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The use of violence in literary
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Rhetorical analysis is utilized throughout the novella to assert Johnson’s main message of the beauty and danger of nature. Nature is only able to accept man when man complies with nature’s laws. Although nature’s spoils must be utilized to ensure survival in the desirous wild, it is not always accepting of man’s measures for survival: “It was only when you left it alone that a tree might consider you a friend. After the blade bit in, you had yourself a war” (14-15). The use of personification in this quote helps the reader to identify nature’s menace. By using the word “war”, Johnson signifies the impending doom that some men face once they challenge nature’s concrete laws.
It is understandable that nature would be cruel to those who challenge it, yet at times nature can be merciless. In the west, human inhabitants are forced to cope with nature’s harsh condition: “’I don’t get my gears turning smooth till it’s over a hundred. I worked on a peak outside Bisbee, Arizona, where we were only eleven or twelve miles from the sun. It was a hundred and sixteen degrees on the thermometer, and every degree was a foot long. And that was in the shade. And there wasn’t no shade.’” (16). The use of imagery describes the severity of nature and its lack of mercy, especially when stating that there was “no shade” to hide from the sun’s blinding rays.
At other times, nature can be a source of solace for those who have suffered. Following the death of Gladys and Kate, Grainier looks to the horizon to seek comfort from his crushing loss. “All his life Robert Grainier would remember vividly the burned valley at sundown, the most dream-like business he’d ever witnessed waking – the brilliant pastels of the last light overhead, some clouds...
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...s another facet of the wild that astonishes him or her more. "He was standing on a cliff...into a kind of arena enclosing... Spruce Lake... and now he looked down on it hundreds of feet below him, its flat surface as still and black as obsidian, engulfed in the shadow of surrounding cliffs, ringed with a double ring of evergreens and reflected evergreens"(112). The simile utilized by Johnson helps the reader to understand the gloom and beauty of nature. Since the flat surfaces are compared to obsidian, a dark and shining rock, it is evident that Grainier considers nature to be both beautiful and powerful. The reflection of the evergreens in the shadows emphasizes the vastness of nature and its glory.
With the use of vivid diction, literary devices, and syntax, Johnson is successful in asserting his message of beauty and danger in nature throughout Train Dreams.
“It is good to have an end to journey toward; but it is the journey that matters in the end.” -Ernest Hemingway. The Secret Life of Bees by Sue Monk Kidd is a coming-of-age novel written in the form of first person, using the internal monologue of a tween girl named Lily who lives in the very hostile, racist environment of South Carolina in the 1960’s. Lily lives in a household with her African American maid and only friend, Rosaleen, and her abusive father, T. Ray, who informs Lily that she was the one who killed her deceased mother as a child. In a search to find clues that deny this claim, Lily and Rosaleen set out to Tiburon, SC, a place her mother has indicated on the back of an unusual picture of a Black Madonna. The basis of the novel
Michelle Carr uses the rhetorical mode of argumentation for the purpose of persuasion in her article, “The Reality of Zoos.” Carr focuses on the issue of the imprisonment and maltreatment of zoo animals in her article. She effectively presents her points by using the persuasive methods of pathos and logos. Carr establishes an emotional connection with the reader by recalling an occasion she noticed how unhappy zoo animals were during a childhood memory. Carr also uses logic and reasoning; she appeals to the reader by using facts and figures about the suffering zoo animals experience, for instance, the animals developing “zoochosis” and the animals being forcibly inseminated for money-making purposes. By establishing an emotional connection
"The Arctic National Refuge stands alone as America's last truly great wilderness." These are the words of former President Jimmy Carter as mentioned in Subhankar Banerjee's book "Arctic National Wildlife Refuge: Seasons of Life and Land, A Photographic Journey." Carter strongly believes that the Arctic National Refuge in America must be preserved. He argues that establishing industrial plants in the refuge will destroy the habitats of many different species, affecting the ecosystem around them. His claims are backed up using various different rhetorical strategies.
The agenda of this expert from the ‘The Jungle’ is to call to attention the false hopes immigrants are given in the form of the apparent American dream, Upton is able to justify this idea by using contrast which persuades the audience emotionally. “Ona, too, was falling into a habit of silence- Ona, who had once gone about singing like a bird,” (Sinclair). The contrast of the particular passage shows readers not only the physical, but also emotional drainage low class immigrant workers face. Through Sinclair’s diction, readers are able to recognize the setting of the story as the United States, this calls to mind the known motto of moving to America and living the “American Dream”. Phrases such as “was falling into silence” and “Ona who had
Biologist, Rachel Carson published the book, Silent Spring in 1962. Her book changed the minds of many Americans towards their way of thinking towards the environment. Carson argues that Parathion should not be sprayed because it is harmful to not only birds but other animals or even humans. She uses rhetorical devices such as an agitated tone and diction, metaphors, rhetorical questions, and similes.
