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Critical background on C.S.Lewis
Essay about c.s lewis life
Critical background on C.S.Lewis
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In the biography C.S. Lewis: Master Storyteller by Janet and Geoff Benge, several moments and images are portrayed showing vitality in their writing. Countless experiences aided to the changes that took place in C.S. Lewis’s life, and each affair displayed vital conceptions which illustrated clever pictures for one’s mind. From the deaths in his family and even being thrown into the heat of the battlefield, like in World War 1, one could feel as if they were experiencing the battle themselves. For example one scene is describing Lewis while he watched several men dying from either side trying to gain a portion of no-man’s land (Benge & Benge, 2007, p. 58), the scene is depicted being littered with dead bodies and barbed wire surrounding deep trenches of the battle. …show more content…
“As Jack looked frantically over at Sergeant Ayers, who was advancing beside him, he heard an ear-shattering boom and saw a bright flash, and then Jack’s world went blank and silent. Jack fell face first into the dirt.” Lewis (Benge & Benge, 2007, p. 61). The descriptive scenes of the battle show the reader harsh and dire situations which affected the soldiers, one would understand what it would be like to experience a first hand battle. The characters portrayed in the story seem to come to life and one can share the experiences that the characters are having in the given moment. C.S. Lewis was a very relatable man and the way he is depicted in this book shows that he was a very intelligent man and he too struggled with many conflicts throughout his lifetime. When Lewis started writing The Lion, the Witch, and the Wardrobe many of his friends thought that his story was too childish and would not capture the eye of any adult readers, “Finally a letter from Geoffrey Bles
“The war correspondent is responsible for most of the ideas of battle which the public possesses … I can’t write that it occurred if I know that it did not, even if by painting it that way I can rouse the blood and make the pulse beat faster – and undoubtedly these men here deserve that people’s pulses shall beat for them. But War Correspondents have so habitually exaggerated the heroism of battles that people don’t realise that real actions are heroic.”
“In many cases a true war story cannot be believed. If you believe it, be skeptical. Often the crazy stuff is true and the normal stuff isn’t, because the normal stuff is necessary to make you believe the truly incredible craziness.” Pg. 71 This is very true. It follows the saying “You can’t handle the truth” because if one hears it, they think it’s a lie, or the truth being stretched. The use of imagery allows the author to express the emotion he had when he was at war.
World War One or “The War To End All Wars” was one of the most devastating events in the history of humankind. When looking back at such a gruesome war it is understandable that we might dwell on the key battles and tactics, which are often summarized by statistics on death tolls. However, we often forget that statistics create an illusion that warps our perception of death. As Stalin put it “One death is a tragedy, a million deaths is just a statistic”. In the novel “The Wars” by Timothy Findley, the author draws away from traditional war stories by showing a true appreciation for life that truly touches the reader on a human and emotional level. Timothy Findley narrows in something anyone can relate to: a loving mother worried about her son risking his life in a war. This mother in the “The Wars” is Mrs. Ross, who represents the home front while her son, Robert Ross, fights for the British in World War One. As the book progresses and Robert gets further into the death trap known as the “Great War”, Mrs. Ross becomes increasingly obsessive and connected to her son as his fate becomes more clear.
War is often thought about as something that hardens a soldier. It makes a person stronger emotionally because they are taught not show it and deal with it internally. People say that death in war is easier to handle because it is for the right reasons and a person can distance themselves from the pain of losing someone. However, there is always a point when the pain becomes too real and it is hard to maintain that distance. In doing so, the story disputes the idea that witnessing a traumatic event causes a numbing or blockage of feelings. Rat Kiley’s progression of sentiment began with an initial concern for the buffalo, transforming into an irate killing of the animal, and then ending with an ultimate acceptance of death. These outward displays of feeling suggested that witnessing the death of a close friend caused him to become emotionally involved in the war.
Even visual media, which has improved remarkably over the last several decades, cannot express these feelings accurately. Today’s movies, photography and other digital media about wars are considerably more visual and realistic than in the past. They are capable of portraying events very close to reality. However, these photos and movie scenes still cannot make a person experience the exact feelings of another person who actually fought in a war.
