dream like quality, all while creating a profound and vivid image.
The subject of death is one that many have trouble talking about, but Virginia Woolf provides her ideas in her narration The Death of the Moth. The moth is used as a metaphor to depict the constant battle between life and death, as well as Woolf’s struggle with chronic depression. Her use of pathos and personification of the moth helps readers develop an emotional connection and twists them to feel a certain way. Her intentional use of often awkward punctuation forces readers to take a step back and think about what they just read. Overall, Woolf uses these techniques to give her opinion on existence in general, and reminds readers that death is a part of life.
The rhetorical components of the gaze may then be the fundamentals of narrative discourse like abstract, orientation, complicating action, evaluation, resolution and coda of the six abstract determiners the category of event or situation constituting a focusing procedure. As a result, an audience’s interest is stimulated and the tool of gaze evokes either implicitly or explicitly a sense of reciprocity. Orientation can be better named as ‘eventuality’whereby the characters involved in the story are vividly projected on the fictive screen as thinking and feeling subjects or objects. Complicating action propels the character to move on with a belief that his life was all sunny in days to come. Evaluation foregrounds an action or events that the events or the subjects may be dangerous, weird, wild, crazy or amusing with
Most stories have an exposition, rising action, climax, falling action, and a denouncement that make up their plot. In the exposition of “Unjustified Fears,” the narrator explains that they recently visited their friend, Enrique Viani, who “suffers from somewhat unjustified fears” (Sorrentino 1). They then begin to tell the story of what happened to Enrique two
In the short story “Poison” by Roald Dahl, the author's expressive style was successful in emanating an impact by using a visual setting that puts the audience in the place of the character, suspense that keeps the reader on edge, and imagery that draws the attention of the reader by using vivid word choice. Readers saw how he used description to specify the setting. Likewise, the author made the audience feel as if they were right there in the story. Along with the use of uncertainty, he used suspense to make the reader have a sense of worry or tension. Lastly, Roald Dahl used imagery, one of the greatest elements, to express that visual feeling in the story. Making the reader know additional information that could help along the story. Given
Hall’s prose lulls the reader, contrasting a growingly eerie mood with an overall calm tone. Hall has no great love for her characters in the tone of the narrative, though she shows some sympathy for the woman’s plight. Only at the climax does the prose become fast-paced, and then only for a moment before a terrible calm once again takes over. This too, shows where the real priorities lie. There is no mournful pause for a dead man, but there is a solemnness to the woman’s retreat, allowing the reader to process what the woman’s safety has cost