Imagine you just bought and drank a can of soda. What do you feel? Refreshment? Quashed thirst. How about this? You just killed someone who could have been saved if you hadn’t bought that can of soda. Peter Singer introduces this situation in the first page of his book, The Life You Can Save. He argues something brand new, “you have money to spend things you don’t really need”(xi). He’s not solely referring to massive yachts and multi-million dollar houses. He contends that by spending money on small unnecessary things you are allowing people to die. Essentially, killing them.
From the very first steps of the new settlers on the American continent, its uncivilized nature, full of smell of the forests, of freshness of the air, and of almost prelapsarian variety of flora and fauna, came to be associated with unlimited wilderness. However, under the vigorous attack of developing civilization the untouched virginity of the New World soon began to recede, irretrievably losing its wild independent beauty. For a great number of American writers this confrontation of nature with civilization became a theme for the never-ending discussion. The short story of an American writer regionalist Sarah Orne Jewett, "A White Heron", is one of the works written on this touching American theme. In this story the author presents the conflict by juxtaposing a little country-girl Sylvia, who lives in harmony with nature, to the bird-hunter from a town. She does so through identification of a girl with nature and boys ^ with civilization. While the girl stands for the innocent femininity of natural world, who loves and cares about the creatures around, the boys are associated with aggression, danger and warlike elements of civilization. Thus she implies the idea that nature is just like a harmless little girl just exists in peace with every tiny thing around, while civilization, like a young man with a gun, by its utilitarian love for nature senselessly annihilates the artless creation.
In the book, Eating Animals, author, John Safran Foer engages his audience on an investigation for deeper knowledge on animal consumption and ethics. Foer conceives that animal agriculture, through factory farms, is geared more so towards the callous slaughter of animals than human consumption, thus, negatively effecting the world. I agree with the thesis put forth by Foer because the slaughter process is brutal and unnecessary and a main source for the earth’s deterioration.
In Singer's first chapter, Animal Liberation, he addresses many arguments against and for speciesism though his opinions and other philosophers. Singer explains speciesism as a prejudice or an attitude of bias against the interests a species that is not your own species. Singer quotes Jeremy Bentham who introduces the idea of suffering being a factor to consider the rights of slaves and animals. Singer further explains that the capacity to feel enjoyment and the ability to suffer "is a prerequisite for having interests at all." Additionally, another example of speciesism that Singer missed, when a nonhuman species is discriminated against in comparison to another nonhuman species. Specifically, responding to the interests of domestic dogs versus
What happens when societies experience the inevitable pain that comes with times of great trouble? In these times of trouble people rise up with a solution. And these people have good intentions but they turn into a bad thing. It is only themselves that they want to help not the others in need. But to get away with things they need someone to blame an scapegoat, someone who is innocent but is blame for all the problems which is happening. Once the scapegoat is gone the person can finally rise up and take control. With this new person in charge they will make song, anthems, chants, and slogans about themselves. Then they will make improvement and pass laws, to their liking, so they can show themselves good enough for being the leader. Anyone
All human beings go through rough times in their life, whether it is a simple choice or a life-changing decision, it is inevitable. There will also always be people who support and uplift you, while others debase and degrade you for their own selfish motives. The later parts of these impactful types of scenarios mixed together and shoved into the middle of a relationship do not benefit anyone, though it can cause major issues and tear them apart. This idea that Ernest Hemingway expresses, focusing on a significant point-of-view and rhetorical application, expresses the theme throughout his story. Although, the short story has complex and easy to misinterpret dialogue, the characters and setting assist to complete the moral
The speaker in “Disillusionment of Ten O’ Clock” (Stevens) places the readers in a position that is crucial to the way that he wants them to perceive of the environment. The poem is written in free verse, a decision made by Stevens to invite his readers to come away from rules; not even writing should be controlled by what thy neighbor thinks.
In Tony Hoagland’s poem “Please Don’t,” he personifies nature to fully understand the naïve lives of them and the emotions that go along with them being sheltering. The poem takes place in the springtime when the flowers have all merely bloomed. A narrator, from afar, shares the description to the audience. In the second and third stanza, he talks about the relations between different aspects nature, in this case “about the rain, the fog, the dew” and how, in return, the flowers “lose control of themselves” (5, 8). In the following stanzas, the narrator describes the “chemistry of mitochondrial explosion” that is necessary for the survival of these “solar-powered” flowers (17, 13). Finally, the narrator talks about the detrimental
The primary external conflict of naturalistic literature is man’s struggle against nature or their environment. Harsh weather conditions, droughts and famines are all examples of how th...
The sunset was not spectacular that day. The vivid ruby and tangerine streaks that so often caressed the blue brow of the sky were sleeping, hidden behind the heavy mists. There are some days when the sunlight seems to dance, to weave and frolic with tongues of fire between the blades of grass. Not on that day. That evening, the yellow light was sickly. It diffused softly through the gray curtains with a shrouded light that just failed to illuminate. High up in the treetops, the leaves swayed, but on the ground, the grass was silent, limp and unmoving. The sun set and the earth waited.