Story Time, by Edward Bloor, Harcourt: United States of America, 2001. 424 pages. Reviewed by Mar Vincent Agbay
After an event of large magnitude, it still began to take its toll on the protagonist as they often “carried all the emotional baggage of men who might die” during the war (O’Brien 1187). The travesties that occurred with the brutality of war did not subside and began to affect those involved in a deeply emotional way. The multitude of disastrous happenings influenced the narrator to develop a psychological handicap to death by being “afraid of dying” although being “even more afraid to show it” (O’Brien 1187). The burden caused by the war creates fear inside the protagonist’s mind, yet if he were to display his sense of distress it would cause a deeper fear for those around him, thus making the thought of exposing the fear even more frightening. The emotional battle taking place in the psyche of the narrator is directly repressed by the war.
One of the worst things about war is the severity of carnage that it bestows upon mankind. Men are killed by the millions in the worst ways imaginable. Bodies are blown apart, limbs are cracked and torn and flesh is melted away from the bone. Dying eyes watch as internal organs are spilled of empty cavities, naked torso are hung in trees and men are forced to run on stumps when their feet are blown off. Along with the horrific deaths that accompany war, the injuries often outnumber dead men. As Paul Baumer witnessed in the hospital, the injuries were terrifying and often led to death. His turmoil is expressed in the lines, “Day after day goes by with pain and fear, groans and death gurgles. Even the death room I no use anymore; it is too small.” The men who make it through the war take with them mental and physical scarification from their experiences.
From sunrise to sunset, day after day, war demolishes men, cities, and hope. War has an effect on soldiers like nothing else, and sticks with them for life. The damage to a generation of men on both sides of the war was inestimable. Both the novel All Quiet on the Western Front by Erich Maria Remarque, and the poem “I Have a Rendezvous with Death,” by Alan Seeger, demonstrate the theme of a lost generation of men, mentally and physically, in war through diction, repetition, and personification.
Throughout our history, both recorded and unrecorded, there have been countless violent battles fought. From small skirmishes to full on declarations of war, humans have been involved with battling on another for all the reasons that they have. The only thing alarming is that, as time and technology progresses, the number of casualties and collateral damage have been increasing as well. In addition, the implications to the human mind, brought upon by the excessive violence, can be equally damaging. With that being said, the psychological implications brought upon by war can be reflected in several art forms, such as poetry.
C.S. Lewis was a brilliant philosopher, theologian, and author. Many things influenced Lewis throughout his life, and inspired him to write over 30 books. Even 50 years after his death, he still continues to change people’s lives. He believed there were many dimensions to fantasy and imagination. He stated that, "Great stories take us outside the prison of our own selves and our presuppositions about reality. Insofar as stories reflect the divine maker in doing this, they help us face the ultimate Other--God himself, distinct as creator from all else, including ourselves." (Morrow). Lewis inspires people to believe in God, be creative, and never lose their imagination.
War has a definite effect on the mentality of a soldier, so much so that many result in insanity during or after the leave of combat. Timothy Findley’s The Wars, portrays the “stupidity, futility and the horror of the terrible losses of the First World War, describing war as an image of the worst that can be within a man” (Anne Nothof Interview). Findley portrays mental aspects as well as physical, that lead to Robert Ross’ demises, specifically, the conditions of war, overall aspect of war taking someone’s life and the feeling of loneliness and silence.
encapsulates the futility and horror of war through the use of vivid war images like
Andrew Adamson’s 2005 film adaptation of C.S Lewis’ famous book The Lion, The Witch and The Wardrobe irrefutably captures the heart-warming spirit of the original novel. Of course it is slightly sensationalised, scenes are
	The pounding of shells, the mines, the death traps, the massive, blind destruction, the acrid stench of rotting flesh, the communal graves, the charred bodies, and the fear. These are the images of war. War has changed over the centuries from battles of legions of ironclad soldiers enveloped in glimmering armor fighting for what they believe to senseless acts of guerrilla warfare against those too coward to be draft-dodgers. Those who were there, who experienced the terror first hand were deeply effected and changed forever. In their retinas, images of blood and gore are burned for the rest of their life.